Toshūsai Sharaku is one of the most enigmatic Japanese artists. The woodcuts signed with his name come from the period between May 1794 and January 1795. A total of about 150 Sharaku card images depict actors from the Kabuki theatre; these are projects with a completely different new form of expression, often close to a caricature.
Six-arched, closed, covered with a canopy with a small crown and a bunch of flowers at the top. The profiled rim, decorated with two appliqué, openwork bands. The crown arches, alternated with figures of birds, are in the shape of lions standing on their hind legs with the front legs resting on narrow, flat bands in the form of a twig supporting the canopy with a drapery in the shape of leaves.
The costume for the role of Lady Macbeth was given to the Historical Museum of the City of Kraków as the inheritance after the actress and singer Jadwiga Mrozowska, who had connections with the Kraków stage in the years 1902–1905. From 1905 the artist settled down in Italy, where she performed as an opera singer.
The silver cross with a full figure of Christ, placed on a cuboid profiled plinth, decorated with plaques with the coat of arms of Kraków (SIGILLUM CIVITATIS CRACOVIAE METROPOLIS REGNI POLONIAE) and the coat of arms of the Segnitz family.
A guild counter was used for keeping documents connected with the guild, the power insignia of seniors, guild books. The counter of the surgeons’ guild is a cuboid wooden chest with a cover. Its external walls are decorated with panels, ornamented with rhombus motifs filled with stars made in the technique of intarsia (a form of inlaying wooden surfaces with other types of wood).
Pursuant to the Act of 22 August 1940 and the Agreement of 11 June 1940 entered into between the British and Polish governments, the British government permitted the establishment of two bomb squadrons, including a training centre, and introduced a command dualism and a right to use Polish national symbols. Polish pilots wore British uniforms featuring the Polish eagle on the cap and the inscription “Poland” on the upper part of the sleeves.
In the 19th century, jewellery was worn with folk costumes both by women and men who tied a red ribbon around the shirt collar or fastened the sides of the collar with a collar stud. It was usually made of an alloy of lead, zinc and nickel (bakfon — a material made of imitation silver). The collar stud was adorned with a bead, although few men could afford real coral beads, artificial or even bread beads were used much more often.