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“Grotta del Cane”

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The present anonymous painting depicts the famous Grotta del Cane [it. Cave of Dogs]. It is located near Naples, by Lake Agname. In the eighteenth and nineteenth centuries the cave was one of the tourist attractions of the region, visited by aristocrats and intellectuals travelling across Italy as part of so-called Grand Tour: a journey through the Old Continent, which was a traditional stage in the education of European elites.

Art Nouveau perfume bottle with the motif of an insect

A small perfume bottle made of colourless glass, in the shape of a flattened ball with a bevelled base. The sides of the bottle are shaped using the technique of relief into rays spreading up towards the top of the vessel and its edges. A filigree in the form of a fitting made of gilded metal, in places decorated with accents of green enamel paint, is visible on the perfume bottle.

Cecylia Malik, Piotr Pawlus, “6 rivers”

The movie 6 rivers, made in 2012, by the artist and camera operator Piotr Pawlus, is a record of an unusual journey along a waterway. It recalled the names of the six rivers of Kraków and showed their endangered beauty. The winding tributaries of the Wisła—Rudawa, Wilga, Dłubnia, Prądnik — which meander through narrow channels across post-industrial areas, burned stubble and riparian forests, echoing with bird song, pose quite a challenge for potential travellers. It is only during the last leg of their journey, that Malik and Pawlus navigate through settlements, housing estates and allotment gardens, more readily recognizable to Kraków’s inhabitants. In a boat of her own making, the artist negotiates mist-shrouded tunnels with branches hanging low above the water and echoing passageways; she goes through clusters of rubbish and the trunks of fallen trees; she struggles with fast stream currents, to finally sail out into the lazily sprawling waters of the Wisła. Using poetic imagery ranging between a documentary, a musical clip, and video work, she creates an obscure and atmospheric image of Kraków, in which the city’s outskirts get the upper hand over its centre.

Karolina Kowalska, “A window onto the winter”

The motifs of urban everyday life as an illusory sign of economic prosperity prevail in Karolina Kowalska’s works. Streets, blocks of flats, and office buildings appear next to intimate apartment interiors and impersonal infrastructure. The architectural and media indicators of capitalism determine the area of human activity, rendering the world of nature a luxurious addition. The artist manipulates their images, pushing them into everyday realities and, with a hint of irony, transforming them. Thus, her photographs, films, installations, and objects reveal in a nuanced, jocular manner, the influence of urban cityscape on individuals and relationships and propose slightly improved variants. The projects realized by the artists combine music, visual art, and text at times.

Piotr Lutyński, “Bird column”

The work The Bird Column was created in 2003 in the Bunkier Sztuki Gallery and functioned as an exhibition in the process. The titular Bird Column, called by Lutyński “an animated sculpture” and “a large nest full of birds”, took the form of an installation: it was a developed construction, inside which there were paintings and objects made of wood and the birds, whose singing was heard throughout the Gallery from microphones placed nearby. In the next room, there was a goat with its kids. The whole exhibition was accompanied by texts referring to the teachings of St Francis of Assisi, the patron of animals, ornithologists, and bird breeders.

Muntean/Rosenblum, untitled [“They realized that their capacity…”]

[They realized that their capacity for not feeling lonely carried very real price, which was the threat of feeling nothing at all.] Four young people appear to be taking drugs in a forest. This suspicion is at odds with the ambiance of the attractive forest and sunlight filtered through the trees. An integral part of the painting is a poetic declaration which implies a risky experiment. It entails a statement of the absence of loneliness. However, the painted protagonists appear to be entirely lonely; they do not even notice their own presence. If so, they only have themselves to thank for their lack of loneliness.

Piotr Lutyński, “Due to Usucaption”

One of Lutyński’s works using the motif of a nest and an egg – a symbol of birth, of new life, a beginning and a sense of security. A witty attempt to combine usucaption and brooding.

Teresa Murak, “Third Crop”

The work visualises the process of growth, maturing and decay. Simultaneously, it carries a natural association with the traditional Polish Easter custom of growing from seed water cress, which thus becomes a symbol of new life. The work is also permeated with the longing to be at one with nature, also present in the artist’s other works.

An album of woodcuts “One hundred views of Mount Fuji by Hokusai”, the 2nd volume

In the collection of the Manggha Centre of Japanese Art and Technology, there is an edition of the work 100 views of Mount Fuji by Katsushiki Hokusai. Hokusai was one of the most famous Japanese artists and he created old ukiyo-e woodcuts (Japanese: a view of the world that passes away).

Ammonite “Euaspidoceras paucituberkulatum Arkell”

Presented ammonite is from the upper jurassic period. It is a very large and well-preserved type of this species. It have a flat spiral coiled shell, richly ornamented.

Ammonite mineralised with quartz and chalcedony

Presented ammonite is unique, because of its individual mineralization, which is very rarely in the singular objects from this area. Mineralization with chalcedony and quartz, on line of the helix, created holes with a rich and colorful cross-section. Thanks to this...


Appellative of crinoids (Crinoidea) comes from the Greek words krinon, which means lily, and eidos ‒ form. This marine animals characterized by calyx-shape body, have also the stem and arms. Crinoids lived in prehistoric sea c. 200 million years ago. They belonged to the echinoderms.


Presented specimen is unique because of the locus of occurrence holomorphic zinc and lead ores. It takes the form of fine-grained, dense masses, which, after surface polishing, are very effective - as in the case of our sphalerite.

Calcite with marcasite

Presented specimen is a dense and grainy aggregate of marcasite, on which surface grown the crystals of calcite.

Halite with organic inclusions

This specimen from the collection of The Geological Museum of the AGH University of Science and Technology is unusual, because in its crystal structure is a foreign body. This phenomenon is called inclusion (known as organic infix too). Inclusion has its strict regularities, for example – the presence of another mineral in the mineral, like diamond in a diamond structure. Sometimes, completely by accident...

Sphalerite — Galena

Sphalerite is a zinc blende; and galena, is a lead sulfide (lat. galena means lead ore), both are common minerals from the class of sulphide.

Marcasite from “Pomorzany” Coalmine

Marcasite is a common mineral, which is finding mainly in sedimentary rocks, like limestones, marls or clayey rocks. It belongs to the class of sulphides. Marcasite at increased temperatures undergoes irreversibly in pyrite, because it is a impermanent form of pyrite. Marcasite and pyrite are polymorphic variants of iron sulfide. It has a brass-yellow color with a greenish tinge and a metallic sheen.

Sphalerite from “Pomorzany” Coalmine

Delusive, sneaky, deceptive, uncertain ... What makes sphalerite deserved such adjectives? For a very long time, geologists couldn’t identify this mineral. Finally, the study confirmed that it is a zinc ore.

Halite crystals from Crystal Grottoes

Aggregate, the accumulation of minerals among rocks of different composition and structure, is the dictionary definition of the features of this specimen.

Rock salt hair and fibrous salt

White salt hair grows on a light grey marl loam. Salt hair is a very original form of those taken by halite. Fibres – in fact, halite crystals in special conditions – grow in one direction. Sometimes, the density of fibres may favour their crystal clumping. The hair then transforms into a fibrous salt, preserving a specific needle structure.