The collection of King Zygmunt’s tapestries, since its first presentation in the chambers of Wawel castle, has aroused admiration. The ideological and artistic wealth of the tapestry has provided intellectual stimulus for its contemporary audience. It has also had an impact literary works such as Panegyric by Stanisław Orzechowski. Jan Kochanowski, who had been inspired by the sight of a satyr on one of the royal fabrics (see: Tapestry with the monogram of Zygmunt August on a cartouche held by satyrs),e made the forest god the main hero of his political satire: Satyr or Wild man (1563, published in 1564).
The base of the scales is a wooden box with three drawers, covered with a marble top. The arms of the scales are made of coloured metal and hung on a zinc-aluminium statue of the god of medicine, Asclepius.
On a wooden box with three drawers covered with a top made of white marble stands a zinc-aluminium alloy statuette. It depicts the goddess Hygeia with a snake wrapped around her hand, dressed in an antique gown.
The sculpture was purchased by Artur Potocki in 1829 from Thorvaldsen’s atelier in Rome. In 1830, it was located in the palace in Krzeszowice, and since 1945 it has been in the National Museum in Kraków. Along with Antonio Canova of Italy, Bertel Thorvaldsen of Denmark was the most outstanding Neoclassical sculptors. The subject of this work was drawn from the Metamorphoses by Ovid (book I ).
Loro Blonyo – sculptures of a young couple representing Dewi Sri, the goddess of rice, and her husband Sadhono. The Loro Blonyo figures are an inseparable couple. Like the deities, they are considered symbols of fertility, granting the ability to have many descendants and to ensure good harvests, happiness, and prosperity, as well as a long life in good health and peace.
An example of a clock in the shape of a figure, a popular style of mantelpiece clock in the 2nd half of the 18th century. It depicts Apollo with a lyre and a laurel wreath on his head, sitting on the top of an obelisk containing the mechanism of an anchor escapement and a mainspring.
A fragment of a clay leg preserved in the form of a bare, right foot. Visible toes marked with short cuts. On the inner side, under the heel, below engraved lines, six short, diagonal lines are visible. The foot is slightly bent inwards; it is narrower at the heel and it widens towards curving arranged fingers.
A unfolding case used for playing backgammon, chess and so-called “Polish draughts” is an example of the activity of workshops operating in Eger in the 17th and at the beginning of the 18th centuries. Their works enjoyed popularity in Europe at that time, due to their interesting designs and unique method of colourful relief intarsia applied for ornamentation.
The object presented here comes from Carnuntum, the Roman army camp and city situated on the Danube between Vienna and Bratislava. The bas-relief depicts a scene of a bull being killed by Mithra. The deity, dressed in a Roman tunica and wearing a Phrygian cap, is kneeling and supporting the animal with his left knee.
This well-made figurine represents a sitting ibis with big head on arched neck, long beak and claws. The details of the beak and legs, as well as of the feathers, are engraved. An ornamental collar (?) masks the junction of...
With over two thousand years mummy comes from the excavations carried out in 1907 in el-Gamhud by the first Polish Egyptologist, Tadeusz Smoleński. The goddess Isis – Aset-iri-khet-es – lies in a sarcophagus with an impressive lid. Through research conducted in 1996 it found that it was a young woman who died approx. two thousand 300 years ago as a result of blood loss caused by arterial puncture fractured leg. Specialists able to determine, among others, the genetic code of the deceased and her blood type. It is the largest in terms of the size of the object from the collection of Egyptology in Poland and is best examined by specialists.
The object was purchased from Mohareb Zaaki by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II. The mummy has a gilded wax mask. The sarcophagus with the head of Horus and a striated wig on the breast bear the necklace composed of a chapel with Ibis inside.
“Pseudo-mummy”, formed of Nile silt mixed with resin and germinating seeds, molded and then wrapped in linen bandages. Silver mask with traces of gilding in the place of the face. Eyes marked with drawn out corners, eyebrows painted brown, small nose and prominent ears. The crown of Upper Egypt on its head and a hole for the beard in the chin. Silver masks, unlike the waxen ones, are extremely rare in this kind of objects.
The shroud was purchased from the Egyptian Museum in Cairo by soldiers of the Polish Independent Carpathian Rifle Brigade during WW II and granted to the Archaeological Museum. The right side of the shroud represents the deceased person as Osiris. The head in a wig is decorated with a crown of ostrich feathers with a solar disk placed on the horns with uraei on the sides.
The representation on the bandages illustrates a fragment of chapter 125 of the Book of the Dead, the scene of “weighing hearts”. The Book is a set of formulas and spells, which are supposed to help the deceased to achieve eternal life in another world and to put down the demons of darkness, but foremost to be favourably judged of Osiris. The figures shown on the bandages, usually 42 of them, picture the Egyptian nomes, which functioned simultaneously as religious centers. The judges of the Tribunal of Two Justices are the same time the guardians of the sinners.
Mummy was carefully wrapped in resinated bandage, the crossing bands created geometrical pattern. In the upper part it is formed to resemble the head of a falcon with all the essential details being marked on it. X-ray made of the mummy have revealed no mummified remains under the bandages; inside are the bones of an animal. The falcon's skeleton being mixed with, as paleontologist have discovered, the bones of a frog and lizard, presumably the bird's last meal.
With the first wave of Buddhism that swept the entire archipelago, a Hindu bodhisattva arrived in Japan: Avalokiteshvara. In India, he was considered the spiritual son of Buddha Amitabha (in Japanese – Amida), and also the “ocean of compassion” as well as the embodiment of Mahayana virtues.
Inwokacja zapisana przez N.A. Newskiego. „Twój oddech, ciepłem wiejąc, otuchy dodaje...
A statuette of a sitting ibis on a wooden pedestal. The god was a personification of Thot, patron of scribes, legendary inventor of hieroglyphic writing. Thot was also the god of magic and a healer in consequence. The statue comes from Hermopolis, which was the main center of his worship. Inside the wooden body of the statuette, the bird's linen-wrapped remains can be found...
The sarcophagus made of sycamore wood was found during the excavations conducted in 1907 in el-Gamhud by the first Polish Egyptologist, Tadeusz Smoleński. It is a “belly coffin” type of sarcophagus; an anthropoid one, with a flat bottom and a convex lid. The head of the coffin is covered with a blue wig. The breasts are decorated with a semi-circular necklace finished with falcon heads, topped with solar disks.