In many Polish Catholic homes, an image depicting the Holy Mary still occupies the most honourable place in the house. The belief in the miraculous power of a Marian image has survived to this day in many communities, especially rural ones. People pray to Mary every day, but also in times of danger, asking for support and protection...
This icon comes from an Orthodox church in the village of Czarna in the Beskid Sądecki. It presents a whole-figure depiction of St. Dmitry, shown en face, with a cross in his right hand and with his left hand making a gesture of profession of the Christian faith. The saint is shown in ancient robes, without attributes of a soldier's profession. His name is inscribed above his head in the Cyrillic alphabet.
The exhibit comes from an Orthodox church in Szczawnik, a village situated to the north of Muszyna. In the centre of the depiction there is a cross placed on a rock with a skull of Adam, the symbolic Golgotha.
The icon was originally located in an Orthodox church in Szczawnik, a village situated to the north of Muszyna. Its central part is filled with a whole-figure depiction of St. Michael the Archangel, shown en face, who is holding a sword up in his right hand; in his left hand, he is holding a scabbard. The figure is dressed as an armed warrior, with a short tunic, armour and a tied above his left shoulder.
The retable comes from an Orthodox church in Izby, a village located near the Slovakian border, to the east of Krynica. It has a unique form modelled on the arrangement of the Subcarpathian iconostasis, though in an architectural frame typical of the altars of the Roman church. It is an example of westernisation, which involves adapting western patterns to eastern culture.
St. Nicholas is one of the most popular saints in Rus and Greece. He was the bishop of Myra in Asia Minor. His iconic representation was shaped at the beginning of the second millennium. The complex series which illustrate his life come from the 12th century. In panel painting, the story of his life was presented in the strip surrounding the main field of the painting, containing several smaller paintings. The central figure of St. Nicholas was presented as an old man, in bishop’s attire, in the half-figure or full-figure portrait depiction.
Helena Dąbczańska is a famous Lviv collector of incunabula, engravings, books, drawings, fabrics and furniture; the owner of a private museum organized in her own villa and the hostess on artistic Sunday mornings for representatives of the Lviv elite at the turn of the 19th and 20th centuries.
The icon is of the “Our Lady of Care” type and is known as Pokrow, which is characteristic for Ruthenia. The proper source of the icon's theme was the vision of Andrzej the Mad (cs. Jurodiwyj), which he experienced at the Blatzne temple in Constantinople.
The icon comes from an Orthodox church in Maciejowa, a village located between Nowy Sącz and Krynica. This type of presentation named Pokrov depicts the Mother of God, who is extending a veil over the world, which is hanging from her outstretched arms over figures clustered at her feet. Two legends are the sources of this theme.
The evolution of iconography, from the instilling of an idea, its crystallisation in worship, to its materialisation in art is a long and complicated process. The example of the Protection of the Mother of God shows how creativity could develop a theme based on one idea; the idea in which the East and the West found a common source, and through the interpretation of which their paths diverged with time.
This icon is the oldest in the collection of Nowy Sącz. The exhibit was added to the collection in 1977, after a sale offer was made by people living in Nowa Wieś, on a farm which was assigned to Polish settlers after the deportation of the Lemkos in 1947.