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The head of “Doryphoros” – a plaster cast of an antique sculpture

A statue of a young man carrying a spear (gr. Δορυφόρος, Doryphoros) was found in Pompeii in front of the entrance to the so-called Samnite Palaestra in 1797. The statue is made of Carrara marble and originally stood on a pedestal made of volcanic tuff. It dates back to the 2nd or 1st century BC and is a copy of a lost bronze original made by Polykleitos in the 5th century BC. The statue from Pompeii in Naples (Museo Nazionale, inv. No. 6011) is considered the most complete copy of the classic sculpture. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

Sculpture “Nudo” by Igor Mitoraj

The present sculpture was gifted to the Academy of Fine Arts by the artist himself, on the occasion of the university awarding him with an honorary doctorate in 2003. Simultaneously, a large exhibition of the sculptor’s works took place in Kraków. Igor Mitoraj (1944–2014) studied painting at the Academy of Fine Arts in Kraków under tutelage of Tadeusz Kantor. After graduation, he went to Paris, where he made his debut as a painter and graphic designer. Over time, the artist abandoned the arts he was trained in in favour of sculpture. He also gave up on following progressive trends in arts, and, since then, his artistic works represent realism inspired by the antiquity. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

Russian headdress piece – a prop from the School of Fine Arts

A headdress piece stiffened with wires, made of strips forming a diagonal chequered pattern. It is embroidered with imitation pearls and laced with metal threads, forming a convex plant ornament. The crown is placed at the back. The whole piece was covered with fabric, and straps were sewn into it at the head for fastening. The object was used as a prop in the Kraków Academy of Fine Arts.

Portrait of Rev. Franciszek Siarczyński by Karol Schweikart

The portrait was based on the lithographic image of Franciszek Siarczyński (1758–1829) – a priest, historian, geographer, journalist, librarian and first director of the National Ossoliński Institute in Lviv.

Pas skórzany bałkański – rekwizyt ze Szkoły Sztuk Pięknych

Pas skórzany, szeroki, zdobiony elementami metalowymi oraz dużymi owalnymi kamieniami półszlachetnymi (prawdopodobnie agatami), ułożonymi szeregowo w trzech rzędach. Pas zapinany jest na trzy metalowe haczyki. Szerokie, bogato zdobione pasy zapinane na wiele klamer były charakterystyczne dla całego obszaru Karpat oraz Bałkanów.

Painting “Interior of Krakovian or Bronowice cottage”

The work is attributed to Włodzimierz Tetmajer or Henryk Uziembło. Both were fascinated by folk themes, which at the turn of the 19th and 20th centuries were a fashionable source of inspiration.

Jacek Malczewski’s palette

Jacek Malczewski’s palette is one of the several painting palettes preserved in a collection of memorabilia of famous artists associated with the Academy of Fine Arts in Kraków. It served for oil painting. Its large size, streamlined, heart-like shape and thumb hole, as well as its small weight – resulting from the type of wood used – made it possible to conveniently hold the palette on the forearm and support it by propping it against the side. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

Interior view of the Franciscan cloisters in Kraków

Ferdynand Olesiński received the second competition prize of 20 guilders in 1875, awarded by the management of the Society of Friends of Fine Arts for a perspective drawing. Olesiński then made a pencil sketch depicting the cloisters at the Franciscan church in Kraków. Perspective drawing was one of the subjects taught at the second branch of the Kraków School of Fine Arts. The students also learned drawing still life, copying and drawing head contours.

Interior design by Karol Kamieński

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The painter Karol Kamieński, also mistakenly called Dominik, was the son of Maciej Kamieński, a Polish composer of Slovakian origin. We have sparse information about the artist’s life. What is known is that in 1792 he lived at Piwna Street in Warsaw. Thanks to the help of his father, he managed to find his way into the court of King Stanislaw August Poniatowski.

Anatomical study of muscles

Pochodzący z wielickiej górniczej rodziny Ferdynand Olesiński kształcił się w latach 1871–1883 krakowskiej Szkole Sztuk Pięknych pod kierunkiem Floriana Cynka, Leopolda Löfflera, Feliksa Szynalewskiego, Henryka Grabowskiego, Izydora Jabłońskiego, a przede wszystkim Jana Matejki i Władysława Łuszczkiewicza. Był wyróżniającym się uczniem zdobywającym pochwały i nagrody.

An order cross – a prop from the School of Fine Arts

A metal cross, open-work, decorated with green and white imitations glass of precious stones. The object was used as a prop at the School of Fine Arts in Kraków.

An embroidered jerkin – a prop from the School of Fine Arts

A jerkin embroidered with silver (?) and golden (?) threads, with a large cut-out at the front, adorned with baubles decorated with red coral (eight baubles on each side), geometric ornamentation prevails.

A workbench for mural painting – a table/palette on wheels

A wooden table on metal wheels, doubling as a palette for mural painting, designed by Wacław Taranczewski. In the years1948–1970, the artist held the post of a professor at the Academy of Fine Arts in Kraków, managing the faculty of decorative painting. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A sketch for the painting “Stefan Batory at Pskov” by Jan Matejko

The drawing is a preparatory study for the oil painting by Jan Matejko Stefan Batory at Pskov, which can be found in the collection of the Royal Castle in Warsaw. The painting was completed in 1872, and the artist began sketching it three years earlier. This work loosely refers to the events of the three war campaigns against Moscow conducted over the years 1577–1581 by King Stefan Batory.

A royal crown – a prop from the School of Fine Arts

A children’s crown, open-work, closed by two yokes, on the junction of which there is a sphere with a trace of a broken-off cross. The ring is decorated with eight fleurons: four with palmetto-ribbon patterns at the base of the yokes, and four leaf-like ones. The crown, on the other hand, is decorated with colourful glass imitations of gemstones of a cabochon cut and various faceted cuts. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A plaque commemorating Stanisław Wyspiański by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A plaque commemorating Jan Stanisławski by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków.

A Persian helmet – a prop from the School of Fine Arts

The present helmet is of eastern origin. It was popular, among others, in Persia and Turkey, from where it was adopted in Poland. In the 17th and 18th centuries, such helmets were worn, among others, by towarzysze pancerni [literally: armoured companions], a type of Polish cavalry unit. The bascinet presented on the website probably comes from Persia. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A leather belt decorated with metal ornaments: a prop from the School of Fine Arts

A leather belt fastened with two buckles, covered with fittings made of brass sheet decorated with cast plant ornaments. The belt fittings consist of alternating plates in the shape of rectangles with... Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A fragment of the design of a mural by Karol Kamieński

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The painter Karol Kamieński, also mistakenly called Dominik, was the son of Maciej Kamieński, a Polish composer of Slovakian origin. We have sparse information about the artist’s life. What is known is that in 1792 he lived at Piwna Street in Warsaw. Thanks to the help of his father, he managed to find his way into the court of King Stanisław August Poniatowski.