List of all exhibits. Click on one of them to go to the exhibit page. The topics allow exhibits to be selected by their concept categories. On the right, you can choose the settings of the list view.

The list below shows links between exhibits in a non-standard way. The points denote the exhibits and the connecting lines are connections between them, according to the selected categories.

Enter the end dates in the windows in order to set the period you are interested in on the timeline.

Objects
all museums
Clean selection
Show filters
Hide filters

“Young couple” (“I Shall Never Return”, 1988)

Young Couple is an object of spectacle Cricot 2 Qui non ci torno più (I Shall Never return), which was created in Kraków and Milan in 1987–1988. The premiere took place on 23 June 1988 at the Piccolo Teatro Studio in Milan. The play I Shall Never return is a summary of previous work of Tadeusz Kantor's theater.

“The Trumpet of the Last Judgement” (“Where Are Last Year’s Snows”, 1979)

The “trumpet” was an object — a prop of the Rabbi character (played by Zbigniew Gostomski) and his Pupil (Dominika Michalczuk). The natural-sized tin trumpet was covered with a black material, a kind of casing whose end on the cup side dropped loosely falling into the metal bucket. The trumpet was hung on a metal frame structure (nearly 3.5 metres high) where a system of blocks and transmissions was installed with steel links enabling it to be raised and dropped by a crank handle.

Poison cabinet

Pomalowana na czarno szafka służyła do przechowywania w aptece leków o silnym działaniu. Zwykle na takiej szafie umieszczano napis Venena (łac. veneum — trucizna) oraz malowano symbole czaszki i skrzyżowanych piszczeli. Na drzwiach prezentowanej szafki zostały wymalowane białą farbą...

Painting “Son and His Killed Mother” by Andrzej Wróblewski

The painting shows a small boy embracing a woman who is presented from her shoulders down, without her head. The woman is dead, although it seems that she is returning the caress with a numb gesture of her hand. The artist painted her in a bluish azure and dressed her in a blue dress. He painted all war victims and dead people in this way — using the symbolism of blue: the sphere of shade, immateriality, and transcendence. The form generalised and knowingly made primitive as well as nearly evenly laid colour are for the condensation of essence and expression.

Stele of the son of Chairemon and Isidora from Kom Abou Billou

The stele was purchased in Cairo at Eli Albert and Joseph Abermayor by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The scene depicts a deceased man lying on a klinai and a female orant standing opposite. The man lying in the bed is dressed in a short-sleeved chiton and a himation rolled at the waist, wrapped around his left hand. In his right, outstretched hand he is holding a kantharos. The woman standing in front of him is depicted en face, she is dressed in the same way as the man and is raising her hands in a gesture of prayer. Under the scene an inscription is placed. The name of the deceased has been preserved only partially; perhaps it was Sosas. The name of his father was Chairemon; the name of Isidora is also there, popular in Egypt in the Roman period. The figures are bound together by family ties.

Tomb stele from Ginari Tafah 2

The stele comes from the Christian necropolis in Lower Nubia (present day Egypt). It is one of the three stelae from that region presented on our website and one of seven stelae stored in Poland. The inscription placed on the stele is written in the Old Nubian language, which is indicated, for example, by the use of colons for dividing numbers.

Tomb stele from Ginari Tafah

The sculpture was purchased in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The stele comes from the Christian site in Lower Nubia (present day Egypt) in Ginari Tafah. The tombstone is topped with an imitation of a conch. Traces of dark red paint on the tombstone indicate that it must have been painted originally. The epitaph begins with the formula declaring the death of the person called Elisabeth.

Tomb stele from Ginari Tafah 3

The third of the tomb steles found in the region of Lower Nubia, which belongs to the Archaeological Museum of Kraków. Similarly to the two remaining ones, the stele bears an inscription in the Old Nubian language. The inscription on the stele contains numerous grammar mistakes, mostly influenced by the Old Nubian language.

