List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

Sculpture “Bust of Róża Loewenfeld”

The sculpture presents a classicist bust of a young woman with a slightly bent head turned to the right. Admittedly, a faint resemblance of the artistic vision of the German sculptor to the actual figure raised doubts, but how many times have images been idealised, beautifying the portrayed individuals and making them look younger?

Sculpture “Schoolgirl with a Rose Wreath” of the “Wawel Heads” series by Xawery Dunikowski

The sculpture, one of the most interesting female portraits of Dunikowski, was created as part of the plan to restore the lost heads on the ceiling of the Envoys’ Room (also called the Room under the Heads) on the second floor of the eastern wing of Wawel Royal Castle. Originally, there were 194 heads created by Sebastian Tauerbach and his team before 1540. The ceiling was devastated in the early 19th century, when the castle was turned into the barracks of the Austrian army; only 30 heads were saved by Princess Izabella Czartoryska. It was decided in 1924 that the set was to be reconstructed.

Sculpture “Portrait Study”

The sculpture was made after 1900 by the artist-sculptor Henryk Hochman, a graduate of the Academy of Fine Arts in Kraków, a disciple of Florian Cynk and Konstanty Laszczka. Hochman continued his education in the workshop of August Rodin in Paris.

Sculpture “Bacchante” by Teodor Rygier

A young woman, clearly amused, seems to be walking towards the viewer with a dance-like step. Her shapely figure has been captured in a lively pose, and the body is covered only with a fabric carelessly wrapped around the hips. The girl is raising a goblet with a vigorous gesture of her right hand. The Dionysian character of sculpture, marked in the title, is emphasized by a vine twig gripped in the left hand.

Costume of a Scythian princess from Ryzhanovka

Since 1887 the collection of the Archaeological Museum of Kraków has boasted the equipment of a rich Scythian female tomb situated under the mound of a kurgan, examined in Ryzhanovka near Zvenyhorodka in Ukraine by Gotfryd Ossowski, the first curator of the Museum of National Antiquities (from which today’s Archaeological Museum has originated) at the Polish Academy of Arts and Sciences in Kraków.

Painting “Portrait of the Artist's Wife: In the Summer Apartment” by Józef Mehoffer

This painting, characteristically shaped as a vertically extended rectangle, is a portrait of the artist's wife against a background of the interior of a summer apartment. This piece was created in 1904 in Zakopane, where the Mehoffers rented a newly completed wooden highland house for a few months.

Painting “Portrait of Nena Stachurska” by Stanisław Ignacy Witkiewicz

Woman? Child? Demon? ... Who can you see? Place of action — Zakopane — “Z village.” Time of action — April 1929. Protagonists — artist Stanisław Ignacy Witkiewicz and his model, this time Nena Stachurska. Nena was one of the favourite models of Witkacy, right next to Helena Białynicka-Birula, Janina Turowska–Leszczyńska and Eugenia Kuźnicka-Wyszomirska.

Sculpture “Maria Sobańska's bust” by Konstanty Laszczka

The bust of Maria, née Skrzyńska Sobańska, made in the Art Nouveau style, was carved out of Carrara marble. The object—acquired after the liquidation of a mansion—was transferred to the Regional Museum in Gorlice. Maria Sobańska came from the influential Skrzyński noble family, which had the title of “Count” .

Woman’s fan

The fan, originally designed as a cooling device, was elevated in modern times to a symbol of dignity. Over time, it became a very fashionable element of female attire. On the other hand, fan gestures became a conventional code used by men and women to communicate and flirt at the court.

Painting “Portrait of a woman” by Stanisław Ignacy Witkiewicz

On women and other demons... The art collection from the Tatra Museum features several dozens of works by Stanisław Ignacy Witkiewicz, aka Witkacy. These include landscapes, drawings and portraits. Among the works depicting by Nena Stachurska, Bronisława Włodarska, Janina Turowska-Leszczyńska and Józef Fedorowicz, there are two images of a lady whose first and last name is unknown.

