Men's calf-length boots for the Kraków costume, made of black Russian leather. The main stitch is at the back of the boot. The boots have an isolated vamp, counters and a two-piece upper. The upper is stiffened at the top and lined with leather, at the bottom it is soft and lined with linen.
The presented corset comes from the village of Rozdziele. Corsets (lajbyky) were worn by Lemko women – brides and young married women. They were worn over blouses.
A woollen skirt machine-sewn from six gores of fabric, creased in its upper part. A small black tape sewn over the creasing changes into fastening strips at some point. The bottom part of the skirt is lined with a strip of patterned cotton fabric; the edge is finished with a blue trimmed tape.
A shirt with a mandarin collar and long sleeves, sewn from red satinet. The rectangular front part is decorated with a black embroidered border featuring a recurring star motif. A fastening on the side, along the front part. The exhibit shown is a shirt of a Russian POW from 1916, given to the Museum by Adam Wrzosek (a physician, anthropologist, medicine historian and professor of the Jagiellonian University).
Kęty and the town of Wilamowice, which was exceptional as early as in the interwar period, lie 7 kilometres apart. Wilamowice was founded as a settlement around 1250 by a group of newcomers from Frisia and Flanders who took care of their culture throughout the centuries, including their own dress and language, so different from the one in the communities nearby.
Kraków costume women's shirt made from white fabric, decorated with white embroidery.
A pair of women's boots in a Hungarian style for the Kraków costume, made of black tanned leather, stiffened inside with pale cow skin. These boots have two-piece uppers stitched on the sides and stiffened at the top; in the lower part, at the ankles, the skin is characteristically concertinaed (“bellows”).
Women's calf-length boots made from black leather from the Krakow costume are an example of Hungarian style boots. These are the oldest type of boots, which were characterised by stitching two pieces of leather together on the sides. The upper layers of the boots are stiffened at the top, and in the lower part the skin is characteristically concertinaed (“bellows”).
A piece of white and red cloth with a W.P. stamp served as a necessary substitute for the longed-for Home Army soldier uniform — a clear sign that one is a soldier rather than a civilian. The Union of Armed Struggle [Związek Walki Zbrojnej] was...
This exhibit is one of many kinds displaying the Home Army bands. It was made for soldiers of the Home Army's Żelbet Group, which emerged out of a series of clandestine initiatives growing in the wake of the September defeat, especially in the Secret Military Organisation of the Kraków Garrison...
Boots featuring multiple folds at ankle height, which is a characteristic feature of women’s shoes made in the village of Mników near Kraków at the turn of the 19th and 20th century.
In Kraków folk costume, the kaftan, in addition to the top white sukmana (essentially a tunic), was an important and distinctive element of a holiday outfit – a testimony to the wealth of the owner.
The presented object is a wide skirt of navy-blue cretonne covered with a white print of plant pattern (contour clover leaves), referring to the so-called 19th century, factory-made tłoczeliny. It has a traditional cut.
An apron to match the Kraków costume made of two gores of white thin woollen fabric with motifs of green twigs, roses and other pink and red flowers, and blue and pink tiny flowers and buds printed over it.
Kęty and its surrounding areas had been inhabited by the Lendians for centuries. Female costume is one of the few examples of Lendian culture which have survived to the present day, n examples of which are presented at the museum in Kęty. Single examples of such costumes could still be seen on the streets of Kęty in the 1970s.
The presented object is a men’s outer garment made of brown cloth, lined with blue and white herringbone factory-made fabric. On the collar and at the end of the sleeves, a black decoratively backstitched material is visible.
A cope is a long and wide cloak, worn over shoulders and fastened on the chest during the Liturgy of the Hours, the celebration of the sacraments outside the Holy Mass, and the exposition of the Blessed Sacrament. The only ones authorized to wear it are bishops, presbyters, and deacons who received permission from the Holy See.
A skirt for a Kraków-style costume sewn from six green woollen fabric gores with pink-crimson-white motifs of single roses and yellow-claret ribbons. By means of delicate green stems, the roses are bunched together with blue flowers – rosettes with five petals separated from each other with small yellow circles.
A woman's corset for the Kraków costume from Bronowice, made of velvet, composed of two front parts, and with a flounce sewn on to it on the back, laid in thirteen folds. The front is fastened with hooks and eyes. It has a white lining and is decorated with haberdashery bands of metal gold and silver threads, and decorative buttons, beads, and sequins.