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Crystal glass perfume bottle

The crystal bottle is set in a silver frame. The glass body with a high neck is cut into bevels across the entire surface. The silver base of the bottle was shaped by hand, and extended at the base.

Perfume bottle with a coat of arms

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Silver bottle with an engraving

The bottle, with a fanciful shape, features a body with the cross-section of a multifoil, with a high neck and a high, wooden stopper on the wall of the bottle, there is a herbal cartouche in the frame of a rich rocaille ornament.

Crystal glass perfume bottle

The crystal bottle is set in a silver frame. The glass body with a high neck was cut into vertical stripes with a transverse triple line motif on the neck. The silver base of the bottle was hand decorated using the repoussage technique, with irregularities and sawing marks.

Fan with a tortoiseshell holder

The fan is made of paper/leather, painted to show depictions of garden scenes in three separate fields. In the central, largest field, a scene containing a depiction of drinking tea in a garden has been painted. Two ladies are talking with an officer in a blue uniform at a set table. In the background, a garden wall and vegetation are visible.

Vessel for vaseline

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Miniature heart-shaped bottle

The silver heart-shaped bottle was intended for storing fragrances. On one side of the vessel, a decorative entwined monogram has been engraved (initials “RC” or “CR”?), topped by a crown. The motif is placed in a frame consisting of a decorative border featuring a simple ornament composed of triangles and matching the shape of the heart.

Decorative travelling box

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Carriage clock

Travel clocks, also called carriage clocks, were produced in many European watchmaker workshops from the 2nd half of the 17th century. Around the year 1700, Friedberg became the most important centre of their production, and they were mainly intended for export to Paris and London.

Persian bowl

This bowl sits on a high base with a hemispherical goblet that opens up at the rim. Featuring white-metallised and decorated with a broad inscribed strip filled with geometrical and inscriptional black polish and set against a background of a delicate plant. There is an inscription written in italicised Arabic script with Nastaliq calligraphy and with a niche separating the beginning from the end. Inside it, there is an Arabic inscription praising Allah, always placed at the end of the sacred text.

Astronomical monstrance clock

This is the most precious clock in the Wawel collection clocks. It has a unique, impressive form and a complicated mechanism. The clock's case resembles a monstrance, with the clock dial, held by a kneeling mermaid, replacing the nimbus.

Tile table clock

For many years, it was believed to be the oldest of the Polish table clocks, called tile clocks for their flat cases. However, the engraved date An 1607 should be regarded as a later addition, contrary to the dates of the life and activity of Simon Ginter, who signed the clock.

Tower table clock

The diverse form and rich ornamentation of the clock place it among the best works of the Augsburg watchmakers of the turn of the 16th and 17th centuries.

Mantelpiece clock with a figure of Apollo

An example of a clock in the shape of a figure, a popular style of mantelpiece clock in the 2nd half of the 18th century. It depicts Apollo with a lyre and a laurel wreath on his head, sitting on the top of an obelisk containing the mechanism of an anchor escapement and a mainspring.

Commemorative pink glass

Most probably, the glass shows the bust of Adolf Starzeński, commemorating his participation in the Polish national uprising against Russia at the turn of 1830 and 1831....

Salt cellar in the shape of an elongated cup

This silver salt shaker, in the shape of an elongated bowl, which is decorated at the edge with an openwork strip of plants, is the work of a high-class goldsmith. It was made in France in pre-revolutionary times, in Paris in the years 1786–1787, by the goldsmith, Jean-Baptiste-François Chéret. The precise determination of the authorship, time, and place of the creation of this work is possible thanks to the marking, which, in the past, was to testify the occurrence of precious metal, and nowadays is the source of information about the history of the object; its interpretation, however, often requires detective work.

Horn of Salt Diggers Brotherhood of Wieliczka

The horn of Salt Diggers Brotherhood of Wieliczka is a unique Renaissance work of art commemorating the past wealth of Kraków salt mines. It is the only historical object of such preserved in Poland — the genuine horn of an aurochs (the species that became extinct in Poland in the 17th century, the ancestor of cattle), precisely framed in silver embedded in various golden ornaments.

Megillat Esther binding

The Megillat Esther binding is a case for storing a parchment scroll of the Book of Esther. The Biblical Book of Esther tells the story of how Esther, the wife of the Persian King Ahasuerus, thwarted the plans of Minister Haman aiming to annihilate the Jews who inhabited the Persian Empire. To commemorate these events, on the 14th and 15th day of the month of Adar the Jews celebrate the joyful holiday of Purim.

Kiddush goblet

Kiddush translates from Hebrew as “sanctification.” The ceremony is celebrated at the beginning of the Sabbath and other holidays, by saying a special blessing over a cup of red sweet wine (or red grape juice).

Commemorative cartridge made of shell

An artillery shell, engraved and stylized into a vase, is characteristic of so-called trench art. Such objects—not necessarily of utilitarian function—were made by soldiers with artistic talents for themselves or to order. Often, objects of this type were created in free time in the trenches, during breaks in fighting, or only after military service had ended.