Antoni Jezierski was born in 1859 in Ikhrovytsa in the former Tarnopol district (now Ukraine). After finishing lower secondary school in Lviv, in 1878–1882 he studied at the School of Fine Arts in Kraków. During the study at the School of Fine Arts, Jezierski’s works won 4 awards. The young painter also received a scholarship, thanks to which he was able to travel to Italy, where he visited Venice, Bologna, Florence and Rome. During his stay in Italy, Jezierski copied frescos and paintings. After returning to Kraków during the period 1884–1887, he continued his studies at the School of Fine Arts at the composition school of Jan Matejko. In 1890, thanks to another scholarship, he continued his education at the Munich academy. After returning to Poland, he created works in various cities in Russia. He died in 1939 in Lviv.
Ferdynand Olesiński received the second competition prize of 20 guilders in 1875, awarded by the management of the Society of Friends of Fine Arts for a perspective drawing. Olesiński then made a pencil sketch depicting the cloisters at the Franciscan church in Kraków. Perspective drawing was one of the subjects taught at the second branch of the School of Fine Arts in Kraków. The students also learned drawing still life, copying and drawing head contours.
Antoni Jezierski (1859–1939) is one of Jan Matejko’s students. He studied in 1878–1882 at the School of Fine Arts in Kraków and then, after returning from a scholarship in Italy, he enrolled in 1884 at the Composition Section run by Jan Matejko.
Marceli Harasimowicz was born in 1859. He spent his childhood as an émigré in Switzerland and Paris. In 1872, together with his brother and mother, he returned to Poland, where during the period 1873–1879 he studied at the School of Fine Arts in Kraków.
Jan Bukowski (1873–1943) according to the Dictionary of Polish Artists, studied at the School of Fine Arts in Kraków during the period 1893–1900. He attended the workshops of such famous artists as Władysław Łuszczkiewicz, Teodor Axentowicz, Leon Wyczółkowski and Jacek Malczewski. The presented drawing is signed with the name and surname of the author and dated by him to 1892.
The presented drawing was made on 12 March 1852 in Vienna, as evidenced by the signature therein: “Vienna 12/3  852 Szynalewski”. It is not known how the study of two male nude figures by Szynalewski appeared in the collections of the Academy. One can guess that it was donated by the author himself. The drawing shows that the technique had been perfectly mastered by the 27-year-old artist.
Franciszek Machniewicz (1859–1897) was a student of Jan Matejko’s Composition Department for a year (1885–1886); he previously studied under Feliks Szalewski and Władysław Łuszczkiewicz. During his studies in 1876 and 1883 he was awarded for academic nude figure drawings, and in 1878, for the Study of a male nude figure, he was also awarded the amount of 30 zlotys by order of Marian Gorzkowski, the secretary of the School of Fine Arts.
Little is known about Wilhelm Moszyński. He was born in Zaborów and died prematurely probably before the end of 1885. During the period 1875–1880 he was a student at the School of Fine Arts in Kraków.
Emanuel Edmund Herncisz (1858–1885) studied at the School of Fine Arts in Kraków under Władysław Łuszczkiewicz, Leopold Loeffler and Jan Matejko during the period 1874–1882. Thanks to the scholarship of the Austrian government, during the period 1882–1883, after completing his education in Kraków, Herncisz went on to study at the Munich academy. In 1883, the artist made a trip to Italy, where he planned to return with Seweryn Bieszczad to take up painting studies. The artist’s plans were scuppered by tuberculosis, which would lead to his death two years later.
Seweryn Bieszczad studied painting at the School of Fine Arts between 1868 and 1876, under the supervision of Władyslaw Łuszczkiewicz and, subsequently, Jan Matejko. He also studied in Vienna and Munich under the supervision of Sándor Wagner (Ger. Alexander von Wagner) and in Dresden as a scholarship holder of the Vienna Academy.
