List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

Wojciech Doroszuk, “Reisefieber”

A project by Wojciech Doroszuk called Reisefieber concerns the problem of economic migration. During his stay in Berlin, the artist played the role of a newcomer from the East and was employed in the service sectors which are usually entrusted to emigrants. Based on his experience, five films and photography have been created, that form a multi-layered story of everyday, ordinary life in a foreign country, including both paid work and leisure activities, for example, participation in mass events organized in the city space. In each situation, the hero is shown as a stereotypical stranger, deprived of the will and the possibility of joining indigenous members of the community.

Michał Jelski, “D.G./D.Y.60s0-0-0.4s”

The photographic work of Michał Jelski, DG/D.Y.60s0-0-0.4s, is an unusual record of issues focusing on conflict. Its sphere of presentation – patches of colour – whose smooth transitions are disturbed by a distinctive streak, primarily refers to the manipulation of materials applied on the surface of the artistic medium used. The photogram technique used by the artist involves irradiation of photo paper without the use of special devices designed for this purpose, such as a camera. The image is created here is the result of obscuring the photosensitive material with semi-transparent or opaque objects (in such a case, we talk about the technique of luxography).

Hanukkah lamp from Samuel Roth's shtibl

This unusual Hanukkah lamp was set on a wooden base, in the middle of which there is a small wall made of two planks, reinforced with another plank and a metal plaque on the back. To the front of the wall, a cast-iron chandelier is fixed.

Jewish book of the Chevra Kadisha funeral brotherhood

A Jewish book belonging to a Chevra Kadisha funeral fraternity. It is a prayer book of the Ashkenazi rite (Nusach Ashkenaz). The Hebrew title of the book is Sidur Safa Berura ha-Shalom.

The Babylonian Talmud

The Talmud is the most important compilation of the oral Torah, that was revealed to Moses on Mount Sinai. It is a commentary, an explanation, and a discussion. Before the Talmud, there was the Mishnah, to which Talmud is an extension. There are two Talmuds—the Jerusalem Talmud and the Babylonian Talmud—whose 1831 edition is presented in our collection. The process of editing the former was completed in the 4th century AD in Palestine, in the academies of Caesarea, Sepphoris, and Tiberias. The latter was completed a little later, at the beginning of the 6th century AD in Babylonia, in the academies of Sura, Nehardea, and Pumbedita. It is far more extensive than the Jerusalem Talmud.

Lemko skirt “kabat”

SA Lemko skirt, or kabat, was made of modrotrotnik – thin printed factory fabric with a pattern of small yellow flowers and small green stars. It was hand-sewn at the turn of the 19th and 20th centuries. Such fabrics were made in the towns of the southern part of the Carpathians, in Bardiov, as well as in Krynica and Muszyna.

Lemko coif (“czepec”)

A coif (czepec) was an obligatory headgear for married Lemko women. It has the form of a shallow cap consisting of a horseshoe-shaped bottom folded in the bottom part and a surrounding rim with rounded edges.

Lemko corset

The presented corset comes from the village of Rozdziele. Corsets (lajbyky) were worn by Lemko women – brides and young married women. They were worn over blouses.

Orava clock

This is a domestic wall clock with a pendulum, having an escapement with a drive and a signalling mechanism chiming the hours. It is also equipped with a weight drive. The whole mechanism is placed in a wooden casing with a bell and a hammer at the top.

Mezuzah

A mezuzah is a small oblong container made mostly of metal or wood, containing a parchment rolled into a scroll (klaf) on which two passages of the Torah, from the Book of Deuteronomy, are written by hand in Hebrew.

Jewish wedding ring

The ring was purchased for the museum collection in 1998 in one of the antique shops in Sącz. According to the owner of the shop, the ring was found among other objects hidden in one of the houses in Nowy Sącz during the war. The exhibit has a great historical value, as only a few similar objects could be found in Polish museum collections.

Fish-shaped besamin box

Besamin boxes [heb. bassamim, psumin-byksy] served as containers for spices and were used during the end of the Sabbath and were usually tower-shaped, whereas the besamin box from Sącz was in the shape of a fish, whose head, connected with a trunk with a hinge could be opened and tilted.

Bonnet of a Jewess

The bonnet has been in the collection since 1960, yet is not known how came to be included there. Four photographs from the exhibit are preserved in the Museum’s archives, purchased in the late 1960s or early 1970s. On the reverse side there is a note stating that the bonnet's owner was Ludwika Popardowska from Brzezna, a village near Nowy Sącz, and it was her mother’s memorabilia.

Icon “St. Michael Archangel”

The icon was originally located in an Orthodox church in Szczawnik, a village situated to the north of Muszyna. Its central part is filled with a whole-figure depiction of St. Michael the Archangel, shown en face, who is holding a sword up in his right hand; in his left hand, he is holding a scabbard. The figure is dressed as an armed warrior, with a short tunic, armour and a tied above his left shoulder.

Icon “Crucifiction”

The exhibit comes from an Orthodox church in Szczawnik, a village situated to the north of Muszyna. In the centre of the depiction there is a cross placed on a rock with a skull of Adam, the symbolic Golgotha.

Icon “The Mother of God” (“Pokrow”)

The icon comes from an Orthodox church in Maciejowa, a village located between Nowy Sącz and Krynica. This type of presentation named Pokrov depicts the Mother of God, who is extending a veil over the world, which is hanging from her outstretched arms over figures clustered at her feet. Two legends are the sources of this theme.

Icon “St. Demetrios the Martyr”

This icon comes from an Orthodox church in the village of Czarna in the Beskid Sądecki. It presents a whole-figure depiction of St. Dmitry, shown en face, with a cross in his right hand and with his left hand making a gesture of profession of the Christian faith. The saint is shown in ancient robes, without attributes of a soldier's profession. His name is inscribed above his head in the Cyrillic alphabet.

Icon “St. Nicholas”

St. Nicholas is one of the most popular saints in Rus and Greece. He was the bishop of Myra in Asia Minor. His iconic representation was shaped at the beginning of the second millennium. The complex series which illustrate his life come from the 12th century. In panel painting, the story of his life was presented in the strip surrounding the main field of the painting, containing several smaller paintings. The central figure of St. Nicholas was presented as an old man, in bishop’s attire, in the half-figure or full-figure portrait depiction.

Icon “Our Lady Hodegetria surrounded by prophets and saints”

This icon is the oldest in the collection of Nowy Sącz. The exhibit was added to the collection in 1977, after a sale offer was made by people living in Nowa Wieś, on a farm which was assigned to Polish settlers after the deportation of the Lemkos in 1947.

Sheepskin coat (lachowski)

An outfit was one of the ways of proving your wealth in one village of the Lendians (Lachowie). In winter, on holidays, Sundays, and fair days, the wealthiest farmers wore Hungarian sheepskin coats made from white tanned leather. Coats were long, with a fold at the waist, and a large semi-circular collar made from black lambskin falling down the back, with which they wrapped their heads during blizzards.