After the outbreak of World War I, Roman Florer received an assignment as an observer on the Serbian and Italian front in the 4th Aviation Squadron. At the turn of 1914 and 1915, he was sent to the Wiener Neustadt pilots' course. After completing the course, he returned to the front as a pilot in the 27th Aviation Squadron.
Minimalism of style and verbal content, linked by an ingenious concept. The drawings allude to social, economic and artistic issues. The stance is critical: witty but also marked by bitterness.
A piece of white and red cloth with a W.P. stamp served as a necessary substitute for the longed-for Home Army soldier uniform — a clear sign that one is a soldier rather than a civilian. The Union of Armed Struggle [Związek Walki Zbrojnej] was...
This exhibit is one of many kinds displaying the Home Army bands. It was made for soldiers of the Home Army's Żelbet Group, which emerged out of a series of clandestine initiatives growing in the wake of the September defeat, especially in the Secret Military Organisation of the Kraków Garrison...
The representation on the bandages illustrates a fragment of chapter 125 of the Book of the Dead, the scene of “weighing hearts”. The Book is a set of formulas and spells, which are supposed to help the deceased to achieve eternal life in another world and to put down the demons of darkness, but foremost to be favourably judged of Osiris. The figures shown on the bandages, usually 42 of them, picture the Egyptian nomes, which functioned simultaneously as religious centers. The judges of the Tribunal of Two Justices are the same time the guardians of the sinners.
This exhibit features ID card no. 84 with the legendary 7 badge. It is associated with a Fighter Squadron (the so-called Kościuszko Squadron) fighting in defence of the Polish Borderlands in 1920. This unique unit, apart from Poles, also included American volunteers. The ID card belonged to Maj. Pil. Teofil Dziama and was issued...
This is a biography, written by the priest himself, Karol Wojtyła, on 8 April 1951, attached to the application for an assistant's position at the Faculty of Theology of the Jagiellonian University in Krakow.
Bartek Buczek, apart from being a painter of works of art, is also a bouquiniste, an owner of an antique book shop, and he likes to emphasize this. In his painting, as well as when going beyond the boundaries of paintings, one can find not only literary inspiration, but also a melancholy atmosphere accompanying a focused reader, a thoughtful detective, who follows the development of plot threads and narratives. While working on his art in his own way by means of his creative personality, he remains patient. And this is how he plots stories that are almost real, whether on stretcher frames or in the pages of a book.
The calligraphy depicts an ideograph Ima今 (Now) written with black ink on white paper. At the bottom of the work, to the right, there is a red seal with the letters Rikoh in the Latin alphabet. This is the artist's name written in one of the versions of the Japanese language transcription. Novices in painting and calligraphy were encouraged to carve their own seals − the art of carving seals was called tenkoku.
The presented old print is the most complete issue of one of the best known works by Marcin Cromer with the Polish title: O pochodzeniu i czynach Polaków ksiąg trzydzieści [About origins and deeds of Poles in thirty books] (the first Polish translation of the work written in Latin came out in 1611).
The work of a Persian doctor, philosopher, scholar, known in Europe as Avicenna (Abu Ali Ibn Sina, 980–1037). The Canon of Medicine was written at the beginning of the 11th century, but served as a manual of medical knowledge in the West even up to the 17th century, while in the East it is sometimes used up to this day.
According to tradition, it is associated with the Relief of Vienna. When, after the victory over the Turks, the army of King Jan Sobieski was returning to Poland, several soldiers stopped in Biecz. In gratitude for defeating the pagans and ending the war unscathed, the soldiers left this small portable altar in the church in Biecz.
This invaluable drawing presents the scene: “Properly handling the invention of Mr. Daguerre: the military way” of the first act of the work, Wielopole, Wielopole, directed by Tadeusz Kantor. The drawing has watermarks. The composition was made with ink and pencil and placed in a black cardboard passe-partout. The outline of the female photographer is marked in black ink. The woman is absorbed in the action of photographing/shooting.
The cycle Everyday news is a visual record of press cuttings, processed by the artist. Basia Bańda was inspired by the headlines from local, internet news portals of Lesser Poland (Kraków.wyborcza.pl, gazeta.pl), which became titles of thirty collages. Tragic events prevail amongst them: unfortunate accidents (The passenger lost her leg under the wheels of the train), acts of violence (A man from the coast beat a woman in Nowy Targ), disappearances (She disappeared around Wielka Krokwia), murders (Murder on Budryk Street. The police are looking for the stabber), incidents of devastation (He damaged 36 cars. Prosecutor: prison and damage repair). People’s dramas intertwine with equally catastrophic information from the world of nature (Dead fish in the Biała river – investigation discontinued). Most misfortunes chosen by the artist and described in the press concern individuals, and their impact on the life of the local community is negligible.