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Kraków’s bed

Kraków’s bed made from soft wood has signature 1 in the collection of the Seweryn Udziela Ethnographic Museum in Kraków. It was the first object, which started museum’s collection.

Zakopane style cupboard

Wojciech Brzega was a designer of furniture which can be found in the collection of the Pieniny Museum, and which was made in the Zakopane style at the request of Jan Wiktor, a writer. The most impressive exhibit is an oak sideboard. It is one of the elements of a full set of furniture in the Zakopane style which can be found in the Pieniny Museum.

Two armchairs, the “Ład” Artists Cooperative

In 1918, the Szymanowski family lost the family manor in Tymoszówka, Russia. Karol Szymanowski lived in hotels, boarding houses, and with his family ever since. At the furnished Atma Villa rented in Zakopane, the composer lived between 1930 and 1935. Two armchairs made by the Ład Artists Cooperative are the only pieces of furniture to have ever been bought by Szymanowski to furnish the Atma Villa.

Zakopane style desk

Apart from paintings and sculptures, the collection of the Art Department of the Tatra Museum also includes a rich set of furniture. The visitors are particularly attracted to the Zakopane-style furniture. A desk and a chair designed by Wojciech Brzega can be seen, among other things, on permanent display at the Museum of the Zakopane Style at the Koliba Villa.

Zakopane style chair

On utility and artistic national duty... Apart from paintings and sculptures, the collections of the Art Division at the Tatra Museum also include a rich collection of furniture. Visitors pay the greatest attention to the ones in the Zakopane style. The permanent exhibition at the Museum of Zakopane Style in the Koliba villa features, among others, a desk and a chair designed by Wojciech Brzega.

Biedermeier style night chair

In the manor house from Droginia (moved to the Museum in Wygiełzów), in which the apartment interiors of a wealthy noble family were recreated, the more intimate side of life was also included. The bedroom, located in the alcove, equipped with 19th century furniture, also included a night-chair which served as a privy.

Cranked butter churn

In peasant farmhouses butter was usually made by whipping cream in wooden stave churns. However, this must have been an exhausting activity: hands fainted and the back numbed. Nonetheless, whoever has ever tried real cottage butter shall never regret the effort.

Throne of Zanzibar

The throne, a decorative armchair (attribute of power and dignity) of ebony, consisting of 6 parts joined with pegs. The seat, backrest elements and footrest were made of cord woven from palm leaves. The decorations topping the backrest were made with the technique of inlaying with ivory. The outer edges of the backrest and footrest are decorated with wooden carvings in the form of spheres.

Corn chest — “sąsiek”

One of the rooms in a barn is traditionally called a mow (sąsiek). In this case, the name refers to a wooden chest, usually situated in a hall or in a chamber behind a hall, which was designed for keeping grains for sowing. A chest belonging to the collection of the Museum in Kęty is typical of southern Poland. Inside the chest are two chambers for two types of grain.

Painted wooden chest with a drawer

A painted wooden chest in a Skawina style. It is made of coniferous wood and placed on wheels cut of a wooden plank. A cuboid box is supported on a frame of wood in which there are wheels and a small rectangular drawer. The lid is attached to the rear wall with hinges. The chest has a lock and a signboard with an opening for a key in the front wall made of iron. On the signboard is a date: 12.09.1893.

Painted dowry chest

Dowry chests used to be an inseparable element of the furnishings of almost every house. They were often passed down from generation to generation, repainted, renovated, and in time considerably differed in the colour and ornamentation of their original appearance. Time, fashion, and also wardrobes which were cheaper and cheaper and consequently more accessible, were their enemies. Cheap chests were usually made of softwood, which was often attacked by insects.

Cooper’s guid chest

The chest is made of oak, with inlaid work made of ash. The inlaid work presents two angels, and between them there is a wooden bathtub (on the lid) and two mallets, callipers, and an axe (on the front wall). There are metal handles on the sides of the chest, and, in the middle, there is a compartment for guild privileges.

Wedding chest

The chest was part of the dowry of a bride. The girl held in it her dowry – festive shirts, petticoats, skirts, aprons, scarves, true coral beads, homemade linen, and sometimes embroidered tablecloths. When it was “moved” to her husband's house, the lid of the chest was opened so that the neighbours could see the gathered dowry.

Chest of the shoemakers’ guild in Kęty

The guild chest, often also called “the mother”, was the most important object for the guild brothers. It was connected with the functions it performed. First of all, it was a treasury, in which statutes, books, and other important documents were filed, and money and guild jewels were often hidden in its cleverly hidden secret box. Shoemakers in Kęty were exceptionally dynamic; they sought to conquer the neighbouring markets with their excellent products and succeeded in so doing.

Chest of the millers and bakers guild in Kęty

The guild chest was also called the treasury, counter or mother. This one, belonging to the guild of millers and bakers in Kęty, is made of sycamore wood and comes from the beginning of the nineteenth century. In contrast to the other guild chests from Kęty, it is simple in form; neither is there any hidden box nor decorative painting inside. What distinguishes it, are the beautiful fittings that make it appear very impressive.

Throne for a church monstrance

A Baroque architectural throne for a church monstrance. A Baroque framing decorated with an auricular style ornament as well as a radiant halo consisting of rays alternately straight or curved. At the sides are two allegorical figures, at the finial of the framing are two figures of angels.

“Stipo (studiolo, scrigno) a bambocci” writing cabinet with a table

The wall cabinet is made of nut wood, with an architectural structure referring to the façade of a Renaissance palazzo with artistic decoration of human figures and heads fully sculpted. A series of drawers and lockers in symmetrical arrangement are placed around the centrally located architectural construction door. It is placed on a secondary adjusted table, made in the 2nd half of the 19th century — especially for this particular cabinet.

Strongbox

A safe for storing the salt company’s accounting documents is the heaviest and largest exhibit at the Wieliczka Salt Works Castle and one of its few original items that has been preserved to our times. It was purchased by the Wieliczka Salt Mine Board in January of 1910 in Lviv. The well-known manufacturer put the labels with its name on the safe’s top and close to the internal fixing of the lock: “C. K. Uprzywilejowana pierwsza krajowa Fabryka Kas Ogniotrwałych W. Kosiba & W. Chudzikowski Lwów” (The First Imperial and Royal Authorised National Factory of Fireproof Strongboxes W. Kosiba & W. Chudzikowski, Lviv).

“Wardrobe — Interior of Imagination” (“Country House”, 1961), reconstructed in 1981

Tadeusz Kantor’s sculpture expressing the idea from the Cricot 2 play of W małym dworku (Country House), based on S.I. Witkiewicz’s play under the same title. The premiere took place in Kraków in the Krzysztofory Gallery on 14 January 1961. This was the Informel Theatre stage of the artist’s works.

Retable of the chapel

The retable was purchased for the Museum in 1981. For many years, it had been stored in an attic with hay. Originally, the retable came from a chapel in Falkowa near Nowy Sącz. It is an example of provincial woodcarving.