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“Model worker” by Andrzej Wróblewski

The portrait entitled Model worker represents a man dressed in blue work clothes with the collar of a white shirt poking out. The model is rendered en trois quarts. His short hair is neatly combed, smoothly clinging to the head, and his face seems emotionless.

“Study of the nude figure of a standing woman” by Stanisław Zygmunt Malcher

The present Study of the nude figure of a standing woman was created during Malcher’s studies at the academy in Kraków. The post-impressionist style and vivid colouration of the image testify to the impact that the works of both his university masters exerted on the artist.

“Study of the nude figure of a sitting woman” by Bronisława Galiczanka

Little is known about the life and artistic work of Bronisława Galiczanka (Bronisława Olga Galica) and her achievements are limited to a few student works. She was born in Czertez near Sanok in 1902. She was registered as a student at the Academy of Fine Arts in Kraków during the years 1924–1928. She was educated in the studios of Władysław Jarocki and Fryderyk Pautsch, and her work was then recognized and awarded...

“Study of a boy’s nude figure” by Tadeusz Okoń

The present, a painterly study of a boy’s nude figure was created by Tadeusz Okoń (1872 – 1957) during his studies at the School of Fine Arts in Kraków. Okoń was educated at the School of Fine Arts in 1887–1896 under the tutelage of Jan Matejko, Władysław Łuszczkiewicz, Leopold Loeffler and Teodor Axentowicz. He continued his education at the Vienna Academy of Fine Arts (1896), the Munich Academy of Fine Arts (1896–1898) and at the Académie Colarossi in Paris (1898–1900).

“Study of a male nude figure with a fig leaf and a sabre” by Ferdynand Bryll

Ferdynand Bryll, painter, portraitist, conservator and illustrator, was born in 1863 in Kraków. During the period 1876–1884 he studied at the Kraków School of Fine Arts. In the course of his studies, in 1882, at the request of Jan Matejko, he assisted Henryk Rodakowski during his work on the frieze in the parliamentary chamber in Lviv. Even before his studies, he learned towards portrait painting at the studio of Andrzej Grabowski, which opened in Kraków in 1855.

“Study of a nude male figure with a fig leaf” by Alfons Dunin-Borkowski

Alfons Borkowski (1850–1918), after finishing studies at the Wojciech Gerson School of Drawing in Warsaw (1876–1879), continued his education at the School of Fine Arts in Kraków, where in 1879–1887 he studied under Władysław Łuszczkiewicz, Leopold Loeffler and from 1882 with Jan Matejko for three years. The artist’s talent was already appreciated during his studies.

“Study of a male nude figure” by Zdzisław Jasiński

The presented oil male nude figure was created by Jasiński – then a student at the School of Fine Arts in Kraków – in Florian Cynka’s studio in 1884. He was awarded by the university for this work.

Portrait of Rev. Franciszek Siarczyński by Karol Schweikart

The portrait was based on the lithographic image of Franciszek Siarczyński (1758–1829) – a priest, historian, geographer, journalist, librarian and first director of the National Ossoliński Institute in Lviv.

“Portrait of a man in a frock coat”

The presented portrait from the collections of the Museum of the Academy of Fine Arts in Kraków depicts an unidentified middle-aged man.

“Austrian Soldier” by Feliks Szynalewski

Feliks Szynalewski was born in Kraków on 11 May 1825. During the period 1835–1837 he completed two classes of primary school for boys. Between 1837–1841 he attended three classes at St. Anna Middle School, and then he began to study at the Kraków School of Drawing and Painting. He was taught to draw by Jan Nepomucen Głowacki and Jan Nepomucen Bizański, to paint by Wojciech Korneli Stattler, and sculpture by Karol Ceptowski. During his studies, Szynalewski earned his wages by making lithographies.

“Still Life” by Tomasz Lisiewicz

The objects shown in the painting are props from Jan Matejko’s School of Historical Painting. Among the props painted by Lisiewicz, one can recognize the gilded mace presented on our website, which is still in the collection of the Museum of the Academy of Fine Arts in Kraków (Rz A 107).

A sketch for the painting “Stefan Batory at Pskov” by Jan Matejko

The drawing is a preparatory study for the oil painting by Jan Matejko Stefan Batory at Pskov, which can be found in the collection of the Royal Castle in Warsaw. The painting was completed in 1872, and the artist began sketching it three years earlier. This work loosely refers to the events of the three war campaigns against Moscow conducted over the years 1577–1581 by King Stefan Batory.

“Study of Laocoon’s head” by Jan Bukowski

Jan Bukowski (1873–1943) according to the Dictionary of Polish Artists, studied at the School of Fine Arts in Kraków during the period 1893–1900. He attended the workshops of such famous artists as Władysław Łuszczkiewicz, Teodor Axentowicz, Leon Wyczółkowski and Jacek Malczewski. The presented drawing is signed with the name and surname of the author and dated by him to 1892.

“The Garden in Dębniki” by Jan Stanisławski

Jan Stanisławski (1860–1907) is one of the greatest painters of the Young Poland period and an excellent landscape painter, known primarily for his miniature landscapes. The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. Among them is a painting depicting a garden in Dębniki near Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“Portrait of Anna Szaniawska née Scypion”

The portrait shows a young woman in a blue, silken lace dress. She is leaning on a stone windowsill, on which a basket of flowers is situated. She is wearing a high, powdered hairdress, tied with a ribbon, as well as pearl jewellery. Her left hand is decorated with a bracelet with an engraved gem styled to resemble antique jewellery. In her right hand, the woman is holding an orange blossom. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“The Little Garden” by Jan Stanisławski

Jan Stanisławski (1860–1907) is one of the greatest painters of the Young Poland period and an excellent landscape painter, known primarily for his miniature landscapes. The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. Among them is the painting entitled The Little Garden. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“Grotta del Cane”

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The present anonymous painting depicts the famous Grotta del Cane [it. Cave of Dogs]. It is located near Naples, by Lake Agname. In the eighteenth and nineteenth centuries the cave was one of the tourist attractions of the region, visited by aristocrats and intellectuals travelling across Italy as part of so-called Grand Tour: a journey through the Old Continent, which was a traditional stage in the education of European elites.

“Giardino Giusti” by Jan Stanisławski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The Museum of the Academy of Fine Arts in Kraków stores several landscapes of small sizes typical of the painter. The landscape painting, Giardino Guisti, depicts the famous gardens of the Pallazo Giardino Giusti in Verona. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“La Certosa” by Jan Stanisławski

Jan Stanisławski (1860–1907) is one of the greatest painters of the Young Poland period and an excellent landscape painter, known primarily for his miniature scenery painting. At the end of the 19th century, Stanisławski made numerous artistic journeys. He visited Italy, Spain, Switzerland, Germany, Austria and the Czech Republic. He also travelled many times to his homeland: Ukraine.

“Self-portrait” by Leon Wyczółkowski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}Among all the portraits created by Leon Wyczółkowski, his self-portraits occupy a special place. They not only reflect the artist’s appearance in different periods of his life, but also act as records of the painter’s changing personality and moods. They also document his artistic development. Wyczółkowski created several dozen images of himself using oil, tempera, pastel, and graphic techniques. His first works come from the 1890s. He kept creating until the end of his life...