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Altar of queen Jadwiga’s miraculous crucifix

An altar made of black marble from Dębnik, situated in the south-eastern corner of the ambulatory in the Wawel cathedral. A huge five-axis structure with an expressive, recessed layout, supported by a high, two-storey base. External axes are slightly tilted towards the ambulatory, while the base on internal axes projects towards the ambulatory. In the bottom part, centrally, there is a separated altar stone in the shape of a horizontal rectangle with a niche, in which a bronze reliquary with the remains of queen Jadwiga is placed. Sides of the bases feature panels in the shape of vertical rectangles. Sides of the base feature frames in the shape of vertical rectangles filled with panel made of pink marble from Paczółtowice. Central part in the shape of vertical rectangle with a rectangular niche, topped with a semicircle, with rich-profiled framing. It is flanked by two columns on each side which support massive entablature that dominates the whole structure and strengthens the visual tilt side axes towards the ambulatory. Such a solution adds to the altar's character of a deep aedicula which forms a spectacular setting for the magnificent monument and relic – the miraculous crucifix. A realistic, detailed from all sides, yet unnatural in size figure of crucified Jesus is extremely dynamic and expressive. This result was achieved thanks to asymmetrical composition. The Saviour is hanging facing the right side, with knees pulled up in this direction and head lowered towards the right shoulder.

“Crucified Christ” from St. Jadwiga’s hospital

The sculpture depicts Christ hanged on a cross with his hands outstretched. His head is leaning a little towards his right shoulder. The plasticity of the face strikes us with the calmness with which the Redeemer accepts suffering. He is looking down and his lips are closed.

Portable small altar

According to tradition, it is associated with the Relief of Vienna. When, after the victory over the Turks, the army of King Jan Sobieski was returning to Poland, several soldiers stopped in Biecz. In gratitude for defeating the pagans and ending the war unscathed, the soldiers left this small portable altar in the church in Biecz.

Sculpture “Crucified Christ” from 14th century

The sculpture depicts the Crucified Christ. The Saviour has dark hair falling on his shoulders, a short beard and moustache. The figure’s hands were completely destroyed.

Glass decorated with scenes from the legend of St. Hubert

Glass of milky and pink colours, on a small base of a jug-like shape, decorated with a painted hunting scene of the legend of Saint Hubertus.

Processional cross with scenes of “Crucifixion” and “Baptism of Christ”

The cross comes from an Orthodox church in Łosie near Krynica. It is one of the nine Orthodox processional crosses in the Museum's collection. Due to the richness of the depictions and its artistic value, it is one of the most valuable among the crosses and is displayed in the permanent exhibition of the Orthodox church art. Like most Lemko processional crosses, it is painted on both sides. On its one side there is a representation of Crucified Christ, on the other – the Baptism of Christ.

Icon “Crucifiction”

The exhibit comes from an Orthodox church in Szczawnik, a village situated to the north of Muszyna. In the centre of the depiction there is a cross placed on a rock with a skull of Adam, the symbolic Golgotha.

Tabernacle (Kiwot)

The object comes from an Orthodox church in Jastrzębik, a village located to the south-west of Krynica. It is one of the two Orthodox tabernacles owned by the Museum in Nowy Sącz. These are extremely rare and valuable exhibits due to the time of their creation and rich painting decoration.

Altar cross (napriestolnyj) with the scene “Crucifixion” and “Resurrection”

The cross comes from an Orthodox church in Bogusza, a village located to the south-east of Nowy Sącz. It is one of the five Lemko napierstolny crosses [altar crosses], which can be found in the Museum in Nowy Sącz. Due to its decorative form, it is displayed in the permanent exhibition of the Orthodox church art.

Pyx

The pyx was purchased for the collection in 1998. Probably it is from an unknown village in the Gorlice region. After the war, she was kept at the family of a priest from a local village, as a unused. A pyx (Latin: ciborium, pyxis) is a container used to carry the consecrated host. It takes the form of a cup with a matching lid.

The “Christ on the Cross” icon

Helena Dąbczańska is a famous Lviv collector of incunabula, engravings, books, drawings, fabrics and furniture; the owner of a private museum organized in her own villa and the hostess on artistic Sunday mornings for representatives of the Lviv elite at the turn of the 19th and 20th centuries.