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Etrog tin

An etrog tin in the shape of a pomegranate with three leaves, oxidised and open in the middle. The exhibit presumably belonged to rich Jews, as only they could afford such a decorated, silver container, used to carry the etrog to a synagogue on the holiday of Sukkot.

Cup from Michael Wissmar workshop

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Chalice and paten

The chalice was made in a Roman workshop around 1360. It is set on a ten-leaved foot base with a pedestal, decorated with a geometric decoration strip. The chalice foot is covered with a smooth coat, with an applied medallion containing an engraved coat of arms surrounded by laurel leaves in the field and on the opposite side of the coat with an enamelled cameo showing a Crucifixion Group. The upper base is finished with a ring with a strip of geometric decoration analogous to the base.

Small cross — a badge commemorating the battle of Krzwopłoty

Badge in the shape of Latin cross. On the obverse is shown eagle in crown and inscription above: HONOR OF HEROS WHO DIED FOR POLAND.

Silver salt cellar with a figure of a boy pushing the sled

This silver salt shaker, in the shape of a boy pushing a sled, is actually a miniature sculpture. It evokes admiration for the precision of the 19th century artist from Frankfurt, who, in the microscopic scale of a few centimeters, was able to develop numerous, intricate details and decorations.

Salt cellar in the shape of an elongated cup

This silver salt shaker, in the shape of an elongated bowl, which is decorated at the edge with an openwork strip of plants, is the work of a high-class goldsmith. It was made in France in pre-revolutionary times, in Paris in the years 1786–1787, by the goldsmith, Jean-Baptiste-François Chéret. The precise determination of the authorship, time, and place of the creation of this work is possible thanks to the marking, which, in the past, was to testify the occurrence of precious metal, and nowadays is the source of information about the history of the object; its interpretation, however, often requires detective work.

Horn of Salt Diggers Brotherhood of Wieliczka

The horn of Salt Diggers Brotherhood of Wieliczka is a unique Renaissance work of art commemorating the past wealth of Kraków salt mines. It is the only historical object of such preserved in Poland — the genuine horn of an aurochs (the species that became extinct in Poland in the 17th century, the ancestor of cattle), precisely framed in silver embedded in various golden ornaments.

Ring with rubies and pearls

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Decorative travelling box

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Crystal bottles with silver stoppers

The presented bottles have been made of precious materials, they are engraved and wrought using the technique of repoussage. They have the style of perfume bottles for men, hence their more modest character. Nevertheless, they are ornamented using techniques such as engraving, polishing and repoussage. Crystal bottles were often personalized by placing a monogram on them, which often adopted the fancy form of a complex ornament. Silver was tested for its fineness and usually came from well-known jewellery factories. Normal 0 21 false false false PL X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:Standardowy; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;}

Crystal perfume bottle with a silver basket

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Miniature heart-shaped bottle

The silver heart-shaped bottle was intended for storing fragrances. On one side of the vessel, a decorative entwined monogram has been engraved (initials “RC” or “CR”?), topped by a crown. The motif is placed in a frame consisting of a decorative border featuring a simple ornament composed of triangles and matching the shape of the heart.

Crystal glass perfume bottle

The crystal bottle is set in a silver frame. The glass body with a high neck was cut into vertical stripes with a transverse triple line motif on the neck. The silver base of the bottle was hand decorated using the repoussage technique, with irregularities and sawing marks.

Silver bottle with an engraving

The bottle, with a fanciful shape, features a body with the cross-section of a multifoil, with a high neck and a high, wooden stopper on the wall of the bottle, there is a herbal cartouche in the frame of a rich rocaille ornament.

Crystal glass perfume bottle

The crystal bottle is set in a silver frame. The glass body with a high neck is cut into bevels across the entire surface. The silver base of the bottle was shaped by hand, and extended at the base.

Roger&Gallet bottle in a case

The crystal bottle takes the form of a decanter similar to a cuboid in shape, with a neck featuring a wide flange and a glass stopper. The crystal knob-shaped stopper is cut into in a bevelled pattern. Its rim, made from a gilded mass and featuring a carmine ribbon, is decorated with a gilded ornament.

Ivory casket decorated with scenes from chanson de geste

The casket is cubical in shape and consist of six rectangular ivory plates bound together with metal nails and fittings. The top plate is fitted with hinges and serves as the lid. The front side is fitted with a rectangular lock decorated with an image of a tower and two persons: a woman with a large key in her hand and a man on his knees with his hands joined together. On the lid, there is a metal handle engraved in a diagonal checked pattern filled with simplified flowers. On the side plates, there are twelve figural scenes from medieval chance de geste, while on the lid, there are three court scenes. Narration in all of these images follows from the left to the right. The front side features the following images: Conversation of Alexander the Great with Aristotle, Phyllis and Aristotle, Thisbe and lion, Death of Pyramus and Thisbe, while the back side features: Lancelot fighting a lion, Lancelot crossing the Sword Bridge, Gauvain on the Dangerous Bed and Damsels freed by Gauvain. The left side features: Tristan and Iseult’s Meeting in the Garden, the Hunt of the Unicorn, while the right side features: Enyas’ fight with a savage and Old Porter Welcomes Galahad. The lead features a Knight Tournament in the centre, flanked by two scenes which together depict the motif of Siege of the Castle of Love. The Kraków casket is one of seven so called complex caskets, which can be found in world’s most important collections of medieval art.

Cross of the Order of the White Eagle

The oldest and the highest Polish distinction – one of the most important decorations in Europe of the 18th century. It was established by Augustus II the Strong and awarded, since around 1705, to those who performed great services for the monarch. The presented version was shaped in 1793, in the form of a Maltese cross enamelled red with white borders, and with a small ball at the end of each point.

Star of the Order of Saint Stanislaus

The order was established by Stanisław August Poniatowski on 7 May 1765. Until the end of the sovereign Republic of Poland, it was not divided into classes, and it was awarded in a uniform shape.

Chalice

The chalice is an example of seventeenth-century goldsmithing in Małopolska, with features typical of the workshops of the region such as a slim and smooth bowl set in a basket, an oval nodus, repoussé decorations, and motifs of heads of winged cherubs, which was a common element of the decoration of gold products from Kraków in that period.