Photomontage: a white plane of the Main Market Square, the Adam Mickiewicz Monument, the Cloth Hall, outlines of the Wawel Castle and churches — all made of black paper columns with white letters overprinted. What draws our attention is the calendar page dated “March 8, International Women’s Day.”
The photograph shows four people: two women, a man, and a boy. They look at the excavator digging the soil out for the foundations and loading it onto the truck. On the right, there is a young woman wearing a braid with a briefcase in her hand, standing with her back turned on the right side of the frame, and a man in a suit.
This is an amateur photograph in which an important historical event has been captured. It was made by an unknown author on 3 May 1919 in Kraków. On the Market Square, the infantry is in the foreground; next, the artillery — set in a double row, back to the photographer. Sukiennice [The Cloth Hall] was decorated with flags and the Polish emblem. Many groups of civilians stand under them. A field mass is taking place, organised by artillery and cavalry. Under the arcades of the central part of the Cloth Hall, on the side of Szewska street, an altar was organised which was decorated with flowers and emblems of national colours. From the side of the town hall there are Kraków units represented by the 13th Infantry Regiment with an orchestra, 20th Infantry Regiment of the Kraków Land and 8th Uhlan Regiment.
Kraków was to become an important hub for water transport. The idea came to light in 1901, when the Vienna State Council adopted the so-called the Koerber Act (from the name of the Austrian Prime Minister Ernst von Koerber, initiator of its adoption). The venture had a huge budget (1 billion kroner); it assumed the construction of new waterways...
The photograph presents a view of Wolnica Square. In the foreground of the photograph stands the city hall of Kazimierz (today the Ethnographic Museum), with the tower and gable of the Corpus Christi Church, tenements at Krakowska Street and tall deciduous trees in the background.
The photograph was taken either in 1942 or 1943, in the times of the Kraków ghetto in Podgórze. It presents Tadeusz Pankiewicz accompanied by his employees: Helena Krywaniuk (in the background), Aurelia Danek (in the middle) and Irena Droździkowska. Contrary to their superior, the women did not stay in the ghetto at night.
Kraków, the Szczepański Square, northern frontage; the market square and kramnice stalls. A fragmentary view of the market square — you can see two gabled wooden kramnice stalls and tables with baskets on them. There are also barrels and wicker brooms lying on the pavement. A few persons are trading.
This artistic photograph by Jan Motyka presents Wawel outlined with a white line, a side elevation of the Wawel cathedral with the Silver Bells’ Tower, Wawel itself, and Sigismund’s chapel. In the foreground, two men are standing in the alley; one is standing in front of the easel...
The photograph shows a big group of highlanders standing by a new parish church at Krupówki (the Church of Sacred Family). It is 1901. The picture can give you some idea about highlanders’ dress and customs, and shows a fragmentary view of the new church back then. A part of an album from a Kraków family of Pusłowscy, the picture is a great example of amateur toned black and white photography.