The District Museum in Tarnów presents the rich and diverse culture of Tarnów and its surroundings. The history of the region is linked with its great aristocratic family of Sanguszko, its minor nobility and the local peasant community. The museum pieces are presented in nine departments and branches.
In one of them – the Ethnographic Museum – there is the first and so far the only permanent exhibition devoted to the culture and history of the Romani in Poland. Among the exhibits, one can see, for example, Romani costumes and original Romani wagons. Felicja Curyłowa’s Farm in Zalipie, famous for its distinctive folk paintings, is a branch of the Ethnographic Museum. It presents the interior of the painter’s former house, decorated with floral motifs, cut-outs, and painted figures on paper.

Branches:
Main Building [Gmach Główny] – temporary and historic exhibitions
Ethnographic Museum [Muzeum Etnograficzne] – the history and culture of the Romani
Town Hall [Ratusz] – works of arts from the collection of the Sanguszko family
Castle in Dębno [Zamek w Dębnie] – furnishing of castle interiors
Wincenty Witos’ Museum [Muzeum Wincentego Witosa] – the biography of the peasant activist in his family home
Manor in Dołęga [Dwór w Dołędze] – a traditional Galician manor of the nobility
Jan Matejko’s Memorabilia Museum in Nowy Wiśnicz [Muzeum Pamiątek po Janie Matejce w Nowym Wiśniczu] – drawings and notes kept in a house of the artist’s relatives
Felicja Curyłowa’s Farm in Zalipie [Zagroda Felicji Curyłowej w Zalipiu] – Zalipie paintings
Hall of Memory of the World Association of Home Army Soldiers [Izba Pamięci Światowego Związku Żołnierzy Armii Krajowej] – guerrilla activity of Home Army soldiers during World War II

Elaborated by Julia Czapla, Joanna Kotarba,
Licencja Creative Commons

This work is licensed under a Creative Commons Attribution 3.0 Poland License.

Photograph by Marek Antoniusz Święch, arch. MIK (2014),
Licencja Creative Commons

This work is licensed under a Creative Commons Attribution 3.0 Poland License.

www.muzeum.tarnow.pl

Rynek 3,
33-100 Tarnów


phone 14 621 21 49
phone 14 639 08 64
Fax 14 639 08 65
page museum

Opening hours

Rynek 3, Tarnów
Monday
closed
Tuesday
9.00 — 15.00
Wednesday
9.00 — 15.00
Thursday
9.00 — 17.00
Friday
9.00 — 15.00
Saturday
closed
Sunday
10.00 — 14.00

Ticket Prices

normal 8 PLN reduced 5 PLN family 16 PLN normal pass 16 PLN reduced pass 10 PLN Sunday — free admission to the permanent exhibition
Objects

Sculpture “Portrait Study”

The sculpture was made after 1900 by the artist-sculptor Henryk Hochman, a graduate of the Academy of Fine Arts in Kraków, a disciple of Florian Cynk and Konstanty Laszczka. Hochman continued his education in the workshop of August Rodin in Paris.

Wooden sculpture “Pensive Christ”

A wooden polychrome sculpture of Pensive Christ by an unknown author from the 2nd half of the 19th century, coming from the village of Borowa in the district of Tarnów; it was originally located in a box roadside shrine.

Mug with a cover

European goldsmithing between the 16th and the 18th century reached an unprecedented artistic and technical level, which was largely due to German masters operating mostly in the chief goldsmithing centre — Augsburg. Thanks to their mass production and high artistic class, goldsmith products from Augsburg soon dominated the markets of Central and Eastern Europe.

Soup vase with a monogram of Prince Eustachy Erazm Sanguszko

Sets of tableware were initially assembled of objects made in a different style, time, and places. Only in the 17th and 18th centuries uniformly decorated tableware, known today as services, began to appear. Until the beginning of the 19th century, there were no strict rules determining what dishes should be included in such a set; therefore, they were put together according to current fashions or the personal preference of the person ordering them...

Painting “Portrait of Seweryn Józef Rzewuski”

The portrait depicts Seweryn Jan Rzewuski of the Krzywda coat of arms, a son of Stanisław Mateusz, the Grand Crown Hetman, an older brother of Hetman Wacław Rzewuski, and of Ludwika née Kunicka.

Gypsy wagon

In the extensive exhibition devoted to the history and culture of the Romani/Gypsies, the exhibits particularly attracting the attention of visitors are the colourful wagons presented in the courtyard of the Ethnographic Museum. Preserved in the Polish landscape in the 1st half of the 20th century as well as in Polish pop culture thanks to the song by Maryla Rodowicz, they make an interesting memento of the vagabond, truly “Gypsy life”.

Longcase clock

One of the two twin longcase clocks, decorated with the imitation of green Far Eastern lacquer, comes from the castle in Podhorce, belonging originally to the Rzewuski family and subsequently purchased together with its furnishings by the Sanguszko family. The clock cases distinguish themselves with the pseudo-Chinese decoration painted in gold, enriched with European motifs and “Chinese” figural scenes and landscapes.

