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“Study of a male nude figure” by Zdzisław Jasiński

The presented oil male nude figure was created by Jasiński – then a student at the School of Fine Arts in Kraków – in Florian Cynka’s studio in 1884. He was awarded by the university for this work.

Pola Dwurnik, “Mercy!”

Twenty four colour self-portraits stand out from the crowd sketched in the background; each face plays out the spectacle of a different personality.

Jadwiga Sawicka, “HONOURABLE / disloyal”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact. The choice of words has been thought of carefully. They are all related to current ideological and patriotic discussions. Gender play is an additional device to manipulate meanings. The same adjective has different connotations depending on whether it is feminine or masculine.

Jadwiga Sawicka, “MADE IN POLAND / foreign”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact. The choice of words has been thought of carefully. They are all related to current ideological and patriotic discussions.

Jadwiga Sawicka, “NATIONAL / exclusive”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact.

Jadwiga Sawicka, “Ojczysty / Macierzysta”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact.

Jadwiga Sawicka, “ETHNICALLY PURE / national”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact. The choice of words has been thought of carefully. They are all related to current ideological and patriotic discussions.

Jadwiga Sawicka, “IMPIOUS / infamous”

From the mass of thickly laid off paint, there emerge words taken out of context and deliberately crooked. The clash between the background and the semantic content enhances the impact.

Painting “Frenzy” by Władysław Podkowiński

Along with Józef Pankiewicz, Władysław Podkowiński is considered to be the precursor of impressionism in Polish art painting. His works also gave rise to Symbolism and Expressionism trends in Polish Modernism. About 1892 Podkowiński’s oeuvre began to feature visionary and phantasmagoric depictions of the issues of love, suffering and death inspired by his personal experiences, with references to achievements by Western European symbolists.

“Self-portrait” by Leon Wyczółkowski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}Among all the portraits created by Leon Wyczółkowski, his self-portraits occupy a special place. They not only reflect the artist’s appearance in different periods of his life, but also act as records of the painter’s changing personality and moods. They also document his artistic development. Wyczółkowski created several dozen images of himself using oil, tempera, pastel, and graphic techniques. His first works come from the 1890s. He kept creating until the end of his life...

Coffin portrait of a young woman

The image of an unknown young woman is an example of a coffin portrait: a special genre of portraits that emerged in close relation with the funeral customs in the Baroque period.

Painting “Meditations” (“Ash-Wednesday”), from the Cycle: "Ceremonies" — VII

Witold Wojtkiewicz occupies a special position among the Young Poland painters. His paintings, typical of the decadent fin de siècle, were described by André Gide as the “personal fusion of Naturalism, Impressionism and grotesque.” The artist created his own painting world, astonishingly expressionistic, as if from some somnambulistic vision.

Piotr Lutyński, “Bird column”

The work The Bird Column was created in 2003 in the Bunkier Sztuki Gallery and functioned as an exhibition in the process. The titular Bird Column, called by Lutyński “an animated sculpture” and “a large nest full of birds”, took the form of an installation: it was a developed construction, inside which there were paintings and objects made of wood and the birds, whose singing was heard throughout the Gallery from microphones placed nearby. In the next room, there was a goat with its kids. The whole exhibition was accompanied by texts referring to the teachings of St Francis of Assisi, the patron of animals, ornithologists, and bird breeders.

Painting “City Hall north view” by Teodor Baltazar Stachowicz

The view shows the edifice of the city hall on the Main Square in Kraków, according to its state before its demolition in 1820. In the foreground, you can see the Renaissance part of the complex with the characteristic attic; on the left, the upper parts of the city hall tower.

Painting “View of Kraków's north fortification” by Józef Brodowski

A view of the northern section of Kraków's defensive walls with the Barbican, the neck connecting it with Florian Gate and the towers, from the left: Karczmarzy I, Pasamoników, Stolarska and Ciesielska. On the far right is the one-storey Kleparz building. The ring of fortifications, with wall towers and gate towers, surrounding Kraków, was built during the Middle Ages and became a characteristic element of the city's panorama. A significant part of the defensive walls was built at the turn of the 13th and 14th centuries. In the southern part of the city, they were probably completed in the1st quarter of the 14th century. From the mid-14th century, the fortifications were maintained at the cost of the city and gradually expanded. o Craftspeople of various specialities were responsible for the direct care of their individual sections, from whom the names of the towers were derived.

Painting “View of Mikołajska's Gate” by Teodor Baltazar Stachowicz

This is a view of a part of Mikołajska Street, closed by Mikołajska's Gate. On the left, you can see the characteristic window grates and the gutter protruding on the street, and, on the right, a fragmentary view of the Church of Our Lady of the Snows in Gródek can be seen. The gate is covered with a tent roof with a break—the hole in the base is topped with a sharp arch.

Painting “Wernyhora” by Jan Matejko

Wernyhora – a Ukrainian lyricist and bard, according to some a legendary person, according to others a historical person living in the second half of the 18th century – became famous for political prophecies regarding the fate of the Polish-Lithuanian Commonwealth and Ukraine. He was supposed to have foreseen the bloody Cossack rebellions, the partitioning of Poland, the unsuccessful national liberation uprisings and the revival of the Polish statehood.

Jadwiga Sawicka, “Batman”

In Jadwiga Sawicka’s works, individual objects and phenomena appear belonging to everyday life, as well as words and phrases taken out of context, from newspapers, commercials or electronic media. Items of clothing, such as a shirt, trousers, skirt, gloves, and a jacket assume the painted form of a simplified, monochromatic image of clothing, having no particular features; they become more concrete while being photographed. In a series of photos from 1997, presenting casual clothing separately, they are captured on a uniform background of plastic foil and artificial leather: a leather coat, a colourful dress, a suit, trousers, a bathing suit.

Triptych “Family of Mary” from parochial church in Racławice Olkuskie

In the middle part of the triptych, the so-called “family of Maria” has been introduced, a multi-person image, based on the legend of the triple marriage of St. Anna (the Baby Jesus is standing on her knees) and the Blessed Virgin Mary are sitting on the bench in the centre of the painting. Behind the bench and St. Anna...

“Still Life” by Tomasz Lisiewicz

The objects shown in the painting are props from Jan Matejko’s School of Historical Painting. Among the props painted by Lisiewicz, one can recognize the gilded mace presented on our website, which is still in the collection of the Museum of the Academy of Fine Arts in Kraków (Rz A 107).