Although some things can be said about Tadeusz Pankiewicz, little is known about his three employees who assisted him in the ”Pod Orłem” [”Eagle”] Pharmacy. We know them from occupational photographs in which they were shown accompanying their manager. Smiling, amiable, young. But what do we actually know about them?
An inconspicuous place. From 1967 to 1981, it was simply known as “Bar Nadwiślański“ [“Vistula Bar“]. But even then people arranged to meet to have a beer “at the pharmacy“. Today it is a branch of the Historical Museum with an elegant interior, pharmacy shelves in the Biedermeier style, photographs, maps and documents on the walls. Somewhere there is a deeply hidden rear exit...
The photograph was taken either in 1942 or 1943, in the times of the Kraków ghetto in Podgórze. It presents Tadeusz Pankiewicz accompanied by his employees: Helena Krywaniuk (in the background), Aurelia Danek (in the middle) and Irena Droździkowska. Contrary to their superior, the women did not stay in the ghetto at night.
The original of the medal granted to Tadeusz Pankiewicz (21.11.1908—5.11.1993) by the Israeli Holocaust Martyrs' and Heroes' Remembrance Authority Yad Vashem on 15 September 1983 is stored in the Częstochowa sanctuary, placed there as an offering by his widowed wife after the death of Pankiewicz.
When dying of breast cancer in the sanatorium of Praz-Coutant in France, Szapocznikow was at the age of 47. The cancer first appeared at the beginning of 1969. She underwent successful surgery and therapy, and introduced the theme of illness into her art.
Dr Roman Glassner is sitting in a dark leather armchair in the middle; on the left is Helena Krywaniuk sitting back on an armchair, leaning against Aurelia Danek who is standing behind her. Dr Leon Glück is sitting back on the seat on the right. Tadeusz Pankiewicz stands behind the armchair in the background.
Anna Baumgart’s film, Article 1000 (Paragraf 1000), is the result of the artist’s search in the archives of the Falstad Centre. During the years 1941–1945, this location served as an SS prison camp, and, after the WWII, it was transformed into a prison for people collaborating with the Nazis. The starting point for the artist was the documentation found as a result of a query and fragments of the New Year’s performance script, staged by convicts in 1947, which went on to become a political scandal.