The tradition of manufacturing toys in the region of Myślenice started between World War I and World War II. An important place for manufacturing toys — even if it was for a short time — was Poręba and then the villages of Trzemeśnia, Łęki and Osieczany.
Production was started by the three Witas brothers from Poręba: Jan, Stanisław and Wojciech. They were soon followed by Antoni Pachacz and Władysław Jaśkowiec from Trzemeśnia, and Antoni Burkat from Osieczany (the creator of the cart shown in the portal), the best known craftsman in this field.
All these activities emerged in the Żywiec region, the then famous centre for manufacturing cabs, wheelbarrows, hobby horses, rattles and other wooden toys.
The first toys from Poręba were quite primitive technically. The scope of toys was widened thanks to, among others, middlemen that before 1939 brought designs for toys produced in the town of Jaworów (at that time in the territory of the Soviet Union). The most popular toys were cabs, carts pulled by purple horses, butterflies and birds with clattering wings (cut out in a funny way, with a flourish), cradles and brightly painted and engraved wheelbarrows (decorated with engraving, which was done by hand or with a compass). When it comes to new designs, we should mention cocks with box-shaped bodies, single horses, forging blacksmiths, rattles, carousels and all kinds of automobiles and airplanes.
Initially, cabs, carts, wheelbarrows and cradles were assembled from manually carved parts, decorated by hand or with circular engraving against the coloured background. After World War II engraving was replaced by painting with aniline inks by means of a birch stick split at the end. The Cepelia Polish Art and Handicraft Foundation tried to implement the technique of burning a pattern by means of a heated chisel, used in Poręba to decorate salt-cellars; however, without any success.
Carrying their stuff on their backs, on market days the middlemen wandered to Myślenice, Wieliczka, Mszana Dolna, Skrzydlna, Dobczyce and to Kalwaria for church fairs. Some of them had their items sold in Kraków shops.
Among the exhibits in the Myślenice museum are 58 wooden toys, including a set of little animals carved by Ignacy Majerek from the village of Skomielna Czarna.
A separate group is a set of 26 clay toys manufactured by the famous potter Józef Gacek from Skomielna Biała. The toys are ornamented in a way similar to items from the region of Rabka and include sugar bowls, a pipe, a little jug, money boxes, salt-cellars, a watering can, little elliptical baskets, cake moulds and sets of tiny cups painted in various colours.

Elaborated by Bożena Kobiałka (“The Greek House” Regional Museum in Myślenice), © all rights reserved

See: Wooden toy — a cart pulled by horses

In the past wood was the basic material used to manufacture toys, just like plastic is nowadays. Children were able to acquire toys in one of three ways: they could make them by themselves (among the exhibits from Małopolska’s Virtual Museums there is a bicycle made by a 12-year-old boy); they could be carved by adults or older siblings, a member of the family or a craftsman; or they could be bought on market days during local church fairs and from middlemen.
Among the most popular toys were wheeled horses and tiny tools, carts or wheelbarrows, horses pulling carts (see the cart from the collection in Małopolska’s Virtual Museums), hens pecking grain, carousels, cradles and various types of pinwheels and birds.
The imagination of children was activated by toys made of several linked wooden slats that could be assembled and disassembled. They often had some carved figures of soldiers and dolls mounted on them (see the march of Lajkonik from the collection in Małopolska’s Virtual Museums). Such sophisticated constructions with driving mechanisms and the beautifully carved and painted figures were often made by folk sculptors and handymen.
Kraków was one of the toy manufacturing centres — toys were sold here during traditional church fairs of Emaus and Rękawka that took place on the Monday and Tuesday after Easter.

Elaborated by the editorial team of Małopolska’s Virtual Museums,

This work is licensed under a Creative Commons Attribution 3.0 Poland License.

In the 19^th century and up to the mid-20^th century, Kraków was a major centre of the folk toy industry. This was because during winter (when bricklaying ceased), the masons of the suburbs of Kraków: Zwierzyniec, Krowodrza, Czarna Wieś, Ludwinów and Podgórze (which was a separate town until 1915) could earn extra money by building and selling cribs, as well as going carolling with puppet nativity scenes. They were also engaged in the production of popular toys to be later sold during annual spring fairs.
One of the few artists creating wooden toys in Kraków known by name is the creator of The Lajkonik Parade, Jan Oprocha, born in 1858. He created his works up to the start of World War II. He made not only figures of Jews, but also other figures typical of Kraków and its suburbs, seen in various situations. His toys, which have been preserved in the collection of the Ethnographic Museum in Kraków, are easily recognisable because of his distinctive and unique style. All of them are slightly grotesque, with rounded shapes and chubby faces, which may not always make one laugh, but at least it brings a smile to the faces of people seeing them. Oprocha was the author of many figures representing professions and activities today long forgotten, for example a wandering herb trader, a wandering shoe trader, a dog catcher on a wagon pulled by horses. In his toys, he also presented funny situations such as: A carrier with a lady in the boat or A drunkard with a bottle on a swing. The artist also depicted one of the games popular in Rękawka up to the 1950s. With the pulling of a string, a wooden figure of a boy climbs up a rod imitating a pole in order to win the longed-for prize, as on the top of the rod there are shoes, sausages and a bottle. It must be remembered that these were mass-produced toys intended for sale. Figurines, often repeatable, composed in different groups or independent, were placed on stands. Under their shoes or feet they had springs, so they  could move, sway or bounce. This usage of springs in the construction of wooden figurines, depicting not only Jews, is a characteristic feature of the toys made in Kraków by masons. The same can be said about the stands on which the figurines were set, which were painted green, and sometimes decorated with white, yellow or pink borders.
Jan Oprocha’s name and work were carried on by his son until the late 1970s. His figures were similar in style, but they didn’t have the same grace as those made by his father. In the collection of the Ethnographic Museum in Kraków, the Lajkonik procession made by Jan Oprocha Jr. can be found, in the form of an arrangement placed on a stand without wheels, with figures fastened on springs, as well as the numerous figures of Jews, scythe bearers, a pair of Kraków citizens and a policeman with a dog.

More information on the toys of Kraków can be found in: Małgorzata Oleszkiewicz, Grażyna Pyla, Czar zabawek krakowskich [The charm of the toys of Kraków], Muzeum Etnograficzne im. Seweryna Udzieli w Krakowie (The Seweryn Udziela Ethnographic Museum in Kraków), Kraków 2007.

Elaborated by Małgorzata Oleszkiewicz (The Seweryn Udziela Ethnographic Museum in Kraków),© all rights reserved

See also:
Wooden toy — a cart pulled by horses
Toy “Wooden locomotive”