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Zofia Kulik, “All the Missiles Are One Missile”

Photomontage using combination print. The composition is made through repeated imprinting of one or more negatives on an appropriately masked paper. Zofia Kulik’s collages are complex visual texts. Each carries a message that has been carefully devised and executed.

Photograph “The staff of Tadeusz Pankiewicz’s The Eagle Pharmacy”

The photograph was taken either in 1942 or 1943, in the times of the Kraków ghetto in Podgórze. It presents Tadeusz Pankiewicz accompanied by his employees: Helena Krywaniuk (in the background), Aurelia Danek (in the middle) and Irena Droździkowska. Contrary to their superior, the women did not stay in the ghetto at night.

“The monastery of SS. Norbertine”

This photograph presents a view of the convent complex from the south-east side, from the bank of the Vistula. On the right, we see a silhouette of the church facade, with a roof with a turret for a signature, next to a clock tower with a high dome. From the left side, there is a complex of convent buildings with an elongated wing from the south; from the front, there is a high wall...

Photograph “Selling palms to be consecrated at St. Mary’s Church in Kraków” by Leopold Węgrzynowicz

Exhibits given to the Ethnographic Museum in Kraków by Leopold Węgrzynowicz include sculptures, paintings on glass, costumes, archival records, items related to rites... However, the Museum owes much more to Węgrzynowicz than shown by inventory sheets, which he even co-created in the first years of the Ethnographic Museum's operation, helping to catalogue and inventorise the Museum's exhibits.

Photograph “Federation of Fighting Youth demonstration” by Stanisław Gawliński

Under the state of martial law, Nowa Huta was the largest bastion of the independent, self-governing Labour Union “Solidarity”, that was operating underground at the time. Huge demonstrations took place here, often turning into dramatic clashes with the authorities. With the passing of time, however, the activity of the underground began to diminish, and it eventually restricted its actions to publishing underground newspapers and self-help. The situation didn't change before the late 1980s, when a new generation of activists came to the fore. Its core were the young workers and students most often belonging to such organizations as the Confederation of Independent Poland, Fighting Solidarity, the Freedom and Peace Movement, and the Federation of Fighting Youth.

Photograph “Tadeusz Pankiewicz in the company of four people in the duty room”

Dr Roman Glassner is sitting in a dark leather armchair in the middle; on the left is Helena Krywaniuk sitting back on an armchair, leaning against Aurelia Danek who is standing behind her. Dr Leon Glück is sitting back on the seat on the right. Tadeusz Pankiewicz stands behind the armchair in the background.

Andreas Kaufmann, from the series “40 Gestures”

The artistic creativity of Andreas M. Kaufmann has evolved around such concepts as space, time, and the public sphere. It is manifested through a variety of means (both analogue and digital) and forms; the artist is particularly fond of using projection. The increasingly strong mutual penetration of the artistic sphere and technology has led the artist to undertaking reflections on the civilizational context in which current art functions.

Andreas Kaufmann, from the series “40 Gestures”

The artistic creativity of Andreas M. Kaufmann has evolved around such concepts as space, time, and the public sphere. It is manifested through a variety of means (both analogue and digital) and forms; the artist is particularly fond of using projection. The increasingly strong mutual penetration of the artistic sphere and technology has led the artist to undertaking reflections on the civilizational context in which current art functions.

Katarzyna Górna, “Fuck me, Fuck you, Peace”

A photographic triptych, showing women in different stages of their lives – from youth, through maturity to old age. The adopted poses as well as the compositions with a static, altar-like quality point to the inspiration by Christian iconography, recurrent in the artist’s work. The work deals with the relationship between age and the attitude to life. A young woman wants to be loved, a mature woman is fed up with everything and the old woman craves peace.

