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House mark of Stanisław Amenda

This is a trademark of one of the richest Olkusz gwarek, that is, entrepreneurs who organized the mining and production of lead and silver.

Cross of tailors’ guild in Kęty

This guild sign, in the shape of a cross, from the guild of tailors in Kęty, was made in 1912. Such signs were called, among others: obesłania, bieguny, cechy . They served as messages, calling tradesmen belonging to the guild for deliberations. Obviously, the guild brothers were also informed about the funerals and ecclesiastical and secular holidays in which they were obliged to participate.

“The monastery of SS. Norbertine”

This photograph presents a view of the convent complex from the south-east side, from the bank of the Vistula. On the right, we see a silhouette of the church facade, with a roof with a turret for a signature, next to a clock tower with a high dome. From the left side, there is a complex of convent buildings with an elongated wing from the south; from the front, there is a high wall...

Lajkonik’s costume designed by Stanisław Wyspiański

The costume of Lajkonik, also called the Zwierzyniec Horse, designed by Stanisław Wyspiański in 1904, could be seen in the streets of Kraków until 1963. The costume used today during the annual frolics of Lajkonik is a faithful copy of the displayed exhibit. Although legend associates the origins of Lajkonik celebrations with the Tatar invasions of Kraków in the 13th century, the first ever source reference to it dates back to 1738.

Painting “View of Kraków's north fortification” by Józef Brodowski

A view of the northern section of Kraków's defensive walls with the Barbican, the neck connecting it with Florian Gate and the towers, from the left: Karczmarzy I, Pasamoników, Stolarska and Ciesielska. On the far right is the one-storey Kleparz building. The ring of fortifications, with wall towers and gate towers, surrounding Kraków, was built during the Middle Ages and became a characteristic element of the city's panorama. A significant part of the defensive walls was built at the turn of the 13th and 14th centuries. In the southern part of the city, they were probably completed in the1st quarter of the 14th century. From the mid-14th century, the fortifications were maintained at the cost of the city and gradually expanded. o Craftspeople of various specialities were responsible for the direct care of their individual sections, from whom the names of the towers were derived.

“Hikifuda” advertising handbill in the form of a calendar

Among the many hikifuda advertising handbills distributed by publishers to their customers, the most popular were those with motifs connected with the New Year, such as cranes and pine trees, as well as calendars. In Japan, there is a tradition of offering New Year’s wishes, and new year calendars are one of those obligatory presents given on this occasion.

Pitcher of the City Council of Tarnów

Among the memorabilia of the old town authorities stored in the collection of the Museum in Tarnów, a special place is occupied by a set of three identical tin jugs. These vessels were created in Gdańsk in 1639, probably in the workshop of the master Assmus Virian.

Welcoming cup of Sword Bearers' Guild

A welcoming goblet is a cup, often made of tin, which was used to raise solemn toasts by guild members. The opportunity could be, for example, to welcome a craftsman coming from another city to the guild (hence the name of “welcoming goblet” from the German wilkommen — to greet) or a free journeyman (official admission to the masters). The joint celebration of religious ceremonies also ended with a common feast of guild members at the guild's inn.

Welcoming goblet of tailors' guild

The welcoming Goblet is one of Kraków's most valuable guild relics, preserved at the National Museum in Kraków. It was submitted to the museum on 19 September 1905, by the Association of Tailor's Companions, along with a collection of souvenirs belonging to the tailors' guild: a guild counter, a bell, a tray, and a crucifix.

Welcoming goblet

Welcome cup was a decorative container for drinking beer in guild inns during important celebrations. Its Polish name wilkom comes from the German greeting willkommen [welcome]. Each newly arrived guest had to empty the cup filled with an alcoholic beverage in honour of the guild. The production of such cups developed in Germany in the 2nd half of the 16th century, and later spread throughout Europe.

Copperplate engraving “View of Kraków from the south, from the Krakus Mound”

The inscription in the field of view, at the top, in the middle, in the cartouche: CRACOVIA / MINORIS POLONIAE METROPOLIS.; in the central part, against the river: VISTULAFL. REGNVM DIVIDENS; in the lower left corner a cartouche with a legend in two columns, which explains the type and name of the fourteen buildings marked with letters in the view; on the frame of the cartouche on the left the date, “A(nn)o 1617”; below the legend “Depictum ab Egidio vander Rye / communic Georgius Houfnaglius”.

