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Bas relief “Fallen Angels” by Stanisław Wyspiański

In 1895, Stanisław Wyspiański made a polychrome project for the presbytery of a Franciscan church. The composition consists of three elements: the titular fallen angels, at which the group of archers aims, and the figure of Archangel Michael, who guards the gates of paradise. A perfect accompaniment to this work is the polychrome located on the opposite side of the presbytery: Madonna and the Child and Caritas. The artist, in a visible way, juxtaposed two attitudes to life and showed their possible consequences.

Lajkonik’s costume designed by Stanisław Wyspiański

The costume of Lajkonik, also called the Zwierzyniec Horse, designed by Stanisław Wyspiański in 1904, could be seen in the streets of Kraków until 1963. The costume used today during the annual frolics of Lajkonik is a faithful copy of the displayed exhibit. Although legend associates the origins of Lajkonik celebrations with the Tatar invasions of Kraków in the 13th century, the first ever source reference to it dates back to 1738.

Toy “Lajkonik’s march” by Jan Oprocha (father)

A toy cart, or actually a platform on wheels with holes to thread a pulling cord through and 31 figurines arranged on it, rocking while the toy is pulled. The whole toy, including the platform and the figurines, is made of polychrome wood. The rectangular platform with its bevelled corners and wheels are painted green. The edges are coated with white, yellow and pink paint, and the spokes are marked with yellow, blue and red.

Mock-up of decorations of act I of “Legenda II” (“Legend II”) by Stanisław Wyspiański

This mock-up is one of the most valuable objects in the collections of HMK, related to the scenographic activity of Stanisław Wyspiański. As an experienced theatre practitioner and stage director of his dramas, Wyspiański made scenography sketches, decorations, and costume designs, as well as mock-ups.

Living room furniture set designed by Stanisław Wyspiański

At the turn of 1905, Stanisław Wyspiańki designed the interior of the flat of Zofia née Pareńska and Tadeusz Boy-Żeleński. The history of furniture creation was described by the owner in his Historia pewnych mebli [History of certain furniture] essay published in 1927 by Kurier Poranny [Morning Courier]. Apart from the furniture, other decorative elements were designed, such as the colours of the walls in the individual rooms and the matching curtains.

Painting “Helenka with a Vase” by Stanisław Wyspiański

Portraits of children occupy a special place in Wyspiański’s artistic oeuvre. Without the unnecessary sentimentalism, treated in a natural, affectionate manner with a great dose of sensitivity and realism, and captured in new and unexpected depictions, they refreshed the usual connotations related to this genre.

Kraków Bronowice cottage

The model was made in 1901 by Bronowice carpenters under the supervision of Włodzimierz Tetmajer and with the participation of a painter, Antoni Procajłowicz. The piece was commissioned by Jerzy Warchałowski on the occasion of the First Exhibition of the Polish Applied Arts Society in Kraków.

Painting “Self-portrait with wife” by Stanisław Wyspiański

Wyspiański left twelve self-portraits. Every one of them is a fascinating record of the physical change and current emotional state of the artist according to his often-repeated belief stating that “man (...) changes irretrievably; they are changed by their experiences and thoughts. A portrait is a reflection of a moment, an artistic reflection seizing things in their very essence.”

Andrzej Wajda's journal of the performance of “The Wedding” (Stary Theatre, 1991)

Directors’ journals usually include unique notes concerning the production of a film or performance. They are notebooks in which all essential information is recorded – from their thoughts about the interpretation, suggestions for the arrangement of stage movements to the list of actors together with their telephone numbers. For the reader, it can be a treasury of knowledge on a stage or film adaptation of a work and offer an insight on the director's method of working. The presented journal of Andrzej Wajda is a record of his work on The Wedding by Stanisław Wyspański, which was staged in the Stary Theatre in Kraków in 1991.

“A Comic Book. Manggha and Wyspiański” – digital graphic artwork by Jakub Woynarowski

The idea of a comic strip about Feliks Jasieński, the Centre's patron, was the brainchild of Andrzej Wajda. The artwork was produced by Jakub Woynarowski in 2010, and it tells the story of a superhero – a Polish collector of Japanese art entangled in affairs of a social and health nature. Jakub Woynarowski keeps the story in perspective by using quite sophisticated, although simple looking means of expression – foreshortening, synthesis, as well as undertones.

A plaque commemorating Stanisław Wyspiański by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}