A leather belt, wide, decorated with metal elements and large oval semi-precious stones (probably agates), arranged in three rows. The belt is fastened with three metal hooks. Wide, richly decorated belts fastened with many buckles were characteristic of the entire area of the Carpathian mountains and the Balkans.
The legendary wings that stimulated the imagination of film-makers, painters and many others were characteristic decorations of the hussar armour.
In the 19th century, jewellery was worn with folk costumes both by women and men who tied a red ribbon around the shirt collar or fastened the sides of the collar with a collar stud. It was usually made of an alloy of lead, zinc and nickel (bakfon — a material made of imitation silver). The collar stud was adorned with a bead, although few men could afford real coral beads, artificial or even bread beads were used much more often.
The homespun sukmana coat is traditionally believed to belong to Tadeusz Kościuszko, sewn of ashen cloth, with long sleeves lined at the end with red fabric, widening from the waist down. The upright collar is sewn with a red fabric inset. On the collar, along the hook-and-eye clasp, at the waist and the coat tail cut, there are brown braids of woollen string. At the bottom of the right coat tail there are four horizontal zones of blue and yellow embroidered with wool.
Budrysówka (also: burdysówka) scarves were worn by older women. They folded them in half and at the corner and put them over their shoulders to use as a warm covering in the winter. They also wore them on their heads when it rained or snowed. The middle of the scarf consisted of a one-coloured thin cloth.
A leather belt fastened with two buckles, covered with fittings made of brass sheet decorated with cast plant ornaments. The belt fittings consist of alternating plates in the shape of rectangles with...
A jerkin embroidered with silver (?) and golden (?) threads, with a large cut-out at the front, adorned with baubles decorated with red coral (eight baubles on each side), geometric ornamentation prevails.
Boots featuring multiple folds at ankle height, which is a characteristic feature of women’s shoes made in the village of Mników near Kraków at the turn of the 19th and 20th century.
The staff of beech wood, of hexagonal intersection, slightly flattened, even along its entire length. It is equipped with a brass handle, in the shape of a hatchet with a slightly rounded blade. On the top of the axe there is the so-called cone — a brass, oval shaped inscription inscribed in a rectangle, fastened with four nails.
The elements of clothes shown in the Open Air Ethnographic Museum of the Pogórze Region in Szymbark come from the western part of the region, near Gorlice. For ages the region has been famous for manufacturing flax linen and cloth for trading purposes. They were produced by special weavers...
The Hussar half-armour was completed in the beginning of the 17th century, and it survived, in an almost unchanged form, up to the middle of the next century. It harmoniously combines both Western European and Eastern traditions. The presented half-armour consists of a breastplate, a backplate with wings, a bevor, a pair of brassards, and a bascinet. All elements are decorated with brass trim and small stamped circles.
A solid wooden cane topped by a brass handle; an exhibit in the Seweryn Udziela Ethnographic Museum in Kraków, inventory number 15457/MEK. It has often been displayed during many on-site and off-site exhibitions, and published in descriptions and photographs; on a day-to-day basis, it is stored meticulously wrapped in acid-free paper in a cardboard box on a shelf in a depository of the Museum's collections. It is quite valuable as it is one of only four similar items, the so-called kełefs, in the Museum's collection.
An apron to match the Kraków costume made of two gores of white thin woollen fabric with motifs of green twigs, roses and other pink and red flowers, and blue and pink tiny flowers and buds printed over it.
The czuha played a special role in the outfit of the Lemkos: it symbolised wealth and prestige. The czuha was obligatorily worn to Orthodox church, on more important festivals — even in the summer, as well as for weddings (even if one had to borrow it). It was a kind of a voluminous coat made of brown domestic cloth, which for other Lemkos was indicative of its owner’s origin.
The sukmana coat, formerly known as an outer garment, was commonly worn on Sundays and festivals by the inhabitants of Kraków villages. It was made of white cloth formerly manufactured, for example, by drapers from Chrzanów (even in the early 20th century, about a dozen families living in Chrzanów were still involved in this craft). Cloth made of spun wool was purchased from merchants from Biała. Depending on the recipient, tailors used a various finish of sukmana coats.
A jacket from the formal attire of the interwar period belonged to a member of the Sokół (Falcon) Gymnastic Society. The double-breasted jacket, made of green cloth, which got faded in the course of time, has five original buttons, but, unfortunately, it is not complete. It constitutes only one element of a full uniform. It was donated to the museum by a private person. The outfit evokes the history of the Wadowice Falcon’s Nest.
A hat belonging to the Kraków costume, so-called celender, made from black felt. Its shape resembles a cylinder slightly narrowing towards the top and with a 5 cm wide brim. The hat has a decoration in the form of a black tape of a lining material, which is an imitation of a velvet ribbon, and which has been fastened together at the front with a large brass buckle. On the tape, at the brim of the hat, there is a narrow ribbon embroidered with floral patterns.
An apron of white thin cotton cloth for the festive Kraków costume, full so as to cover the front and sides of a skirt, made from two widths of material, pleated, sewn into a narrow trim with cords formed on it. The apron is richly decorated with hand-made white punch and openwork pull out (toledo) embroidery, with a satin stitch.
Men's calf-length boots for the Kraków costume, made of black Russian leather. The main stitch is at the back of the boot. The boots have an isolated vamp, counters and a two-piece upper. The upper is stiffened at the top and lined with leather, at the bottom it is soft and lined with linen.
Shirt buckle – a decoration appearing in a costume of the Podhale region, used to fasten a man's shirt on the chest. It was purchased for the collection of the Tatra Museum by Juliusz Zborowski, a director of this institution, from Ignacy Prokop “Magdziarz” of Ratułów for the price of three million Polish marks in 1924.