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- Date of production 19th/20th century
- Place of creation Bronowice (presently, a borough of Kraków), Małopolska Province
- Dimensions length: 131 cm, width: 127 cm
- ID no. 15665/mek
- Object copyright The Seweryn Udziela Ethnographic Museum in Kraków
- Digital images copyright public domain
- Digitalisation RDW MIC, Małopolska's Virtual Museums project
A White headscarf tied into a bonnet for the Kraków costume, decorated with flat and punch embroidery. Two sides of the scarf are cut in an openwork teeth style with small holes, the other two sides are more richly decorated. Above the openwork teeth there is a frieze composed of hemstitched and punched cone motifs. Moreover, in the spaces between the cones, there are six-petal punched flowers and embroidered small branches with leaves.more
A White headscarf tied into a bonnet for the Kraków costume, decorated with flat and punch embroidery. Two sides of the scarf are cut in an openwork teeth style with small holes, the other two sides are more richly decorated. Above the openwork teeth there is a frieze composed of hemstitched and punched cone motifs. Moreover, in the spaces between the cones, there are six-petal punched flowers and embroidered small branches with leaves.
The corner of a headscarf at the back of the head is filled with a diamond-shaped decorative feature, a flower composed of an openwork crescent in the middle surrounded by embroidered teeth. Above it and on the sides we can see the perforated flowers, motifs of cones and twigs with small leaves in partial openwork, partially embroidered with flat stitching.
The cap headpiece, also commonly referred to as a cap, is a large linen plaid embroidered (i.e., “sewn”) or printed percale, usually square, with a side length of approximately 100–170 cm. The name “cap” comes from the form that was taken by a headscarf tied on a woman's head. The technique of tying the scarfs was basically the same, but differed in details, depending on the area. The scarf was folded diagonally and overlapped several times, creating a kind of binding; the longer ends of the headscarf arranged on the head were crossed in the back and then tied over the forehead in a decorative knot. The most embroidered corner in this way hung loosely at the back. The methods of tying, pinning the ends, the width of the pleats and the length of the falling “tail” were so different that it was possible to discover from what parish or even village the woman wearing a cape headpiece came from. Hence, specialists in washing and tying the caps emerged in the village community of a particular area. A well-ironed and pinned cap “stood like a hat for six Sundays.” A clean, draped cap headpiece would be stored in a chest and worn, removed and put on several times, and disassembled only for washing.
The cap headpiece was intended for married women who were required to cover their heads. Married women wore a calico handkerchief on a daily basis, but on special occasioned they donned a white stiff piece of linen with white embroidery. The cap was still worn by girls in the 19th century, although from the late 19th century, during good weather, the girls would always walk without a headpiece, decorating long braids with flowers and colourful decorative pins. Braids were trimmed during the ceremony when a cap would be placed on the bride's head after the wedding, which — apart from the caps — constituted another element that distinguished married women who were universally recognized by Kraków inhabitants in the 1920s. Hence the urban fashion for short hair among unmarried women did not reach the villages for a long time, and none of the rural girls dared to cut their hair. In ceremonial or solemn costume, girls were obliged to have their heads uncovered, while women wore headscarves until the beginning of the 20th century.
Elaborated by Ewa Rossal (The Seweryn Udziela Ethnographic Museum in Kraków), © all rights reserved