List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

Two small vases ornamented with cranes in flight, placed against a dark blue background

The crane is one of the most important symbols of longevity in many Asian countries. When it is depicted in combination with other symbols, it takes on an additional, slightly different meaning, which is often deeper than the original one. This majestic bird with its beautiful body and feathers has become one of the most important symbols of the culture of Japan, as the Japanese are a people who observe the surrounding nature carefully and draw a lot of inspiration from nature.

“Hikifuda” advertising handbill in the form of a calendar

Among the many hikifuda advertising handbills distributed by publishers to their customers, the most popular were those with motifs connected with the New Year, such as cranes and pine trees, as well as calendars. In Japan, there is a tradition of offering New Year’s wishes, and new year calendars are one of those obligatory presents given on this occasion.

Woodcut “Bright Weather after the Snow Storm in Kameyama” by Utagawa Hiroshige

Utagawa Hiroshige occupied a special place in the collection by Feliks Jasieński: the collection gathered more than 2,000 woodcut boards by this artist. The abundantly represented landscape genre helps us appreciate Hiroshige as an artist who was considered to be the master of recreating the mood created by snow, rain and fog.

“Kiyomizu-dera, the Shrine of Clear Water” by Andrzej Wajda

In Kyoto, the former imperial capital city, you can find Kiyomizu–dera (清水寺), a complex of Buddhist shrines whose name derives from the waterfall of the river flowing on the hillside of Mount Higashiyama. The main pavilion of the shrine is dedicated to Goddess Kannon (a bodhisattva personifying compassion), and it is one of the most popular tourist attractions, famous for its vantage point based on a six-storey structure. Crowds of visitors come to this place both in spring, when the cherry trees are in bloom, and in autumn, when the maple leaves turn red.

The “snow” type “Ko-omote” mask of the “Nō” theatre

In the classic Japanese theatre, masks are the most important accessories of the leading actor shite. With these masks, an actor is able to impersonate characters of both real and imaginary worlds (e.g. a warrior, a young woman, an old man, as well as a demon, a god or a goddess, etc.). By putting on a mask, the character is transformed and the audience is able to discover their hidden secrets (e.g. the extraterrestrial origin of the character), or fierce feelings tormenting them (sorrow, envy, madness).

An album of woodcuts “One hundred views of Mount Fuji by Hokusai”, the 2nd volume

In the collection of the Manggha Centre of Japanese Art and Technology, there is an edition of the work 100 views of Mount Fuji by Katsushiki Hokusai. Hokusai was one of the most famous Japanese artists and he created old ukiyo-e woodcuts (Japanese: a view of the world that passes away).

Woodcut “Portrait of actor Kōraiya Kinshō” by Toshūsai Sharaku

Toshūsai Sharaku is one of the most enigmatic Japanese artists. The woodcuts signed with his name come from the period between May 1794 and January 1795. A total of about 150 Sharaku card images depict actors from the Kabuki theatre; these are projects with a completely different new form of expression, often close to a caricature.

“Hakuji” vessel by Manji Inoue

The process of producing vessels of white porcelain is regarded as being exceptionally difficult, since, as it is baked in a furnace, small particles can easily permeate inside, and they can dye the porcelain forms, thus disrupting the whole process. One of the most outstanding contemporary hakuji artist is Manji Inoue (born 1929), the Japanese creator who was awarded, in 1995, with the honourable title of The Living National Treasure(Ningen Kokuhō).

“Fugu” — a drawing by Andrzej Wajda

The fish depicted in the drawing is fugu (Latin Takifugu rubripes — a pufferfish), famous for the poison which can be found in its entrails (in particular, in its liver and ovaries), and spawn. The poison is tetrodotoxin, whose toxicity is many times stronger than the toxicity of cyanide. Because of the risk one takes while eating dishes made of fugu, this fish has a crowd of enthusiasts — those who gladly order fugu dishes prepared by qualified chefs, and artists who think about this fish as a motif in films and literature, an instrument of crime or suicide...

