A jerkin embroidered with silver (?) and golden (?) threads, with a large cut-out at the front, adorned with baubles decorated with red coral (eight baubles on each side), geometric ornamentation prevails.
A fragment of decorative fabric was used as a prop in the Academy of Fine Arts in Kraków – at the school of historical painting of Jan Matejko.
A small pouch made of a long piece of fabric sewn in half, reinforced on the sides with a silk tape, with a binding in the top part and a hole for a string used to tighten and loosen the pouch. At the bottom, there are decorative elements (tassels) consisting of gold circles made of thread and long single tassels. The whole pouch is embroidered with split stitch, long and short stitch and fishbone stitch. On one side, there are four human figures among thin trees with palmate leaves resembling oak leaves. On the other side, the same young woman is being led up a hill by the old man. Although interpretation of the scenes on the alms pouch is not certain, it is most likely they depict episodes from the story of Tristan and Iseult. The tale of unhappy love of brave Tristan to beautiful Iseult, the wife of king Mark of Cornwall, was written down for the first time in the 12th century and has been reappearing since then in many countries and language versions. Scenes embroidered on the pouch, enrooted in the Arthurian tradition, depict the clash of a sophisticated world of courtly ways (young and beautiful lovers) with wild forces of nature (the old men). There are only several alms pouches with similar decorations preserved until now.
The elongated rectangle of maroon velvet consisting of three rectangles sewn together: the largest embroidered one in the centre and two smaller ones attached on its sides, not embroidered. The decoration in a silver and gold-like hue fills in the surface of the central rectangle: a crown flanked by griffins-lions and vases with flowers. Above them, right at the upper edge, runs a one-line Hebrew inscription composed of four divided words:
כתר תורה “Crown of the Torah”
A headdress piece stiffened with wires, made of strips forming a diagonal chequered pattern. It is embroidered with imitation pearls and laced with metal threads, forming a convex plant ornament. The crown is placed at the back. The whole piece was covered with fabric, and straps were sewn into it at the head for fastening. The object was used as a prop in the Academy of Fine Arts in Kraków.
For Monika Drożyńska, embroidery – a technique of centuries-old tradition, which is nowadays regarded as a less typical medium of art – is a form of meditation. The artist’s activity in this field is part of the language of women’s art, which is close to crafts such as sewing, embroidering, and crocheting. Her work, Between words, using the embroidery technique, was implemented by the artist as part of her individual exhibition, After the word, which took place at the Bunkier Sztuki Gallery in 2011.