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“Kraków environs, a rural genre scene”

The photograph shows four women against the background of a peasant cottage. Two of them, probably models (as recorded by Lucyna Sulerzyska in the inventory sheet), clad in Kraków costumes, are standing by the entrance with their backs facing each other. On the left, two peasant women in regular clothing are sitting on the doorstep (przyzba). The whole figures can be clearly seen, whereas the cottage front can be seen only partially.

“Wawel: Cathedral’s courtyard”

This artistic photograph by Jan Motyka presents Wawel outlined with a white line, a side elevation of the Wawel cathedral with the Silver Bells’ Tower, Wawel itself, and Sigismund’s chapel. In the foreground, two men are standing in the alley; one is standing in front of the easel...

“Henryk Jordan’s Park”

The photograph shows an alley in Henryk Jordan’s Park with two distant busts of famous personalities. The white marble-sculpted busts are a noteworthy detail, the Barthesian punctum, or the intriguing elements of the picture. The bushes make up an evenly trimmed hedge. It is a stereoscopic photograph, a single print with two separate shots.

“The Lajkonik is offered a treat in front of the Town Hall”

Lajkonik is photographed slightly from the bottom, framing the torso, turned to the right. He is holding a cup in his hand; he is receiving something to drink. The City Hall is visible in the background. The photograph was taken in the 1960s or 70s. It belongs to a series of five photos by the same author...

“Portrait of two boys”

The photograph shows two boys in Kraków costumes. The photo is exceptional since it presents genuine Kraków costumes from the 1860–1880 period. On the left you can see a boy turned ¾ to the left. He is wearing a light russet coat and a Kraków four-cornered hat and is holding an Easter palm in his right hand propped against the ground. The other boy, taller and clad in a similar russet coat and a hat with feathers, is standing behind the boy with his hand on his shoulder.

“The main gate to Henryk Jordan’s Park”

The photograph shows the main gate of the Henryk Jordan park in Kraków. In the foreground, the road has been flattened (currently, 3 May Avenue), behind which there is a wooden bridge on the River Rudawa. Next, we see a tall wooden gate, with the inscription: Miejski/ Park Dra Jordana. In the background, on the left, a wooden pavilion designated the main pavilion...

“Magic Lantern” — slide projector from Austro-Hungary

“Magic Lantern” – a projector for large-format transparencies framed in glass frames with a maximum format of 15 x 15 cm. The projector was produced over the years 1890–1918 by an unknown manufacturer in Austro-Hungary. Magic lanterns were devices known since the Renaissance times, used for projecting pictures painted on glass onto the screen. Later, they began to be used for displaying photographic images – diapositives.

“The monastery of SS. Norbertine”

This photograph presents a view of the convent complex from the south-east side, from the bank of the Vistula. On the right, we see a silhouette of the church facade, with a roof with a turret for a signature, next to a clock tower with a high dome. From the left side, there is a complex of convent buildings with an elongated wing from the south; from the front, there is a high wall...

“Main Market Square, ceremony to celebrate Adam Mickiewicz monument re-erection”

The photograph presents an important historical moment in the history of the main market square in Kraków, because it probably shows the reinstallation of the statue of Adam Mickiewicz in the Main Square on 26 November 1955.

“Main Market Square in Kraków. May 3rd Constiution Day in 1919”

This is an amateur photograph in which an important historical event has been captured. It was made by an unknown author on 3 May 1919 in Kraków. On the Market Square, the infantry is in the foreground; next, the artillery — set in a double row, back to the photographer. Sukiennice [The Cloth Hall] was decorated with flags and the Polish emblem. Many groups of civilians stand under them. A field mass is taking place, organised by artillery and cavalry. Under the arcades of the central part of the Cloth Hall, on the side of Szewska street, an altar was organised which was decorated with flowers and emblems of national colours. From the side of the town hall there are Kraków units represented by the 13th Infantry Regiment with an orchestra, 20th Infantry Regiment of the Kraków Land and 8th Uhlan Regiment.

“Danube channel — Vistula — 2”

Kraków was to become an important hub for water transport. The idea came to light in 1901, when the Vienna State Council adopted the so-called the Koerber Act (from the name of the Austrian Prime Minister Ernst von Koerber, initiator of its adoption). The venture had a huge budget (1 billion kroner); it assumed the construction of new waterways...

“Block of flats being constructed — Kraków, Nowa Huta”

The photograph shows four people: two women, a man, and a boy. They look at the excavator digging the soil out for the foundations and loading it onto the truck. On the right, there is a young woman wearing a braid with a briefcase in her hand, standing with her back turned on the right side of the frame, and a man in a suit.

Detective camera by V. Bischoff Company

The detective camera was produced around 1890 by V. Bischoff from Munich (Germany). It is a very rare camera, with a hand-held 9x12 cm disc changer, that allows you to quickly take 12 photos.

Glass ashtray with a postcard representing the Spa House in Krynica

The exhibit in question is a glass ashtray with a rectangular base with hollows for cigarettes on longer sides. The base features a stuck colour photograph in the size of a postcard representing the Spa House in Krynica. The lower middle section of the image features an inscription: “Curhaus — Krynica”.

Ensign Midget (model 55) — a miniature camera

Ensign Midget Model 55 — a miniature camera designed to take the Ensign E 10 type of film and deliver photographs in the 3.5 x 4.5 cm format. The camera was manufactured between 1934 and 1940 by a London-based company called Houghton (UK).

“Zakopane. Highlanders in front of the church”

The photograph shows a big group of highlanders standing by a new parish church at Krupówki (the Church of Sacred Family). It is 1901. The picture can give you some idea about highlanders’ dress and customs, and shows a fragmentary view of the new church back then. A part of an album from a Kraków family of Pusłowscy, the picture is a great example of amateur toned black and white photography.

“Kraków, Szczepański Square, northern frontage”

Kraków, the Szczepański Square, northern frontage; the market square and kramnice stalls. A fragmentary view of the market square — you can see two gabled wooden kramnice stalls and tables with baskets on them. There are also barrels and wicker brooms lying on the pavement. A few persons are trading.

“Kraków’s architecture. City Hall at Wolnica Square”

The photograph presents a view of Wolnica Square. In the foreground of the photograph stands the city hall of Kazimierz (today the Ethnographic Museum), with the tower and gable of the Corpus Christi Church, tenements at Krakowska Street and tall deciduous trees in the background.

“Kraków’s architecture. Photomontage: white plane of the Main Market Square”

Photomontage: a white plane of the Main Market Square, the Adam Mickiewicz Monument, the Cloth Hall, outlines of the Wawel Castle and churches — all made of black paper columns with white letters overprinted. What draws our attention is the calendar page dated “March 8, International Women’s Day.”

“Kraków’s architecture. The Cloth Hall in Kraków”

The photograph shows a view of the Cloth Hall from the side of the Adam Mickiewicz monument and the St. Mary’s Basilica. There are interesting details: in the background behind the Cloth Hall you can see the dome of the town hall tower with many passers-by in front of the building. There are the umbrellas of the stalls selling flowers, many pigeons and a tree. The foreground features the pavement slabs from the 1960s . On the ground and in the upper parts of the monuments there are thick white painted lines, standing out from the grey and black.