This large container with a low barrel-shaped belly, a wide neck and an attached hemispherical lid with an arched handle is decorated with an engraved geometrical and plant ornament. These decorations are based on an adherence to the principles of symmetry and harmony according to Quran teachings. The container was made with great attention paid to its appearance and beauty as it is to be a reflection of a better world and to bring good luck.
This icon comes from an Orthodox church in the village of Czarna in the Beskid Sądecki. It presents a whole-figure depiction of St. Dmitry, shown en face, with a cross in his right hand and with his left hand making a gesture of profession of the Christian faith. The saint is shown in ancient robes, without attributes of a soldier's profession. His name is inscribed above his head in the Cyrillic alphabet.
The cross comes from an Orthodox church in Łosie near Krynica. It is one of the nine Orthodox processional crosses in the Museum's collection. Due to the richness of the depictions and its artistic value, it is one of the most valuable among the crosses and is displayed in the permanent exhibition of the Orthodox church art. Like most Lemko processional crosses, it is painted on both sides. On its one side there is a representation of Crucified Christ, on the other – the Baptism of Christ.
A mezuzah is a small oblong container made mostly of metal or wood, containing a parchment rolled into a scroll (klaf) on which two passages of the Torah, from the Book of Deuteronomy, are written by hand in Hebrew.
Chanukah — the eight-day Jewish festival of lights – in its historical aspect commemorates the victorious Maccabean Revolt against the Greeks under Antiochus IV Epiphanes, whereas in its ethical aspect refers to the salvation of Judaism, the only existing monotheistic religion based on the coherent system of moral values in the 2ndcentury BC.
The exhibit comes from an Orthodox church in Szczawnik, a village situated to the north of Muszyna. In the centre of the depiction there is a cross placed on a rock with a skull of Adam, the symbolic Golgotha.
The icon was originally located in an Orthodox church in Szczawnik, a village situated to the north of Muszyna. Its central part is filled with a whole-figure depiction of St. Michael the Archangel, shown en face, who is holding a sword up in his right hand; in his left hand, he is holding a scabbard. The figure is dressed as an armed warrior, with a short tunic, armour and a tied above his left shoulder.
Jewish settlements in Poland began during the period of the Piast dynasty and increased in the 14th-16th centuries. At first, Jews settled in larger towns, in search of better living conditions. The first Jews arrived in Tarnów in the mid-15th century. The proof of this is the mention of Kafel, a Jew, which can be found in the court files of Lviv from 1445.
Kęty and its surrounding areas had been inhabited by the Lendians for centuries. Female costume is one of the few examples of Lendian culture which have survived to the present day, n examples of which are presented at the museum in Kęty. Single examples of such costumes could still be seen on the streets of Kęty in the 1970s.
A coif (czepec) was an obligatory headgear for married Lemko women. It has the form of a shallow cap consisting of a horseshoe-shaped bottom folded in the bottom part and a surrounding rim with rounded edges.
The presented corset comes from the village of Rozdziele. Corsets (lajbyky) were worn by Lemko women – brides and young married women. They were worn over blouses.
The bonnet has been in the collection since 1960, yet is not known how came to be included there. Four photographs from the exhibit are preserved in the Museum’s archives, purchased in the late 1960s or early 1970s. On the reverse side there is a note stating that the bonnet's owner was Ludwika Popardowska from Brzezna, a village near Nowy Sącz, and it was her mother’s memorabilia.
The words of David. Commentary on the Jewish calendar. In the introduction the author writes that the knowledge concerning the Jewish calendar is scattered in the papers of Rishonim and Acharonim (medieval and later scholars), and from generation to generation slowly fades away due to the small number of those who could understand and practice in this area.
The parchment scroll containing text of the Five Books of Moses, i.e. the Books of Genesis, Exodus, Leviticus, Numbers, and Deuteronomy was hand-written in Hebrew, rolled onto two sticks; the so-called ace(i) chaim [shafts of life] made of oak wood was furnished at the ends with pairs of wooden plates with a diameter of 17.5 cm, and handles for rolling the scrolls. The handles are profiled, with a head decorated with ivory buttons in the upper part and an ivory sleeve at the bottom.
How thee Torah scroll is made?
A special celebration has been held for several years on one December evening in Szeroka Street, located in Kazimierz, the old Jewish quarter of Kraków. After the speeches of the invited guests (usually including the Mayor of Kraków, representatives of cultural institutions, and rabbis), a lamp is lit on a large eight-branch candelabrum called the Hanukkah Menorah. There is joyful atmosphere, the participants sing and dance, and then everyone is offered a donut...
The Hanukkah lamp is lit during the Hanukkah celebrated to commemorate the victory of Judah Maccabee over the Seleucids in 164 BC as well as the ritual purification of the profaned Temple of Jerusalem and its reconsecration during the eight-day celebration. The new furnishing for the Temple was made...
The exhibit comes from an Orthodox church in the village of Królowa Ruska (after the displacement of the Lemkos, it was named Królowa Górna). Originally, the pulpit consisted of three parts: a canopy with an image of the Holy Spirit, a basket and a casing of the stairs with a balustrade in the form of a rhomboid board, with a painted representation of a two-horse cart with the prophet Elijah rising to the sky on a fiery cloud.
On the eastern wall of the former Town Hall in Kazimierz shown in the photo by Jan Motyka, there is a plaque commemorating the arrival of Jews in Poland. Originally the plaque was placed...
The retable comes from an Orthodox church in Izby, a village located near the Slovakian border, to the east of Krynica. It has a unique form modelled on the arrangement of the Subcarpathian iconostasis, though in an architectural frame typical of the altars of the Roman church. It is an example of westernisation, which involves adapting western patterns to eastern culture.