List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

Etrog tin

An etrog tin in the shape of a pomegranate with three leaves, oxidised and open in the middle. The exhibit presumably belonged to rich Jews, as only they could afford such a decorated, silver container, used to carry the etrog to a synagogue on the holiday of Sukkot.

Torah scroll

The parchment scroll containing text of the Five Books of Moses, i.e. the Books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy was hand-written in Hebrew, rolled onto two sticks; the so-called ace(i) chaim [shafts of life] made of oak wood was furnished at the ends with pairs of wooden plates with a diameter of 17.5 cm, and handles for rolling the scrolls. The handles are profiled, with a head decorated with ivory buttons in the upper part and an ivory sleeve at the bottom.

The Babylonian Talmud

The Talmud is the most important compilation of the oral Torah, that was revealed to Moses on Mount Sinai. It is a commentary, an explanation, and a discussion. Before the Talmud, there was the Mishnah, to which Talmud is an extension. There are two Talmuds—the Jerusalem Talmud and the Babylonian Talmud—whose 1831 edition is presented in our collection. The process of editing the former was completed in the 4th century AD in Palestine, in the academies of Caesarea, Sepphoris, and Tiberias. The latter was completed a little later, at the beginning of the 6th century AD in Babylonia, in the academies of Sura, Nehardea, and Pumbedita. It is far more extensive than the Jerusalem Talmud.

Manuscript “Divrei David” of Dawid ben Jakub

The words of David. Commentary on the Jewish calendar. In the introduction the author writes that the knowledge concerning the Jewish calendar is scattered in the papers of Rishonim and Acharonim (medieval and later scholars), and from generation to generation slowly fades away due to the small number of those who could understand and practice in this area.

Bonnet of a Jewess

The bonnet has been in the collection since 1960, yet is not known how came to be included there. Four photographs from the exhibit are preserved in the Museum’s archives, purchased in the late 1960s or early 1970s. On the reverse side there is a note stating that the bonnet's owner was Ludwika Popardowska from Brzezna, a village near Nowy Sącz, and it was her mother’s memorabilia.

Lemko corset

The presented corset comes from the village of Rozdziele. Corsets (lajbyky) were worn by Lemko women – brides and young married women. They were worn over blouses.

Lemko coif (“czepec”)

A coif (czepec) was an obligatory headgear for married Lemko women. It has the form of a shallow cap consisting of a horseshoe-shaped bottom folded in the bottom part and a surrounding rim with rounded edges.

Lemko skirt “kabat”

SA Lemko skirt, or kabat, was made of modrotrotnik – thin printed factory fabric with a pattern of small yellow flowers and small green stars. It was hand-sewn at the turn of the 19th and 20th centuries. Such fabrics were made in the towns of the southern part of the Carpathians, in Bardiov, as well as in Krynica and Muszyna.

Hanukkah lamp

The eight-branched candelabrum made in honour of the Hanukkah festival – the victorious Maccabean Revolt. The festival – recorded in the books of Tanakh (Hebrew Bible) – is over 2,000 years old.

Orava clock

This is a domestic wall clock with a pendulum, having an escapement with a drive and a signalling mechanism chiming the hours. It is also equipped with a weight drive. The whole mechanism is placed in a wooden casing with a bell and a hammer at the top.

Women’s outfit lendian

Kęty and its surrounding areas had been inhabited by the Lendians for centuries. Female costume is one of the few examples of Lendian culture which have survived to the present day, n examples of which are presented at the museum in Kęty. Single examples of such costumes could still be seen on the streets of Kęty in the 1970s.

Manuscript “The privilege of Stanisław Koniecpolski for Jews from Tarnów” with a seal

Jewish settlements in Poland began during the period of the Piast dynasty and increased in the 14th-16th centuries. At first, Jews settled in larger towns, in search of better living conditions. The first Jews arrived in Tarnów in the mid-15th century. The proof of this is the mention of Kafel, a Jew, which can be found in the court files of Lviv from 1445.

Wojciech Doroszuk, “Reisefieber”

A project by Wojciech Doroszuk called Reisefieber concerns the problem of economic migration. During his stay in Berlin, the artist played the role of a newcomer from the East and was employed in the service sectors which are usually entrusted to emigrants. Based on his experience, five films and photography have been created, that form a multi-layered story of everyday, ordinary life in a foreign country, including both paid work and leisure activities, for example, participation in mass events organized in the city space. In each situation, the hero is shown as a stereotypical stranger, deprived of the will and the possibility of joining indigenous members of the community.

Michał Jelski, “D.G./D.Y.60s0-0-0.4s”

The photographic work of Michał Jelski, DG/D.Y.60s0-0-0.4s, is an unusual record of issues focusing on conflict. Its sphere of presentation – patches of colour – whose smooth transitions are disturbed by a distinctive streak, primarily refers to the manipulation of materials applied on the surface of the artistic medium used. The photogram technique used by the artist involves irradiation of photo paper without the use of special devices designed for this purpose, such as a camera. The image is created here is the result of obscuring the photosensitive material with semi-transparent or opaque objects (in such a case, we talk about the technique of luxography).

Icon “St. Michael Archangel”

The icon was originally located in an Orthodox church in Szczawnik, a village situated to the north of Muszyna. Its central part is filled with a whole-figure depiction of St. Michael the Archangel, shown en face, who is holding a sword up in his right hand; in his left hand, he is holding a scabbard. The figure is dressed as an armed warrior, with a short tunic, armour and a tied above his left shoulder.

Altar cross (napriestolnyj) with the scene “Crucifixion” and “Resurrection”

The cross comes from an Orthodox church in Bogusza, a village located to the south-east of Nowy Sącz. It is one of the five Lemko napierstolny crosses [altar crosses], which can be found in the Museum in Nowy Sącz. Due to its decorative form, it is displayed in the permanent exhibition of the Orthodox church art.

Tabernacle (Kiwot)

The object comes from an Orthodox church in Jastrzębik, a village located to the south-west of Krynica. It is one of the two Orthodox tabernacles owned by the Museum in Nowy Sącz. These are extremely rare and valuable exhibits due to the time of their creation and rich painting decoration.

Retable in the shape of the iconostasis

The retable comes from an Orthodox church in Izby, a village located near the Slovakian border, to the east of Krynica. It has a unique form modelled on the arrangement of the Subcarpathian iconostasis, though in an architectural frame typical of the altars of the Roman church. It is an example of westernisation, which involves adapting western patterns to eastern culture.

Icon “Crucifiction”

The exhibit comes from an Orthodox church in Szczawnik, a village situated to the north of Muszyna. In the centre of the depiction there is a cross placed on a rock with a skull of Adam, the symbolic Golgotha.

Fish-shaped besamin box

Besamin boxes [heb. bassamim, psumin-byksy] served as containers for spices and were used during the end of the Sabbath and were usually tower-shaped, whereas the besamin box from Sącz was in the shape of a fish, whose head, connected with a trunk with a hinge could be opened and tilted.