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“Audience of a Polish envoy before the Ottoman Sultan” by Lucjan Wędrychowski

The presented image from the collections of the Museum of the Kraków Academy of Fine Arts is untypical of Wędrychowski. It presents an unspecified Polish legation in audience at the Sultan of the Ottoman Empire. The characters costumes and interior refer to the 17th and 18th centuries. The scene takes place in a faithfully devoted real interior – Arz Odası, the auditorium of the Topkapi Palace in Istanbul. MEPs according to the Turkish custom have their own costumes put on special caftans in which the deputies were dressed before visiting the grand vizier or sultan. This richly decorated attire was highly desirable by Polish visitors.

“Entombment”

An anonymous, undated work that refers to the tradition of 17th and 18th century painting – both in terms of form and composition.

“Model worker” by Andrzej Wróblewski

The portrait entitled Model worker represents a man dressed in blue work clothes with the collar of a white shirt poking out. The model is rendered en trois quarts. His short hair is neatly combed, smoothly clinging to the head, and his face seems emotionless.

“Study of the nude figure of a standing woman” by Stanisław Zygmunt Malcher

The present Study of the nude figure of a standing woman was created during Malcher’s studies at the academy in Kraków. The post-impressionist style and vivid colouration of the image testify to the impact that the works of both his university masters exerted on the artist.

“Study of the nude figure of a sitting woman” by Bronisława Galiczanka

Little is known about the life and artistic work of Bronisława Galiczanka (Bronisława Olga Galica) and her achievements are limited to a few student works. She was born in Czertez near Sanok in 1902. She was registered as a student at the Academy of Fine Arts in Kraków during the years 1924–1928. She was educated in the studios of Władysław Jarocki and Fryderyk Pautsch, and her work was then recognized and awarded...

“Study of a male figure” by Stanisław Bieńkiewicz

Stanisław Bieńkiewicz (1855–after 1930) in 1871–1880 studied at the Academy of Fine Arts in Kraków under the direction of Jan Matejko. During the period 1889–1890, together with Józef Mehoffer and Stanisław Wyspiański, he worked on a polychrome of Mariacki Church in Kraków. Bieńkiewicz painted portraits, landscapes, historical, genre and religious scenes.

“Study of a boy’s nude figure” by Tadeusz Okoń

The present, a painterly study of a boy’s nude figure was created by Tadeusz Okoń (1872 – 1957) during his studies at the School of Fine Arts in Kraków. Okoń was educated at the School of Fine Arts in 1887–1896 under the tutelage of Jan Matejko, Władysław Łuszczkiewicz, Leopold Loeffler and Teodor Axentowicz. He continued his education at the Vienna Academy of Fine Arts (1896), the Munich Academy of Fine Arts (1896–1898) and at the Académie Colarossi in Paris (1898–1900).

“Study of a male nude figure with a fig leaf and a sabre” by Ferdynand Bryll

Ferdynand Bryll, painter, portraitist, conservator and illustrator, was born in 1863 in Kraków. During the period 1876–1884 he studied at the Kraków School of Fine Arts. In the course of his studies, in 1882, at the request of Jan Matejko, he assisted Henryk Rodakowski during his work on the frieze in the parliamentary chamber in Lviv. Even before his studies, he learned towards portrait painting at the studio of Andrzej Grabowski, which opened in Kraków in 1855.

“Study of a nude male figure with a fig leaf” by Alfons Dunin-Borkowski

Alfons Borkowski (1850–1918), after finishing studies at the Wojciech Gerson School of Drawing in Warsaw (1876–1879), continued his education at the School of Fine Arts in Kraków, where in 1879–1887 he studied under Władysław Łuszczkiewicz, Leopold Loeffler and from 1882 with Jan Matejko for three years. The artist’s talent was already appreciated during his studies.

“Study of a male nude figure” by Zdzisław Jasiński

The presented oil male nude figure was created by Jasiński – then a student at the School of Fine Arts in Kraków – in Florian Cynka’s studio in 1884. He was awarded by the university for this work.

“Bust of the Girl” by Tadeusz Łakomski

Tadeusz Łakomski (1911–1988) during the period 1931–1938 studied at the Kraków Academy of Fine Arts under the direction of Fryderyk Pautsch and Wojciech Weiss. He also studied in Paris. He created wall and easel paintings, drawings and book graphics. He also produced caricatures, inter alia, of some the most outstanding artists of his time: Władysław Hasior, Tadeusz Kantor and Jerzy Nowosielski. Initially, his painting was influenced by the dominant colours of the Kraków Academy of Fine Arts. In the 1950s he introduced geometrical motifs and interpenetrating planes.

Portrait of Rev. Franciszek Siarczyński by Karol Schweikart

The portrait was based on the lithographic image of Franciszek Siarczyński (1758–1829) – a priest, historian, geographer, journalist, librarian and first director of the National Ossoliński Institute in Lviv.

“Portrait of Konstanty Felicjan Szaniawski, Bishop of Kraków” by Józef Brodowski the elder

Konstanty Felicjan Szaniawski was a Lithuanian referendary, and bishop of Kujawy and Kraków. Having been involved in politics, he participated in diplomatic negotiations and in domestic negotiations concerning army and treasury, aimed at calming the situation in the country. On his initiative, the seminary in Kraków was built and the Higher Theological Seminary in Kielce was established. He was one of the wealthiest bishops of the Polish-Lithuanian Commonwealth.

“Portrait of a man in a frock coat”

The presented portrait from the collections of the Museum of the Academy of Fine Arts in Kraków depicts an unidentified middle-aged man.

“Austrian Soldier” by Feliks Szynalewski

Feliks Szynalewski was born in Kraków on 11 May 1825. During the period 1835–1837 he completed two classes of primary school for boys. Between 1837–1841 he attended three classes at St. Anna Middle School, and then he began to study at the Kraków School of Drawing and Painting. He was taught to draw by Jan Nepomucen Głowacki and Jan Nepomucen Bizański, to paint by Wojciech Korneli Stattler, and sculpture by Karol Ceptowski. During his studies, Szynalewski earned his wages by making lithographies.

“Still Life” by Tomasz Lisiewicz

The objects shown in the painting are props from Jan Matejko’s School of Historical Painting. Among the props painted by Lisiewicz, one can recognize the gilded mace presented on our website, which is still in the collection of the Museum of the Academy of Fine Arts in Kraków (Rz A 107).

“The Garden in Dębniki” by Jan Stanisławski

Jan Stanisławski (1860–1907) is one of the greatest painters of the Young Poland period and an excellent landscape painter, known primarily for his miniature landscapes. The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. Among them is a painting depicting a garden in Dębniki near Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“Portrait of Anna Szaniawska née Scypion”

The portrait shows a young woman in a blue, silken lace dress. She is leaning on a stone windowsill, on which a basket of flowers is situated. She is wearing a high, powdered hairdress, tied with a ribbon, as well as pearl jewellery. Her left hand is decorated with a bracelet with an engraved gem styled to resemble antique jewellery. In her right hand, the woman is holding an orange blossom. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“The Little Garden” by Jan Stanisławski

Jan Stanisławski (1860–1907) is one of the greatest painters of the Young Poland period and an excellent landscape painter, known primarily for his miniature landscapes. The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. Among them is the painting entitled The Little Garden. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“Giardino Giusti” by Jan Stanisławski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. The landscape painting, Giardino Guisti, depicts the famous gardens of the Pallazo Giardino Giusti in Verona. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}