The project, Revitalisations, was implemented Wojciech Gilewicz in Sanok in 2007. The long-term marginalization of the city and its exclusion from comprehensive modernization projects prompted the artist to undertake his own, non-standard intervention, using the illusionistic potential of painting. The intention of the action was to repair the visual deficiencies of the urban fabric, to supplement its defects with the help of images, and by doing so, lead at least its temporary and provisional revitalization. During the artist’s several-week work in the public space of Sanok, pictorial mock-ups of reality covered the progressing degradation and neglect of buildings and streets. They replaced missing tiles of wall claddings, hid glaring dirt and lichen on elevations, filled plaster gaps, fitting perfectly into their shape.
Following the Wisła TV set, the black and white Belweder TV set was the second TV set to be produced in Poland and the first one entirely designed in our country. Laboratory works commenced in 1955 with the assumption that its production would be based on technologies available in Poland, on the contrary the Wisła TV set was produced on the basis of Soviet license and parts.