Presented coffee grinder mill has a manual drive – crank (bent bracket finished wooden handle). Tank for grinding is semicircular at the bottom connected to the square housing in which there is a wooden box. Grinder is screwed to the wall with two screws. Back was painted green...
A Hanaire [花入], which is a flower vase used during the tea ceremony, can have many forms — standing, hanging, with a broad spout, or imitating a thin bamboo stem. Hanaire creators are not limited in terms of materials they can use, either. In tea rooms, one can encounter vases made of wicker, hollow calabash, and every kind of ceramic. Those lighter materials are used during summer gatherings; while heavier ones are chosen in winter.
Ikebana is the art of arranging flowers which involves the creation of linear harmony and asymmetrical composition while keeping unity among the shapes, rhythms and colours of the material used. Elements used in compositions include branches, leaves, grass, and flowers, as well as vessels, and each of these elements has its own symbolic meaning.
Loro Blonyo – sculptures of a young couple representing Dewi Sri, the goddess of rice, and her husband Sadhono. The Loro Blonyo figures are an inseparable couple. Like the deities, they are considered symbols of fertility, granting the ability to have many descendants and to ensure good harvests, happiness, and prosperity, as well as a long life in good health and peace.
The 18th century, called the century of women, was the age of sophisticated social games. What item was better suited to flirting than an amusing, coquettish fan? Thus, a secret “language of fans” was created, one to be mastered by every young woman with ballroom ambitions.
In everything that surrounded Ainu, in all living things, as well in all objects created by them, the god-spirits lived. The Ainu called them kamuy. These spirits were responsible for all events and phenomena that occurred; this is why it was necessary to honour them and while commencing any work, it was necessary to perform prayers that involved offering them sacrifices. Good spirits were invited to their ceremonies and homes, and, after worshipping them, it was mandatory to send them back to their abodes. According to the Ainu, every object is not only the home of the kamuy spirits but also has a soul — ramat — and whoever or whatever does not possess ramat does not possess anything.
The throne, a decorative armchair (attribute of power and dignity) of ebony, consisting of 6 parts joined with pegs. The seat, backrest elements and footrest were made of cord woven from palm leaves. The decorations topping the backrest were made with the technique of inlaying with ivory. The outer edges of the backrest and footrest are decorated with wooden carvings in the form of spheres.
The level of a kimono's formality is determined by the type, design and colour of its fabric, as well as the adjustment necessary for the occasion the kimono is intended for. At present, most women wear kimonos when practising traditional Japanese arts such as the ikebana and the tea ceremony, or during important family meetings. One such event is a Japanese wedding of Shinto rite. One of the kimonos included in the set of kimonos worn by the bride on that day is a red outer kimono uchikake.
A kimono is a Japanese dress and is an important part of this country's history, culture and tradition. Through the ages, its form has changed somewhat due to Chinese and Korean influence. It got its present shape, the letter T with broad sleeves frequently reaching the floor, during the late Edo period (1603–1868).
The fan, originally designed as a cooling device, was elevated in modern times to a symbol of dignity. Over time, it became a very fashionable element of female attire. On the other hand, fan gestures became a conventional code used by men and women to communicate and flirt at the court.
How many exotic lands should we visit to follow their trail throughout centuries of history? How much of human history is hidden inside this apparently completely innocuous and frivolous object?
Sigismund Augustus probably ordered some of these fabrics around the year 1548. According to Wychwalnik weselny [Wedding praiser] by Stanisław Orzechowski (Panagyricus Nuptiarum Sigimundi Augusti Poloniae Regis, ed. 1553), the three series of tapestries: the History of the First Parents, the Story of Moses and the Story of Noah already adorned the interiors of Wawel Castle on 30 July 1553, for the wedding celebrations of Sigismund Augustus and Catherine of Austria. It is assumed that after this year the king ordered further fabrics, and that around 1560, the entire collection was already in his possession.
Chaji may last for several hours and during this time guests have the opportunity to taste thick koicha tea and light usucha tea, as well as to refresh themselves with a light dish or to taste sweets. All the elements are chosen specifically for such a meeting. In terms of form and motif, utensils should match the season and the occasion. Even the dishes reflect the seasonal characteristics of nature. When speaking about uniqueness of each chaji, the Japanese use a phrase ichigo ichie, meaning: the only meeting like this in life, and the cultivation of this lifestyle is called the Tea Way.
One of liturgical utensils of the Jewish faith is a vessel for scents called a spice tower (Hebrew: bassamim, psumin-byksy) used during Sabbath. This spice tower represents the most common turret type in the shape of a multi-storey synagogue.
A container for fragrant spices (e.g., clove, cinnamon, vanilla, myrtle), the aroma of which is ritually inhaled during the ceremony called Havdalah (in Hebrew: separation) held in Jewish houses at the end of Shabbat.
The container for fragrant spices (e.g. clove, cinnamon, vanilla, myrtle), the aroma of which is ritually inhaled during the ceremony called Havdalah (in Hebrew: separation) is held in Jewish houses at the end of Shabbat. The base is in the form of a square frame. The stem has four rods fastened with four elliptic medallions.
Besamin boxes [heb. bassamim, psumin-byksy] served as containers for spices and were used during the end of the Sabbath and were usually tower-shaped, whereas the besamin box from Sącz was in the shape of a fish, whose head, connected with a trunk with a hinge could be opened and tilted.