Sculpture “In the Theatre Box” by Luna Amalia Drexler

The sculpture represents a figure of a sitting woman depicted from the waist upwards. The woman is holding binoculars and slightly leaning out of the theatre box, assumedly to take a better look of the details of the artistic event in which she is participating. There is a satisfaction, or even reverie visible on her face. Is it because of the play?

Woodcut “Oiran Yosooi from the Matsuba-ya Pleasure House” by Kitagawa Utamaro

Beautiful women of the oiran offered an attractive subject for artists dealing with Japanese wood engravings; it peaked in the Edo epoch (1603–1868). Elusiveness and passing, so strongly featured in the philosophy of this period, made people seize the current moment and celebrate the joy stemming from watching flowers or admiring the Moon.

Painting “Portrait of Teresa née Czartoryska Lubomirska”

The pride of the palace in Slavuta was a small pastel portrait which presented a charming teenage girl. It depicts Teresa née Czartoryska, the daughter of Józef Klemens, the founder of the china manufacturing plant in Korets. The girl’s mother was duchess Dorota née Jabłonowska, who was famous for her beauty. The author of the portrait was one of the most outstanding French painters, Elisabeth Louise Vigee-Lebrun /1755–1842/.

Actress Jadwiga Mrozowska’s costume of Lady Macbeth

The costume for the role of Lady Macbeth was given to the Historical Museum of the City of Kraków as the inheritance after the actress and singer Jadwiga Mrozowska, who had connections with the Kraków stage in the years 1902–1905. From 1905 the artist settled down in Italy, where she performed as an opera singer.

Garden dress

Crinoline dress made of white muslin printed with motifs of water plants at the bottom of the skirt, and flying butterflies and other insects above. A short camisole lined with a white fabric with whalebones and fastened in the front with buttons. Slotted and flared long sleeves sewn with frills.

Painting “Portrait of a Young Dutch Girl”

Portraits of the members of the Sanguszko family, one of the wealthiest and most influential families in the former Commonwealth, as well as of their closest relatives make a large group in the collection of the Museum in Tarnów. They were a part of the furnishing and decoration of palace interiors in numerous ducal mansions. The portrait presented here comes from Slavuta situated on the Horyn, one of the main rivers of Volhynia (Ukraine).

Painting “Portrait of Klementyna Sanguszko Ostrowska” of Vincenzo Camuccini

The portrait of Klementyna Countess Ostrowska, of the aristocratic Sanguszko family (1786–1841), was made around 1822. The author was Vincenzo Camuccini, a famous Italian artist, professor of the Academy of St. Luke in Rome. It comes from the palace of the Sanguszko family in Gumniska where, among a rich collection of works of art, there was also a collection of family portraits.

Statuette of a Woman in Hunting Clothes

During the mid-18th century it was popular to set the table on the occasion of the most important ceremonies with porcelain statuettes forming rich iconographic stories. Along the entire length of the table, next to the silverware and the china, sat an arrangement of many statuettes in the form of garden paths, streets or castle arcades, placed on a mirror sheet or coloured sand.

Women’s folk — the Szczawnica highlanders

Today’s female folk costume of the Szczawnica highlanders consists of a corset made of black velvet with large floral patterns embroidered with silk threads on the back and the front, which is put on a white shirt, a skirt from green tybet fabric printed in large red flowers, an embroidered tulle apron and kierpce (hard-soled leather moccasins) put on white socks. In the past married women covered their heads with coifs and later with scarves. In the winter they wore cloth slippers and long sheepskin coats with sleeves.

Photograph “Portrait of Emilia Wojtyła”

A portrait of Emilia Wojtyła who died in 1929 when Karol was 9. The photograph had its place in a living room in a flat in Wadowice and afterwards, together with other objects, it was transported to Tyniecka Street in Kraków, where Karol and his father moved after Karol’s final school examinations. The portrait of his mother accompanied Karol until he entered a seminary.