The horse tack shown is a part of the almost typical horse-riding equipment used in the Republic of Poland by rich noblemen and magnates in the 17^th and 18^th centuries.
The tack consists of a saddle, a girth, stirrups and a bridle with szkofia and a breastplate. The shabrack with a pair of tassets also originates from Adam Sapieha's collection, though the previous owner is unknown.

The pride of the palace in Slavuta was a small pastel portrait which presented a charming teenage girl. It depicts Teresa née Czartoryska, the daughter of Józef Klemens, the founder of the china manufacturing plant in Korets. The girl’s mother was duchess Dorota née Jabłonowska, who was famous for her beauty. The author of the portrait was one of the most outstanding French painters, Elisabeth Louise Vigee-Lebrun /1755–1842/.

On the 29^th of September 1528, in the castle in Tarnów, John, the King of Hungary, Dalmatia, and Croatia, Margrave of Moravia and Lusatia, Duke of Silesia, granted the town of Tarnów, in return for the hospitality provided by Jan, Count of Tarnów, Voivode of Rus, 500 florins of annual income derived from the Košice tricesima, which was a fee charged from merchants entering the Kingdom of Hungary.

In the Korzec collection in Tarnów, which numbers 450 inventory items, a small vase of the kantharos type deserves special attention. Vases of this type served as decorations and were produced on the occasion of anniversaries or other events. The excellent quality of the product and the elegance of its form and decorations prove the high level of manufacturing quality in the 1^st two decades of the 19^th century. In Polish museum collections, a similar small vase can be found in the collection of the National Museum in Warsaw.

A bright green coin made of glass which constituted as a substitute for legal tender within the territory of the dominion of the Koryciński family of the Topór [Axe] coat of arms from Jodłowa. Inside a glass disc there was the Koryciński coat of arms in the shape of an embossed axe; above it there is a crown with nine tops.

Jan Branicki from Ruszcza, district governor of Niepołomice in the years 1585–1611, took particular care of church paraments (vestments, liturgical vessels and all accessories indispensable for celebrating liturgy and cult). He funded chasubles, dalmatics, copes, albs, thuribles or cruets for the church in Niepołomice while his wife Anna was a founder of altar cloths, a veil, a monstrance and a black veil for the altar used during the Great Lent.

The head is made of gold with six feathers fully covered with an engraved and chiselled floral ornament with niello petals, leaves and palmettes. At the end of the head there is a screwed-in pear-shaped pinnacle with embedded rubies and diamonds. When screwed out, it enables the feathers to protrude.

Aside from its practical functions, the silver tableware collected and stored in Old Polish houses also had representative functions. There was also a separate group of dishes of a primarily decorative character, whose original, sophisticated form, perfection of composition, and materials used for their production were to dazzle and delight the guests.

Jewish settlements in Poland began during the period of the Piast dynasty and increased in the 14^th-16^th centuries. At first, Jews settled in larger towns, in search of better living conditions. The first Jews arrived in Tarnów in the mid-15^th century. The proof of this is the mention of Kafel, a Jew, which can be found in the court files of Lviv from 1445.

On the initiative of Prince Józef Klemens Czartoryski, in 1784, a faience factory commenced operation in his Volhynian estates, in the suburbs of the town of Korets, in Józefina. It was the second farfurnia (in old Polish: factory of faience), after the one founded by King Stanisław August in Belweder near Warsaw on the territory of former Polish-Lithuanian Commonwealth. Czartoryski was well aware that the possession of the necessary resources within his own estates was the most lucrative way of organizing factories. For this reason, he sent samples of argil from the area of Korets to be analysed by experts in the famous. The outcome turned out to be to his advantage. The discovered deposits of kaolin, and other materials essential for production (kaolin was brought from Dąbrowica near Korets, flint — from Krzemieniec, and chalk — from Jampol), paved the way for business development.