The present study of a male nude comes from a time when Ferdynand Bryll studied at the School of Fine Arts in Kraków. The perfectly captured proportions of the model, along with the correct chiaroscuro modelling, are evidence of the solid fundamental skills possessed by the aspiring artist.
Ferdynand Bryll, painter, portraitist, conservator and illustrator, was born in 1863, in Kraków. In the years 1876–1884, he studied at the School of Fine Arts in Kraków. In the course of his studies, in 1882, at the request of Jan Matejko, he assisted Henryk Rodakowski during his work on the frieze in the parliamentary chamber in Lviv.
The sketch is probably a portrait study of Marian Gorzkowski. It shows a middle-aged man, with a thin face covered with wrinkles depicted as a bust. The man has a beard and moustache. He is probably dressed in a frock coat, which was a formal visiting outfit introduced in the 19th century. This is indicated by the widened lapels of the double-breasted long jacket, which was then popular among men, visible in the portrait. However, the artist focused primarily on rendering the facial features of the portrayed person.
Stanisław Józef Rafał Dominik Radziejowski was born to a landowning family in Zegartowice near Wieliczka. He probably started studying at the School of Fine Arts in Kraków in the academic year 1874/1875 and he is thought to have only studied for one year. However, this information has not been confirmed. Certainly, Radziejowski studied at the School of Fine Arts during the period 1880–1885 and 1888–1891 in the composition department of Jan Matejko. During his studies, he received several awards...
The painter Karol Kamieński, also mistakenly called Dominik, was the son of Maciej Kamieński, a Polish composer of Slovakian origin. We have sparse information about the artist’s life. What is known is that in 1792 he lived at Piwna Street in Warsaw. Thanks to the help of his father, he managed to find his way into the court of King Stanisław August Poniatowski.
Antoni Stopa, a painter, writer and agrarian activist, was born on 5 August 1849 in a peasant family living in a hamlet on Mount Ostrysz near Maków (now Maków Podhalański). Stopa created under many pseudonyms, many of which related to his ancestry: AS, As, Antoni Sygoń, Antoni Sygoń of Babia Góra, Pauper of Maków, Boruta, Peasant from Babia Góra, Peasant from a village, Świtoniec, Jan Kwaśny, Jantek of Ostrysa, Jaźwiec, Kitaj, LM, Leszczak, Walenty Sygoń, Ostrysiak and Racławiak.
The presented drawing from the collection of the Academy of Fine Arts was awarded by the professors of the School of Fine Arts and was awarded first place by the authorities of the Kraków Society of Friends of Fine Arts, along with a sum of 30 guilders.
Władysław Rossowski was born in 1857 in Monastyryska near Buczacz (now Buchach in Ukraine). He was a brother of Stanisław Rossowski – a poet, writer and journalist, and father of Tadeusz – a cartoonist and painter. In 1872–1873 he attended Higher Real School in Kraków and in 1873–1874 he studied in Lviv, where he took the matriculation exam. After passing, he studied painting at the School of Fine Arts in Kraków from 1874 to 1884.
The presented pencil drawing by Jan Matejko is a sketch for the painting entitled Długosz and St. Kazimierz which was eventually left unpainted. On his paintings, Matejko often presented historical topics from the reign of the Jagiellonians. One can mention, among others, such paintings as: Stańczyk during a ball at the court of Queen Bona, in the face of the loss of Smolensk (1862), Union of Lublin (1869), The Hanging of the Sigismund bell (1874), or Prussian Homage (1880–1882).
Ferdynand Olesiński, from a family of Wieliczka [the centre of salt mining] miners, was educated during the period 1871–1883 at the Kraków School of Fine Arts under the direction of Florian Cynk, Leopold Loeffler, Feliks Szynalewski, Henryk Grabowski, Izydor Jabłoński, and above all Jan Matejko and Władysław Łuszczkiewicz. He was a distinguished student who won praise and rewards.