Painting “City Hall north view” by Teodor Baltazar Stachowicz

The view shows the edifice of the city hall on the Main Square in Kraków, according to its state before its demolition in 1820. In the foreground, you can see the Renaissance part of the complex with the characteristic attic; on the left, the upper parts of the city hall tower.

Painting “View of Mikołajska's Gate” by Teodor Baltazar Stachowicz

This is a view of a part of Mikołajska Street, closed by Mikołajska's Gate. On the left, you can see the characteristic window grates and the gutter protruding on the street, and, on the right, a fragmentary view of the Church of Our Lady of the Snows in Gródek can be seen. The gate is covered with a tent roof with a break—the hole in the base is topped with a sharp arch.

Honza Zamojski, “Modernism”

Honza Zamojski’s video, entitled Modernism, is an attempt to critically look at the phenomenon of modernism in architecture. The artist reduces the ideas underlying this trend to a simple pattern of repetitive action seen on the screen. As a result of a looped gesture of arranging round cookies, placing one on another, a kind of a tower is created, which, in a distant association, evokes materialized assumptions of modernist architecture, manifested in simple geometrical forms, abandoning decorativeness and ornamentation, reducing the body of the building to an abstract structure.

Ring of the Kraków’s mayors

The date of creation was engraved inside the golden hoop of the ring: 1532. The octagonal sapphire stone of the ring is decorated with Kraków’s coat of arms made in a concave relief. The ring was the symbol of the mayor’s power, and also served as a city seal. The stone needed to be made from a hard, abrasion-resistant material.

Silver cup designed by Jan Matejko

The collection of the Historical Museum of the City of Kraków features an interesting 19th-century goblet of unknown history. According to tradition, it was associated with the figure of Jan Matejko. The silver goblet has a lid made in a historic style, with its form and decoration resembling Gothic chalices.

Karolina Kowalska, “A window onto the winter”

The motifs of urban everyday life as an illusory sign of economic prosperity prevail in Karolina Kowalska’s works. Streets, blocks of flats, and office buildings appear next to intimate apartment interiors and impersonal infrastructure. The architectural and media indicators of capitalism determine the area of human activity, rendering the world of nature a luxurious addition. The artist manipulates their images, pushing them into everyday realities and, with a hint of irony, transforming them. Thus, her photographs, films, installations, and objects reveal in a nuanced, jocular manner, the influence of urban cityscape on individuals and relationships and propose slightly improved variants. The projects realized by the artists combine music, visual art, and text at times.

Little Warsaw, “Yellow House”

As part of the project implemented in the Bunkier Sztuki Gallery, the Little Warsaw collective initiated a two-day public situation held inside the Gallery. For the performance, Gálik and Havas invited a group of over a dozen previously selected participants, with whom they commenced an artistic and research process. The latter referred to the titular Yellow House, which was the name locally assigned to the Lipótmező hospital, founded in 1868 in Budapest.

Janek Simon, “Ryugyong Hotel”

Janek Simon’s interests include theories and models as well as scientific disciplines, such as geography and economics, which are subject to evolution along with civilizational changes. His works have an experimental and anarchic character, reflecting the clash of scientific theories with the reality of everyday life. His works are prototypes, models, and complicated electronic systems, created according to the principle Do It Yourself by the artists himself. He incessantly seeks extra-systemic solutions, which allow him to break away from contemporary art of a capitalist character.

“Kiyomizu-dera, the Shrine of Clear Water” by Andrzej Wajda

In Kyoto, the former imperial capital city, you can find Kiyomizu–dera (清水寺), a complex of Buddhist shrines whose name derives from the waterfall of the river flowing on the hillside of Mount Higashiyama. The main pavilion of the shrine is dedicated to Goddess Kannon (a bodhisattva personifying compassion), and it is one of the most popular tourist attractions, famous for its vantage point based on a six-storey structure. Crowds of visitors come to this place both in spring, when the cherry trees are in bloom, and in autumn, when the maple leaves turn red.