This Art Nouveau dish, in the form of a bowl with a wavy irregular collar, is a very delicate and fragile object. It was handmade from glass blown on an iron rod, the so-called punty. At the bottom of the salt shaker, there is a grounded star sign visible after the cut off of the punty. Next to it, there are L. C. T. signs indicating the artist.

The decoration engraved on the bowl depicts the mythological scene presenting Orpheus sitting under a tree and playing the lyre, surrounded by animals. On the other side the inscription, “Orpheus playing assumedly with a tree and animals”, with spelling mistakes, which allows for attributing this exhibit to Saxon engravers from the Hein family working at that time in the Radziwiłł glassworks in Naliboki.

A round box with a cover; it was probably used as a powder box, in the colour of milk, decorated with medallions and a blue floral painted pattern. The glass inside the powder box was painted with cobalt, hence the blue colour.

Glass of sapphire and milky colours, with a goblet in the shape of a cylinder widening upwards, decorated with medallions and panels with a colour floral and plant pattern.

The glassworks in Naliboki, in the estate of the Nieśwież line of the Radziwiłł family, was founded in 1722 by Anna née Sanguszko Radziwiłł, the widow of Karol Stanisław. The glass factory was very modern, superbly organised, and was no worse a plant than European ones.

The casket is made of light wood, with edges inlaid with darker wood. The lid of the casket is characterized by barrel vaulting and mounted on metal hinges. The casket closes thanks to a metal latch. The inside of the casket is painted in black and divided into three wooden compartments. The size of the casket is adapted to the shapes and sizes of the three perfume bottles inside of it.

The perfume bottle has the form of a cuboidal decanter with a thick neck and a glass stopper. It is made of colourless glass. The stopper is cut in a flower shape. Inside the bottle, there is a dried flower. At the base of the front side – a triangular label with the inscription: “Millana / woda kwiatowa / MILANÓWEK.”

A perfume bottle in the form of a cuboidal crystal glass decanter with a bevelled glass stopper. The neck of the vessel is elongated, decorated with a flange and a strip of a label with an illegible inscription.

It was probably created at the turn of the 20^th century. Its base rests on three lying lions. The profiled stem is finished with a figure of an eagle with outspread wings. Eight semi-circular branches are attached to the stem with clips.

Salome, the daughter of Herodias and stepdaughter of King Herod Antipas, danced so beautifully that the ruler let her ask for anything she wanted. Her wish, suggested by cruel Herodias, was John the Baptist’s head. Biblical Salome is one of frequent motifs in the iconography of European art. The archetype of a dangerous seductress fascinated artists of all epochs.