Aset-iri-khet-es sarcophagus

The sarcophagus made of sycamore wood was found during the excavations conducted in 1907 in el-Gamhud by the first Polish Egyptologist, Tadeusz Smoleński. It is a “belly coffin” type of sarcophagus; an anthropoid one, with a flat bottom and a convex lid. The head of the coffin is covered with a blue wig. The breasts are decorated with a semi-circular necklace finished with falcon heads, topped with solar disks.

Sculpture “Sikorski grave”

The sculpture Sikorski's Tomb was made in 1987 by Julian Stręk of Pustków-Rudki near Dębica, one of the recently discovered, leading Polish naive artists. It is a composition of many three-dimensional figures and elements made of pine wood, with oil polychrome of aquamarine dominant and with details in silver, walnut and blue colours.

Coffin portrait of a young woman

The image of an unknown young woman is an example of a coffin portrait: a special genre of portraits that emerged in close relation with the funeral customs in the Baroque period.

Painting “Memento Mori”

The painting was purchased for the museum in 1945. It was created in the second half of the 18th century in one of the guilds in Stary Sącz. It is a very interesting and symbolic work of art which refers to the theme of death and transience so popular in Baroque art. The painting is divided into three parts: two of them are in the shape of a standing rectangle in the upper part and one is of an oblong shape in the lower part.

Sculpture “Over a grave” by Antoni Pleszowski

This woman with a melancholic look on her face and her hair coveredh, gives the impression of being deeply immersed in her thoughts, which may reflect the passing and loss of a loved one. The manner of presenting the sitting, freely-posed figure derives from the works of Michelangelo, as well as later Roman sepulchral sculpture of the Baroque period, with which the author of the work — an artist educated in Kraków, Vienna and Rome — was very familiar.

Corn mummy with a wax mask of Osiris

The object was purchased from Mohareb Zaaki by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The mummy has a gilded wax mask. The sarcophagus with the head of Horus and a striated wig on the breast bear the necklace composed of a chapel with Ibis inside.

Karol Szymanowski's posthumous mask

Few mementoes and works of art directly associated with Karol Szymanowski have been preserved to this day. Therefore, the posthumous mask makes for quite a unique document. Suffering from tuberculosis, Szymanowski died in Le Signal hospital in Lausanne. The mask was made right after his death by a Swiss sculptor, Lucien Jules Delerse.

Aset-iri-khet-es mummy cartonnage

The gilded cartonnage was found during the excavations conducted in 1907 in el-Gamhud by the first Polish Egyptologist, Tadeusz Smoleński. The openwork cartonnage is made up of several layers of linen stuck together. On the front and on the reverse, chalk undercoat was placed as the base for polychrome.

Hearse

Exhibits like this are rarely seen in Polish museums. This beautifully ornamented, obviously black hearse dates back to the late 19th century. Its owner put it up for sale in Bęczarka, a village located 20 km from Dobczyce. One of the residents of Dobczyce bought it and donated it to the local Regional Museum.

Short-toed Eagle

Short-toed Eagle — Circaetus gallicus (Gmelin, 1788) is a bird of prey in the family of Accipitridae. It feeds on different species of reptiles, especially snakes. Occasionally hunts for amphibians and small mammals. In Poland, bird is very rare — can be found...

Fragment of a shroud

The shroud was purchased from the Egyptian Museum in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II and granted to the Archaeological Museum. The right side of the shroud represents the deceased person as Osiris. The head in a wig is decorated with a crown of ostrich feathers with a solar disk placed on the horns with uraei on the sides.

“Peter’s Head” from the cycle “Herbarium” by Alina Szapocznikow

Body casts appeared in works by Alina Szapocznikow in 1965, when she began to present her own fingers and mouth in sculptural material. In 1971, she made of polyester the crushed Autoportret–Zielnik [Self-Portrait Herbarium], regarded as an introduction to Zielnik [Herbarium] — one of her most important works made on the basis of body casts.