Besamin boxes [heb. bassamim, psumin-byksy] served as containers for spices and were used during the end of the Sabbath and were usually tower-shaped, whereas the besamin box from Sącz was in the shape of a fish, whose head, connected with a trunk with a hinge could be opened and tilted.
The eight-branched candelabrum made in honour of the Hanukkah festival – the victorious Maccabean Revolt. The festival – recorded in the books of Tanakh (Hebrew Bible) – is over 2,000 years old.
An etrog tin in the shape of a pomegranate with three leaves, oxidised and open in the middle. The exhibit presumably belonged to rich Jews, as only they could afford such a decorated, silver container, used to carry the etrog to a synagogue on the holiday of Sukkot.
Anna Baumgart’s film, Article 1000 (Paragraf 1000), is the result of the artist’s search in the archives of the Falstad Centre. During the years 1941–1945, this location served as an SS prison camp, and, after the WWII, it was transformed into a prison for people collaborating with the Nazis. The starting point for the artist was the documentation found as a result of a query and fragments of the New Year’s performance script, staged by convicts in 1947, which went on to become a political scandal.
In the 19th century and up to the mid-20th century, Kraków was a major centre of the folk toy industry. This was because during winter (when bricklaying ceased), the masons of the suburbs of Kraków: Zwierzyniec, Krowodrza, Czarna Wieś, Ludwinów and Podgórze (which was a separate town until 1915) could earn extra money by building and selling cribs, as well as going carolling with puppet nativity scenes. They were also engaged in the production of popular toys to be later sold during annual spring fairs.