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“Audience of a Polish envoy before the Ottoman Sultan” by Lucjan Wędrychowski

The presented image from the collections of the Museum of the Kraków Academy of Fine Arts is untypical of Wędrychowski. It presents an unspecified Polish legation in audience at the Sultan of the Ottoman Empire. The characters costumes and interior refer to the 17th and 18th centuries. The scene takes place in a faithfully devoted real interior – Arz Odası, the auditorium of the Topkapi Palace in Istanbul. MEPs according to the Turkish custom have their own costumes put on special caftans in which the deputies were dressed before visiting the grand vizier or sultan. This richly decorated attire was highly desirable by Polish visitors.

“Austrian Soldier” by Feliks Szynalewski

Feliks Szynalewski was born in Kraków on 11 May 1825. During the period 1835–1837 he completed two classes of primary school for boys. Between 1837–1841 he attended three classes at St. Anna Middle School, and then he began to study at the Kraków School of Drawing and Painting. He was taught to draw by Jan Nepomucen Głowacki and Jan Nepomucen Bizański, to paint by Wojciech Korneli Stattler, and sculpture by Karol Ceptowski. During his studies, Szynalewski earned his wages by making lithographies.

“A tondo representing three personifications of arts” by Stanisław Popławski

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The present plaque in the form of tondo is sometimes mistakenly described as a representation of The Three Graces. In reality, the relief depicts three personifications of art: painting (the woman on the left, holding a palette), architecture (the woman in the middle, holding a model of a building) and sculpture (the man holding the head of a statue). Inspired by ancient art, Poplawski used a characteristic composition typical of the depiction of the Graces, and the characters are represented as idealized nude figures.

A plaque commemorating Jan Stanisławski by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków.

A plaque commemorating Stanisław Wyspiański by Konstanty Laszczka

The reliefs commemorating Stanisław Wyspiański (1869–1907) and Jan Stanisławski (1860–1907) are set at eye level in the wall by the landing of a staircase between the first and second floors of the main building of the Academy of Fine Arts in Kraków. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“Portrait of a model” by Wanda Ślędzińska

Wanda Ślędzińska (1906–1999), a sculptor and a pedagogue associated with the Academy of Fine Arts in Kraków for many decades. She started working at the academy as an assistant at Xawery Dunikowski’s studio. Ślędzińska was the first woman to become the head of the Faculty of Sculpture at the Academy of Fine Arts in Kraków. She held this post until she retired in 1970.

“Portrait of Wojciech Weiss” by Xawery Dunikowski

The portrait of Wojciech Weiss by Xawery Dunikowski is dated to 1910. It shows one of the most outstanding painters, draftsmen and Young Poland graphic artists, who is considered to be a representative of the expressionistic current in the art of this period. The portrait is made in a realistic manner and duly reflects the characteristic features of the artist (known from painted portraits and photographs). Young Weiss is a man with a slender face, high forehead and focused eyes.

“For myself” by Konstanty Laszczka

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The present self-portrait, made of patinated bronze, shows the bust of the artist. Although the form of the sculpture is synthesized, the image is strikingly realistic: the sculptor managed to capture not only his appearance, but also the characteristic look in his eyes and tension of the facial muscles. The texture of the portrait is diverse.

A Persian helmet – a prop from the School of Fine Arts

The present helmet is of eastern origin. It was popular, among others, in Persia and Turkey, from where it was adopted in Poland. In the 17th and 18th centuries, such helmets were worn, among others, by towarzysze pancerni [literally: armoured companions], a type of Polish cavalry unit. The bascinet presented on the website probably comes from Persia. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A black pendant with a cross – a prop from the School of Fine Arts

This is probably a piece of funereal jewellery from the time of the partitions. Corals, along with the cross, have probably been made of black lacquer, with velvet tapes for tying around the neck. The object was used as a prop in the School of Fine Arts in Kraków.

A royal crown – a prop from the School of Fine Arts

A children’s crown, open-work, closed by two yokes, on the junction of which there is a sphere with a trace of a broken-off cross. The ring is decorated with eight fleurons: four with palmetto-ribbon patterns at the base of the yokes, and four leaf-like ones. The crown, on the other hand, is decorated with colourful glass imitations of gemstones of a cabochon cut and various faceted cuts. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A leather belt decorated with metal ornaments: a prop from the School of Fine Arts

A leather belt fastened with two buckles, covered with fittings made of brass sheet decorated with cast plant ornaments. The belt fittings consist of alternating plates in the shape of rectangles with... Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

A breastplate – a prop from the School of Fine Arts

A breastplate made from a sheet of iron, lined with riveted brass, cut out trimmings along the edges. Decorated in the middle with a Maltese cross made from a brass sheet fastened with rivets.

“Portrait of a man in a frock coat”

The presented portrait from the collections of the Museum of the Academy of Fine Arts in Kraków depicts an unidentified middle-aged man.

“Grotta del Cane”

Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}The present anonymous painting depicts the famous Grotta del Cane [it. Cave of Dogs]. It is located near Naples, by Lake Agname. In the eighteenth and nineteenth centuries the cave was one of the tourist attractions of the region, visited by aristocrats and intellectuals travelling across Italy as part of so-called Grand Tour: a journey through the Old Continent, which was a traditional stage in the education of European elites.

Portrait of Rev. Franciszek Siarczyński by Karol Schweikart

The portrait was based on the lithographic image of Franciszek Siarczyński (1758–1829) – a priest, historian, geographer, journalist, librarian and first director of the National Ossoliński Institute in Lviv.

“Bust of Jan Matejko” by Jan Tombiński

The present portrait of Jan Matejko – the director of the School of Fine Arts in Kraków – is a plaster model for the bust of Jan Matejko made in 1894. This bust adorns the portal of the main entrance to the building of Academy of Fine Arts in Kraków, located at the Matejko Square in Kraków.

“Nudo” by Igor Mitoraj

The present sculpture was gifted to the Academy of Fine Arts by the artist himself, on the occasion of the university awarding him with an honorary doctorate in 2003. Simultaneously, a large exhibition of the sculptor’s works took place in Kraków. Igor Mitoraj (1944–2014) studied painting at the Academy of Fine Arts in Kraków under tutelage of Tadeusz Kantor. After graduation, he went to Paris, where he made his debut as a painter and graphic designer. Over time, the artist abandoned the arts he was trained in in favour of sculpture. He also gave up on following progressive trends in arts, and, since then, his artistic works represent realism inspired by the antiquity. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}

“A Bust of Lenin” by Xawery Dunikowski

Xawery Dunikowski (1875–1964) is one of the greatest Polish sculptors of the 20th century. The present bust of Vladimir Ilyich Lenin comes from the post-war period in the artist’s work. After the WWII, the ideas of social realism carried Dunikowski away. However, ideological activities did not translate into the form of his works: he remained faithful to the expressive, simplified form he developed in the interwar period.

“The head of Doryphoros” – a plaster cast of an antique sculpture

A statue of a young man carrying a spear (gr. Δορυφόρος, Doryphoros) was found in Pompeii in front of the entrance to the so-called Samnite Palaestra in 1797. The statue is made of Carrara marble and originally stood on a pedestal made of volcanic tuff. It dates back to the 2nd or 1st century BC and is a copy of a lost bronze original made by Polykleitos in the 5th century BC. The statue from Pompeii in Naples (Museo Nazionale, inv. No. 6011) is considered the most complete copy of the classic sculpture. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif"; border:none;}