Shrine with the Senju-Kannon Bosatsu figure

The portable shrine with the image of Senju-Kannon Bodhisattva (Japanese: Bosatsu) was made with the use of the most valued techniques, and the precision of the fine exposure of details emphasises the high class of the exhibit.

“Ise-katagami” dyeing stencil with a carp motif

The carps that appear here belong to those motifs which, despite reflecting Japanese symbols, seem familiar to the Europeans as well. According to the tradition brought to Japan from China, carps swim upstream so as to transform themselves into dragons, having first proven their strength and perseverance. Due to those features, they are also patrons of boys on their own day which used to be celebrated in Japan on 5 May (at present, this is Children's Day in Japan).

“The Portrait of Shunkin” – a poster by Jan Młodożeniec

This poster created by Jan Młodożeniec stands out due to its interesting appearance which resembles the traditional Japanese woodcut ukiyo-e.

“Judo saga” — a poster by Jerzy Flisak

This poster by Jerzy Flisak is distinguished, above all, by its unusual display of two fighting figures depicted in the form of a white pictograph placed against a brown background. Naturally, the image brings to mind an association with the writing system used by the Japanese — kanji signs, and due to this connection, the poster is imbued with a deeper meaning. The author uses both a subtle pattern and a metaphor, and skilfully combines the images with a story.

Woodcut “Oiran Yosooi from the Matsuba-ya Pleasure House” by Kitagawa Utamaro

Beautiful women of the oiran offered an attractive subject for artists dealing with Japanese wood engravings; it peaked in the Edo epoch (1603–1868). Elusiveness and passing, so strongly featured in the philosophy of this period, made people seize the current moment and celebrate the joy stemming from watching flowers or admiring the Moon.

Wedding kimono “uchikake” with a motif of cranes in flight

The level of a kimono's formality is determined by the type, design and colour of its fabric, as well as the adjustment necessary for the occasion the kimono is intended for. At present, most women wear kimonos when practising traditional Japanese arts such as the ikebana and the tea ceremony, or during important family meetings. One such event is a Japanese wedding of Shinto rite. One of the kimonos included in the set of kimonos worn by the bride on that day is a red outer kimono uchikake.

Two creative sketches of the Manggha building by Arata Isozaki

According to legend, when Andrzej Wajda received a prize from the Inamori Foundation and promised that he would spend this prize on a new house of the Far East art collection, Arata Isozaki, the architect, declared that he would prepare the design of the future centre and donate it as a gift. And so it happened.

Hoshi kabuto helmet with shikami decoration

The collection of military items from the Far East in the National Museum in Kraków includes over one thousand exhibits, from which the most numerous are Japanese works. Armours and helmets belong to extremely valuable specimens and although they mostly come from the Edo period (1603–1868), we can admire the Japanese masters’ superb craftsmanship in them.

“Ise-katagami” dyeing stencil with a motif of “momiji” maple leaves and branches

A kimono is one of the first things that comes to mind when we think of Japan. We always see those traditional dresses exquisitely decorated with painted or embroidered designs. Each of them is decorated with the most beautiful and elegant patterns. However, there are also everyday kimonos with repeating, small patterns of flowers, birds, fans and other motifs. They are made using stencils such as the Ise-katagami, which the Japanese have been creating for centuries.

“Komon” type kimono with a motif of maple leaves

A kimono is a Japanese dress and is an important part of this country's history, culture and tradition. Through the ages, its form has changed somewhat due to Chinese and Korean influence. It got its present shape, the letter T with broad sleeves frequently reaching the floor, during the late Edo period (1603–1868).

“Fish” — a drawing by Andrzej Wajda

In Japan, carps are a symbol identified with boys, who wish to become as strong and persistent as those fish. Each year, during Japanese Children's Day, which formerly was solely Boys' Day, parents hang kites on flagpoles located near their houses resembling wind socks that indicate the strength and direction of the wind. They are in the shape of carps, and the colour of each carp is related to the person it symbolises: the black carp is for the father, the red one — for mother, other colours are for children. According to old beliefs, flags are hung high in order to attract the attention of protective gods that are high in the sky.