“Roztruchan” decorative cup

Aside from its practical functions, the silver tableware collected and stored in Old Polish houses also had representative functions. There was also a separate group of dishes of a primarily decorative character, whose original, sophisticated form, perfection of composition, and materials used for their production were to dazzle and delight the guests.

Small vase “kantharos”

In the Korzec collection in Tarnów, which numbers 450 inventory items, a small vase of the kantharos type deserves special attention. Vases of this type served as decorations and were produced on the occasion of anniversaries or other events. The excellent quality of the product and the elegance of its form and decorations prove the high level of manufacturing quality in the 1st two decades of the 19th century. In Polish museum collections, a similar small vase can be found in the collection of the National Museum in Warsaw.

Hanukkah lamp

Chanukah — the eight-day Jewish festival of lights – in its historical aspect commemorates the victorious Maccabean Revolt against the Greeks under Antiochus IV Epiphanes, whereas in its ethical aspect refers to the salvation of Judaism, the only existing monotheistic religion based on the coherent system of moral values in the 2ndcentury BC.

Cup with Orpheus

The decoration engraved on the bowl depicts the mythological scene presenting Orpheus sitting under a tree and playing the lyre, surrounded by animals. On the other side the inscription, “Orpheus playing assumedly with a tree and animals”, with spelling mistakes, which allows for attributing this exhibit to Saxon engravers from the Hein family working at that time in the Radziwiłł glassworks in Naliboki.

Dacia bowl

A clay vessel of an ashen colour, turned on a potter's wheel. It has the form of a shallow bowl or a platter on a hollow leg. It has been preserved in its entirety; few imperfections were corrected with plaster. An analysis of the form, the manner in which the vessel was made, and the analogies suggest that the bowl should be associated with the Dacian environment.

Painting “Portrait of a Young Dutch Girl”

Portraits of the members of the Sanguszko family, one of the wealthiest and most influential families in the former Commonwealth, as well as of their closest relatives make a large group in the collection of the Museum in Tarnów. They were a part of the furnishing and decoration of palace interiors in numerous ducal mansions. The portrait presented here comes from Slavuta situated on the Horyn, one of the main rivers of Volhynia (Ukraine).

Painting “Portrait of Teresa née Czartoryska Lubomirska”

The pride of the palace in Slavuta was a small pastel portrait which presented a charming teenage girl. It depicts Teresa née Czartoryska, the daughter of Józef Klemens, the founder of the china manufacturing plant in Korets. The girl’s mother was duchess Dorota née Jabłonowska, who was famous for her beauty. The author of the portrait was one of the most outstanding French painters, Elisabeth Louise Vigee-Lebrun /1755–1842/.

“Obesłanie” – metal plate bearing the emblem of the grand guild of Tarnów

One common object which was very useful in the life of a guild was the obesłanie – a sign used to authenticate transferred messages. The Obesłanie was used by a messenger when he had to pass a message from the guild elders to other members of the guild. They were informed of all important issues concerning the guild: meetings, funerals, celebrations and the like, and obesłanie had a similar function to a contemporary membership card.

Painting “Portrait of Klementyna Sanguszko Ostrowska” of Vincenzo Camuccini

The portrait of Klementyna Countess Ostrowska, of the aristocratic Sanguszko family (1786–1841), was made around 1822. The author was Vincenzo Camuccini, a famous Italian artist, professor of the Academy of St. Luke in Rome. It comes from the palace of the Sanguszko family in Gumniska where, among a rich collection of works of art, there was also a collection of family portraits.

Hunting arquebus

Hunting arquebus with a wheel-lock, after Jan Klemens Branicki (1689–1771), the Grand Hetman of the Crown. Old-time hunting, being an elite form of entertainment for the highest levels of society, required an adequate frame, created by, e.g., luxurious firearms. This kind of weapon was usually made from precious materials and artfully decorated in a style typical of the epoch.

Sculpture “Roman Damian Sanguszko's bust”

In the collection there is a bust sculpture depicting an image of Roman Damian Sanguszko (1832–1917). Roman Damian was the eldest son of Władysław and Izabela née Lubomirski, and a landowner in the Zaslav Region, an heir to the family property in Volyn. He managed property in the Slavuta Region and the famous horse stud in Chrystivka.

Chalice with 12 months representation

One of the most valuable objects in the Museum in Tarnów, due to its artistic status, is a goblet with a lid, and with a depiction of 12 months. It is associated with Saxony, with the Royal Glassworks in Dresden. It has a structure typical of celebratory chalices, and it is additionally enriched with a conical decorative lid.

Manuscript “The privilege of Stanisław Koniecpolski for Jews from Tarnów” with a seal

Jewish settlements in Poland began during the period of the Piast dynasty and increased in the 14th-16th centuries. At first, Jews settled in larger towns, in search of better living conditions. The first Jews arrived in Tarnów in the mid-15th century. The proof of this is the mention of Kafel, a Jew, which can be found in the court files of Lviv from 1445.