List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

Queen Jadwiga’s tombstone

Carved in a single block of marble from Carrara and covered with a slightly smaller flat block with the figure of the queen lying with head directed towards the east. It is situated in the first arcade from the west in the southern wing of the ambulatory. An austere block tomb is supported by a base decorated with highly stylised lilies, a frize of square panels filled with heraldic eagles in the top part. The longer side (southern) is divided into seven panels, with the outer ones overlapping narrower sides.

Wooden feretrum

Feretron is a special type of paintings or sculptures with saints' that were used not only during the procession in church celebrations, but also as portable altars during pilgrimages.

Procession float, obverse: “Heart of Our Lady”, reverse: “Heart of Jesus”

Set on a profiled base with bar holes is a picture painted on both sides of a board, presented in a simple frame, flanked with a wavy ribbon on the sides and topped with a decoratively cut peak with a cross. The structure of the procession float is painted with oil based cobalt paint.

Bone plaque in the shape of a bull’s head from Bilche Zolote

This object was found in Bilcze Złote (now the Tarnopol region, Ukraine), in the Werteb cave in 1898, by Włodzimierz Demetrykiewicz. The badge is a part of the rich collection of Leon XX and Teresa Sapieh, which was handed over by agreement in 1904 to the Museum of Skills Academy in Kraków.

Mummy of a cat

Mummy was carefully wrapped in resinated bandage, the crossing bands created a geometrical pattern. The upper part was formed to resemble the head of a cat with all details being marked on it. X-ray made of the mummy have revealed no mummified remains under the bandages; inside are bones of an animal. In order to provide stiffness the cat's skeleton was stiffed by a stick. Animals were mummified in Egypt for different reasons. A haunch from an ox or some other animal, dipped in salt and wrapped in bandages, was put in a wooden coffin of appropriate shape to serve as food for the deceased in the Netherworld. Mummified pets – monkeys, dogs, even gazelles and ducks – were placed inside the funerary chamber, sometimes inside the coffin with their dead owner.

Mummy of a falcon

Mummy was carefully wrapped in resinated bandage, the crossing bands created geometrical pattern. In the upper part it is formed to resemble the head of a falcon with all the essential details being marked on it. X-ray made of the mummy have revealed no mummified remains under the bandages; inside are the bones of an animal. The falcon's skeleton being mixed with, as paleontologist have discovered, the bones of a frog and lizard, presumably the bird's last meal.

Sculpture “Madonna of Więcławice”

A wall sculpture hollowed out from behind. It depicts Mother of God in a gentle contrapposto, bent in the shape of a reversed “S”, wearing a gilded dress of a warm red tone as well as a gilded coat on a silver lining with an olive glaze. Mary has a veil and a crown on her head. In her right hand, Madonna is holding Infant Jesus in a gilded dress.

Sculpture “Madonna from Gruszów”

The sculpture is full-length and depicts Madonna in a long, floral-decorated dress in brown-red and navy-blue colours and with a gilded coat tied over her chest. Mary, tilted to the left, with her right leg bent in her knee, is holding a gold-plated sceptre in her right hand, while her left hand is holding the child with a book in its hands.

Reliquary with St. Stanislaus’s hand

A reliquary in the form of a hand (forearm) placed on a polygonal base in a vertical position. The middle part of the reliquary is red (the sleeve of a robe) with visible relics put in a small rectangular panel obscured by a glass pane.