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Jewish wedding ring

The ring was purchased for the museum collection in 1998 in one of the antique shops in Sącz. According to the owner of the shop, the ring was found among other objects hidden in one of the houses in Nowy Sącz during the war. The exhibit has a great historical value, as only a few similar objects could be found in Polish museum collections.

Torah scroll

The parchment scroll containing text of the Five Books of Moses, i.e. the Books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy was hand-written in Hebrew, rolled onto two sticks; the so-called ace(i) chaim [shafts of life] made of oak wood was furnished at the ends with pairs of wooden plates with a diameter of 17.5 cm, and handles for rolling the scrolls. The handles are profiled, with a head decorated with ivory buttons in the upper part and an ivory sleeve at the bottom.

Esther’s scroll in a cover

Megilla it's a parchment scroll with a Hebrew manuscript of the Book. It was designed for individual reading at home and in a synagogue in the period of the early spring holiday of Purim.

Top of a chapel built after the Swedish Deluge

This consists of metal element from the top of a chapel, built in 1664. Ten years earlier, Gorlice had been burned down and its inhabitants largely murdered by a Transylvanian army, who laid waste to the Polish-Lithuanian Commonwealth from the south during the Swedish Deluge.

“Zakopane. Highlanders in front of the church”

The photograph shows a big group of highlanders standing by a new parish church at Krupówki (the Church of Sacred Family). It is 1901. The picture can give you some idea about highlanders’ dress and customs, and shows a fragmentary view of the new church back then. A part of an album from a Kraków family of Pusłowscy, the picture is a great example of amateur toned black and white photography.

Ushabti figures

The ushabti figures — artistically perfect and finely made — were purchased from the Museum of Egyptian Antiquities in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II and subsequently granted to the Archaeological Museum. The pillar at the back of the figure reaches the lower edge of a tripartite wig, finely fashioned in regular wisps exposing the ears.

Bas relief “Fallen Angels” by Stanisław Wyspiański

In 1895, Stanisław Wyspiański made a polychrome project for the presbytery of a Franciscan church. The composition consists of three elements: the titular fallen angels, at which the group of archers aims, and the figure of Archangel Michael, who guards the gates of paradise. A perfect accompaniment to this work is the polychrome located on the opposite side of the presbytery: Madonna and the Child and Caritas. The artist, in a visible way, juxtaposed two attitudes to life and showed their possible consequences.

Svetovid – Zbruch Idol

The statue presented here was found in 1848 in the Zbruch River near the village of Liczkowce (today: Lychkivtsi) (Ternopil Oblast, Ukraine). The sculpture is a four-sided pillar topped with four faces under a tall hat. Below there are three figural representations in the three-tier arrangement, with the division marked with plastic slats. Three sides of the lowest tier depict a kneeling figure with raised arms. In one case, it is a man (the moustache is marked)...

“Triptych of Saint Mary Magdalene” from Moszczenica Niżna near Stary Sącz

The painting, Triptych of Saint Mary Magdalene, from Moszczenica Niżna near Stary Sącz is preserved in a rare state of completeness. The essence of the retable can be investigated based on this example. At the end of the 15th century, the retable constituted an expanded structure composed of an immovable main panel, the movable wings attached to it; a predella, which served as a basis for the wings, the main panel, and a finial.

Triptych “Family of Mary” from parochial church in Racławice Olkuskie

In the middle part of the triptych, the so-called “family of Maria” has been introduced, a multi-person image, based on the legend of the triple marriage of St. Anna (the Baby Jesus is standing on her knees) and the Blessed Virgin Mary are sitting on the bench in the centre of the painting. Behind the bench and St. Anna...

Thurible/censer

Jan Branicki from Ruszcza, district governor of Niepołomice in the years 1585–1611, took particular care of church paraments (vestments, liturgical vessels and all accessories indispensable for celebrating liturgy and cult). He funded chasubles, dalmatics, copes, albs, thuribles or cruets for the church in Niepołomice while his wife Anna was a founder of altar cloths, a veil, a monstrance and a black veil for the altar used during the Great Lent.

Throne for a church monstrance

A Baroque architectural throne for a church monstrance. A Baroque framing decorated with an auricular style ornament as well as a radiant halo consisting of rays alternately straight or curved. At the sides are two allegorical figures, at the finial of the framing are two figures of angels.

Torah shield

Rectangular, closed with a trifoliate arch, with the figures of Moses (on the left) and Aaron (on the right), and the Decalogue tables (in the middle), with the initial words of the commandments engraved in Hebrew. The figures of Moses and Aaron are flanked by spiral columns. On their plinths are Hebrew inscriptions marking the date: on the right plinth, תקס ("560"), on the left: לפק (“according to the abbreviated calculation”) [=1800]. In the three-leaf top, three openwork crowns with colourful glasses are attached.

Jewish tin plate

This plate could have been used on the Sabbath or, more likely, during the Purim holiday celebrated in the month of Adar, which symbol is fish, used as an decoration motif in this exhibit.

Tabernacle (Kiwot)

The object comes from an Orthodox church in Jastrzębik, a village located to the south-west of Krynica. It is one of the two Orthodox tabernacles owned by the Museum in Nowy Sącz. These are extremely rare and valuable exhibits due to the time of their creation and rich painting decoration.

Rzeszów Home Army Inspectorate Office Flag

The flag was made in 1943 upon the initiative of the Inspector of the Home Army Inspectorate for Rzeszów, Major/Lieutentant-Colonel Łukasz Ciepliński a.k.a. Pług. The development process was supervised by Special Affairs Officer Dr. Gabriel Brzęk a.k.a. Dewajtis.

Nativity scene from Wieliczka

A model of a puppet nativity scene, symmetrical, with two storeys and five towers, provided with carrying handles on its sides. The entire structure is made of wood, the base and the upper floor of boards, and the frame from strips of wood. The walls are made of cardboard; the ground floor is covered with red paper with “bricks” painted with black ink and the walls of the upper floor and towers are covered with paper cut-outs in the shape of windows and star ornaments. The floors are separated with a decoration of horizontal, multicoloured stripes with silver teeth on the sides.

Nativity scene with figures

The exhibited Krakow-style nativity scene was made by the inhabitants of Dobczyce and donated to the Regional Museum in Dobczyce by the local firefighters.

Kraków nativity scene by Roman Sochacki

An average-sized nativity scene in Kraków — illuminated, mechanical, three-levelled, five-towered, with 23 wooden painted figures. In the recess, on a round platform the figures of carol singers are spinning around (death, Herod, a soldier, a Jew, an angel, a devil), entering and exiting through decorated portals; in the centre there is a Christmas tree against a stained-glass window; in the foreground is a group of Lajkonik, raftsmen with maces, and a band of Mlaskots (musicians from Zwierzyniec who accompanied Lajkonik, playing the drums, the violin and the bass).

Kraków nativity scene by Marian Dłużniewski

Kraków nativity scene, small, illuminated, not mechanical, multi-towered. The Holy Family is in the middle, set against the altar. On the right is a figure of a Kraków resident with a nativity scene, on the left is a figure of a highlander with a star. Above, in the recess (a kind of a side-altar), a figure of Christ (like from a contemporary painting), on the right a figure of a nun (St. Faustina).