The “Mercury” Stereoscope viewer by Underwood & Underwood

The “Mercury” Stereoscope is a Holmes system stereoscopic viewer for stereoscopic photographs, with a single 7 x 7 cm image, produced in 1900–1920 by Underwood & Underwood from New York (USA). One of the simplest designs of stereoscopic viewers was the “open” viewer system, invented by Oliver Wendell Holmes in 1861. This was an extremely simple design, equipped with an eyepiece with lenses, including an appropriately curved wooden or metal sun visor. The Underwood & Underwood Company sold millions of stereoscopic photos, thanks to this very cheap production model of the viewer.

Ernoflex — camera by Heinrich Ernemann A.G. Company

The Ernoflex (Model II) is a single-lens reflex camera with a folding structure, for cut film and glass discs, with a 9 x 12 cm format, produced in 1910–1920, by the company Heinrich Ernemann AG from Dresden (Germany). The camera body is double-folded, made entirely of metal, and covered with black leather with a decorative texture.

Photograph “John Paul II in Mistrzejowice” by Stanisław Gawliński

Jokingly, we can say that John Paul II owes his career to Nowa Huta. The troubles connected with the construction of the new church in Nowa Huta, created by the communists, had compelled Bishop Eugeniusz Baziak to take action. He appointed Karol Wojtyła, despite his young age, as his deputy.

Stereoscope viewer from Austro-Hungary

The stereoscopic viewer of Brewster’s system for stereoscopic photos (slides), in the single 7 x 7 cm image format, was manufactured in Austria-Hungary in the early twentieth century...

Nicolas Grospierre, “The House Which Grows”

The project by Nicolas Grospierre, The house which grows, tackles the problem of the gap between aesthetics and the functionality of architecture. In his work, the artist is interested in forms of modernist architecture and in how the very possibility of establishing universal public housing led to the fall of this utopian project.

Primar Reflex camera

The Primar Reflex is a single-lens reflex camera for film and glass plates, in the format of 9 x 12 cm, produced in the years 1900–1918 by Curt Bentzin from Gőrlitz (Germany). The camera is equipped with a Carl Zeiss Jena Triotar 3.5 / 180 lens. The large body of the camera...

Karol Radziszewski, “Study for the Wounded Insurgent”

Karol Radziszewski’s work consists of six photographs and a drawing made on their basis. The cycle is considered a preparatory study for the mural, which was to be created in 2009 at the Mur Sztuki Gallery, located in the Museum of the Warsaw Uprising. However, the work did not come to fruition, because it was considered too erotic and detrimental to the feelings of the museum’s public.

Photograph “Portrait of Karol Wojtyła Senior”

Portraits of loved ones (including Emilia Wojtyła) hung on a wall in a flat in Wadowice; then they got to 10 Tyniecka Street, where Karol Wojtyła and his father settled in after Karol’s final school examinations. The portraits were silent witnesses of traumatic events. One day when Karol came home, he found his father’s dead body. After this experience it was very difficult for him to return to the flat.

Membership card of the Polish Air Navigation Services Association of Adam Wojtyga

The Polish Aviation Society was founded on 11 December 1916 in Warsaw, the day the society's statute was submitted to the Provisional Council of State in Warsaw. The first meeting (organizational) took place on 1 February 1917 in Warsaw. From 26 February to 15 May 1917, the society ran flight courses, which were completed by 73 students.

Glass ashtray with a postcard representing the Spa House in Krynica

The exhibit in question is a glass ashtray with a rectangular base with hollows for cigarettes on longer sides. The base features a stuck colour photograph in the size of a postcard representing the Spa House in Krynica. The lower middle section of the image features an inscription: “Curhaus — Krynica”.

Tomasz Dobiszewski, from the series “Anecdotes”

The area of Tomasz Dobiszewski’s exploration is time and space, constraints of perception, illusion and interaction issues. In his works, which testify to the processes of taming the media, he does not limit himself to purely conceptual cognitive strategies but enriches the discourse with non-intellectual elements: sensual impressions and intuitive cognition. He combines messages which are legible to various human senses, and, while experimenting with the physiology of seeing or hearing, on the one hand he aims at fuller, more complete transfer, while on the other, he deprives the viewer of the possibility to learn about the essence of his work.