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Pola Dwurnik, “Mercy!”

Twenty four colour self-portraits stand out from the crowd sketched in the background; each face plays out the spectacle of a different personality.

Sculpture “Roman Damian Sanguszko's bust”

In the collection there is a bust sculpture depicting an image of Roman Damian Sanguszko (1832–1917). Roman Damian was the eldest son of Władysław and Izabela née Lubomirski, and a landowner in the Zaslav Region, an heir to the family property in Volyn. He managed property in the Slavuta Region and the famous horse stud in Chrystivka.

“Self-portrait” by Leon Wyczółkowski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}Among all the portraits created by Leon Wyczółkowski, his self-portraits occupy a special place. They not only reflect the artist’s appearance in different periods of his life, but also act as records of the painter’s changing personality and moods. They also document his artistic development. Wyczółkowski created several dozen images of himself using oil, tempera, pastel, and graphic techniques. His first works come from the 1890s. He kept creating until the end of his life...

Coffin portrait of a young woman

The image of an unknown young woman is an example of a coffin portrait: a special genre of portraits that emerged in close relation with the funeral customs in the Baroque period.

“Portrait of a model” by Wanda Ślędzińska

Wanda Ślędzińska (1906–1999), a sculptor and a pedagogue associated with the Academy of Fine Arts in Kraków for many decades. She started working at the academy as an assistant at Xawery Dunikowski’s studio. Ślędzińska was the first woman to become the head of the Faculty of Sculpture at the Academy of Fine Arts in Kraków. She held this post until she retired in 1970.

“Self-portrait” by Wanda Ślędzińska

Wanda Ślędzińska (1906–1999), a sculptor and a pedagogue associated with the Academy of Fine Arts in Kraków for many decades. She started working at the academy as an assistant at Xawery Dunikowski’s studio. Ślędzińska was the first woman to become the head of the Faculty of Sculpture at the Academy of Fine Arts in Kraków. She held this post until she retired in 1970. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

Sculpture “Portrait of Zofia Potocka” by Walery Gadomski

Walery Gadomski studied at the School of Drawing and Painting under Wojciech Stattler (drawing and painting) and Henryk Kossowski (sculpture) in the period 1850–1858. He was simultaneously educated in Franz Bauer’s workshop at the Academy of Fine Arts in Vienna (1856–1858). He fought in the January Uprising. In the years 1876–1889, he taught sculpting at the School of Fine Arts in Kraków. He became famous for his busts of contemporaries, for example, Jan Matejko or Józef Szujski, and historical figures (Veit Stoss, Jan Długosz).

Woodcut “Portrait of actor Kōraiya Kinshō” by Toshūsai Sharaku

Toshūsai Sharaku is one of the most enigmatic Japanese artists. The woodcuts signed with his name come from the period between May 1794 and January 1795. A total of about 150 Sharaku card images depict actors from the Kabuki theatre; these are projects with a completely different new form of expression, often close to a caricature.

“Portrait study of Marian Gorzkowski” by Jan Matejko

The sketch is probably a portrait study of Marian Gorzkowski. It shows a middle-aged man, with a thin face covered with wrinkles depicted as a bust. The man has a beard and moustache. He is probably dressed in a frock coat, which was a formal visiting outfit introduced in the 19th century. This is indicated by the widened lapels of the double-breasted long jacket, which was then popular among men, visible in the portrait. However, the artist focused primarily on rendering the facial features of the portrayed person.

Sculpture “Bust of Róża Loewenfeld”

The sculpture presents a classicist bust of a young woman with a slightly bent head turned to the right. Admittedly, a faint resemblance of the artistic vision of the German sculptor to the actual figure raised doubts, but how many times have images been idealised, beautifying the portrayed individuals and making them look younger?

Sculpture “Portrait Study”

The sculpture was made after 1900 by the artist-sculptor Henryk Hochman, a graduate of the Academy of Fine Arts in Kraków, a disciple of Florian Cynk and Konstanty Laszczka. Hochman continued his education in the workshop of August Rodin in Paris.

Sculpture “Bust of Kazimierz Count Potulicki” by Tomasz Oskar Sosnowski

The sculpture comes from the palace in Bobrek and represents one of the Potulicki Counts (the trouble is that it is unclear which one). The name “Kazimierz Count Potulicki” was used in the case of Kazimierz Ludwik Łukasz Count Potulicki of Więcborg, of the Grzymała coat of arms (1793–1871) and his son, Kazimierz Wojciech Count Potulicki of Więcborg, of the Grzymała (1820–1880) coat of arms.

Sculpture “Schoolgirl with a Rose Wreath” of the “Wawel Heads” series by Xawery Dunikowski

The sculpture, one of the most interesting female portraits of Dunikowski, was created as part of the plan to restore the lost heads on the ceiling of the Envoys’ Room (also called the Room under the Heads) on the second floor of the eastern wing of Wawel Royal Castle. Originally, there were 194 heads created by Sebastian Tauerbach and his team before 1540. The ceiling was devastated in the early 19th century, when the castle was turned into the barracks of the Austrian army; only 30 heads were saved by Princess Izabella Czartoryska. It was decided in 1924 that the set was to be reconstructed.

Painting “Portrait of King Augustus III in a Polish costume”

The representative room of the Bishop Erazm Ciołek Palace, known as the Room of Virtues, houses the gallery of old Polish portrait paintings that were common in the old Poland. For the nobility, their own images and depictions of their relatives and ancestors formed a vital factor for building family and social ties and documenting genealogy and affiliations.

A plaque commemorating Jan Stanisławski by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków.

A plaque commemorating Stanisław Wyspiański by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

Photograph “Portrait of Karol Wojtyła Senior”

Portraits of loved ones (including Emilia Wojtyła) hung on a wall in a flat in Wadowice; then they got to 10 Tyniecka Street, where Karol Wojtyła and his father settled in after Karol’s final school examinations. The portraits were silent witnesses of traumatic events. One day when Karol came home, he found his father’s dead body. After this experience it was very difficult for him to return to the flat.

Painting “Portrait of a Young Dutch Girl”

Portraits of the members of the Sanguszko family, one of the wealthiest and most influential families in the former Commonwealth, as well as of their closest relatives make a large group in the collection of the Museum in Tarnów. They were a part of the furnishing and decoration of palace interiors in numerous ducal mansions. The portrait presented here comes from Slavuta situated on the Horyn, one of the main rivers of Volhynia (Ukraine).

Painting “Helenka with a Vase” by Stanisław Wyspiański

Portraits of children occupy a special place in Wyspiański’s artistic oeuvre. Without the unnecessary sentimentalism, treated in a natural, affectionate manner with a great dose of sensitivity and realism, and captured in new and unexpected depictions, they refreshed the usual connotations related to this genre.

Fayum portrait

The portrait was purchased in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The face of the man is oval-shaped, with almond-like eyes with marked pupils, lashes and bushy eyebrows. He has a long moustache and a black beard encircling his face.