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Clock shaped as a highlander’s cottage

Everyday companions We buy, receive and collect... items of so-called everyday use that are faithful companions of our reality. We try to surround ourselves with objects that bring us pleasure, that cause our hearts to beat faster and that we take a liking to at the first glance. The space that surrounds us is important. We run away from “ordinariness” and “mediocrity.” We always try to decorate it somehow. The same applies to the past. In the second half of the 19th century in England, artists who were dissatisfied with mass machine production started the Arts and Crafts Movement. They wanted to re-create what was beautiful and noble in everyday-use objects. This initiative reverberated throughout the whole of Europe, including also Poland of that time.

Table clock with shape of Hungarian hussar

The characteristic feature of the presented clock is the unusual carved wooden and polychrome casing in the shape of a Hungarian hussar. The clockwork mechanism with a round clock face, made in Bochnia...

Wooden toy — “A cart pulled by horses”

A cart pulled by wheeled horses or rocking horses used to be one of the most favourite toys for children. Nowadays, it is coming back to store shelves in a fashionable and ecological design. This wooden cart is part of a larger collection of toys from the museum in Myślenice and the object used to present the history of folk toy manufacturing in general. Folk toys are more than merely usable items as all of them have their own history and all members of a family were engaged in the production process. They were made mainly by peasants in the winter time, when they were able to carve toys because of less agricultural work.

Vase with a dance circle motif

A vase with a flat bottom and a belly gradually widening upwards. Around the vessel a decorative ornament presenting a circle of dancing figures holding each other’s hands, also serving as a vase handle. The pottery and tile ware factory, J. Niedźwiecki and Co. in Dębniki, was also famous for the production of artistic faience in the years 1900–1910.

Woman’s fan

The fan, originally designed as a cooling device, was elevated in modern times to a symbol of dignity. Over time, it became a very fashionable element of female attire. On the other hand, fan gestures became a conventional code used by men and women to communicate and flirt at the court.

Ushabti figures

The ushabti figures — artistically perfect and finely made — were purchased from the Museum of Egyptian Antiquities in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II and subsequently granted to the Archaeological Museum. The pillar at the back of the figure reaches the lower edge of a tripartite wig, finely fashioned in regular wisps exposing the ears.

Urn for the Piłsudski Mound with the ground from all the airports of the Second Republic of Poland

A large urn in the form of a cylinder, on a round flat plinth, supported on three stylised animal paws. At the edge of the urn is a crowned eagle with outspread wings. On the external wall of the urn is a map of the Second Republic of Poland on which all the airports are marked; above the map is a flying airplane, further to the right the marshal’s baton and a relevant inscription. The urn contains ground collected from 40 airports.

Bas relief “Fallen Angels” by Stanisław Wyspiański

In 1895, Stanisław Wyspiański made a polychrome project for the presbytery of a Franciscan church. The composition consists of three elements: the titular fallen angels, at which the group of archers aims, and the figure of Archangel Michael, who guards the gates of paradise. A perfect accompaniment to this work is the polychrome located on the opposite side of the presbytery: Madonna and the Child and Caritas. The artist, in a visible way, juxtaposed two attitudes to life and showed their possible consequences.

Svetovid – Zbruch Idol

The statue presented here was found in 1848 in the Zbruch River near the village of Liczkowce (today: Lychkivtsi) (Ternopil Oblast, Ukraine). The sculpture is a four-sided pillar topped with four faces under a tall hat. Below there are three figural representations in the three-tier arrangement, with the division marked with plastic slats. Three sides of the lowest tier depict a kneeling figure with raised arms. In one case, it is a man (the moustache is marked)...

Throne for a church monstrance

A Baroque architectural throne for a church monstrance. A Baroque framing decorated with an auricular style ornament as well as a radiant halo consisting of rays alternately straight or curved. At the sides are two allegorical figures, at the finial of the framing are two figures of angels.

Throne of Zanzibar

The throne, a decorative armchair (attribute of power and dignity) of ebony, consisting of 6 parts joined with pegs. The seat, backrest elements and footrest were made of cord woven from palm leaves. The decorations topping the backrest were made with the technique of inlaying with ivory. The outer edges of the backrest and footrest are decorated with wooden carvings in the form of spheres.

El-Kantara male torso

The alabaster sculpture, 15 cm high, was purchased by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The statue represents a young naked man with a sealed head, legs and arms. At the back there is a flat column, which is triangularly finished at the top.

Torah shield

Rectangular, closed with a trifoliate arch, with the figures of Moses (on the left) and Aaron (on the right), and the Decalogue tables (in the middle), with the initial words of the commandments engraved in Hebrew. The figures of Moses and Aaron are flanked by spiral columns. On their plinths are Hebrew inscriptions marking the date: on the right plinth, תקס ("560"), on the left: לפק (“according to the abbreviated calculation”) [=1800]. In the three-leaf top, three openwork crowns with colourful glasses are attached.

Sculpture “Dance” by Maria Jarema

Maria Jarema — born in an artistic family, the daughter of a Lviv pianist — explored the problem of dynamics, rhythm, and the musicality of a work of art both in paintings and in sculptures throughout her whole artistically devoted life.

Tabernacle (Kiwot)

The object comes from an Orthodox church in Jastrzębik, a village located to the south-west of Krynica. It is one of the two Orthodox tabernacles owned by the Museum in Nowy Sącz. These are extremely rare and valuable exhibits due to the time of their creation and rich painting decoration.

Wooden snuffbox

A container in the shape of a human hand clenched into a fist, intended for storing snuff. It is made of oak, with a rectangular hollowed-out interior, covered with a thin lid. The plate of the lid is mounted on the wrist part with a leather hinge. It is finished with a ledge, which was used to raise the lid with a fingernail. The snuffbox is finished with dark brown French polish.

“Wardrobe — Interior of Imagination” (“Country House”, 1961), reconstructed in 1981

Tadeusz Kantor’s sculpture expressing the idea from the Cricot 2 play of W małym dworku (Country House), based on S.I. Witkiewicz’s play under the same title. The premiere took place in Kraków in the Krzysztofory Gallery on 14 January 1961. This was the Informel Theatre stage of the artist’s works.

Candlestick with a kneeling angel

This is a polychrome wooden sculpture depicting a kneeling angel with a candlestick in his left hand. The figure is dressed in a long dark green tunic and a brown coat. The sculpture was found in the destroyed chapel of St. Kunegunda on Boczaniec, on the 1st level of the Wieliczka Salt Mine.

Sculpture “St. Anna” from 16th century

The Renaissance sculpture depicts a woman standing. Her right hand, which has not survived to this day, pressed a book to her chest; with the left one she holds a coattail.

Stele of the son of Chairemon and Isidora from Kom Abou Billou

The stele was purchased in Cairo at Eli Albert and Joseph Abermayor by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The scene depicts a deceased man lying on a klinai and a female orant standing opposite. The man lying in the bed is dressed in a short-sleeved chiton and a himation rolled at the waist, wrapped around his left hand. In his right, outstretched hand he is holding a kantharos. The woman standing in front of him is depicted en face, she is dressed in the same way as the man and is raising her hands in a gesture of prayer. Under the scene an inscription is placed. The name of the deceased has been preserved only partially; perhaps it was Sosas. The name of his father was Chairemon; the name of Isidora is also there, popular in Egypt in the Roman period. The figures are bound together by family ties.